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Katalog ulazak

Bacchante

1786. Engraving, 2359.0 x 395.0 cm. Ermitaž.

Sl. 1. Francesco Bartolozzi, Bacchante, 1786. Prikazano kao reprodukcija koju ste odabrali: , .

§ 1Katalog podaci

Dimenzije
2359.0 x 395.0 cm

§ 2Apstraktno

Opis predmeta

Francesco Bartolozzi’s ‘Bacchantes,’ created in 1786, showcases Angelica Kauffman’s masterful depiction of three women immersed in peaceful contemplation amidst the tranquil beauty of the forest. The engraving captures a moment of idyllic friendship and artistic elegance.

Biografija umetnika

Italian engraver famed for the crayon method, using delicate dots and colored inks to create soft, chalk-like portraits and allegories.

§ 3Komentar

A Moment in the Woods

In this 1786 composition, we find ourselves drawn into a quiet, wooded setting where three women are gathered. There is a sense of ease in their posture, a feeling of shared companionship that feels almost private, as if we have stumbled upon a fleeting moment of rest. The figures are positioned with a natural grace; one woman rests on the left, while the other two are situated closer to the right, creating a balanced, rhythmic arrangement within the foliage. Nature surrounds them, populated by two birds—one drifting near the upper-left corner and another settled toward the bottom-right—adding a subtle layer of life to the tranquil scene. It is a study of repose and the gentle harmony found in the company of others.

Technical Nuance and Origin

This work is a stipple engraving, printed in colours, representing a second state of the print. The technique relies on the delicate application of small dots to build form and tone, a method that allows for a softness of texture that traditional line engraving often lacks. It is a reproduction of a painting by Angelica Kauffman, translated through the skilled hand of Francesco Bartolozzi. The precision of the stipple allows for a subtle gradation of light and shadow across the skin of the women and the surrounding leaves.

  • Technique: Stipple engraving printed in colours
  • State: 2nd state
  • Medium: Print after a painting

The Art of the Engraver

Francesco Bartolozzi brought a specific sensitivity to this piece, characterized by a soft, chalk-like quality that mimics the texture of a drawing. His ability to translate the painterly nuances of Kauffman's original vision into the medium of engraving is evident in the way the light settles upon the figures. The work reflects the Neoclassical sensibilities of the late 18th century, focusing on clarity and the idealized beauty of the human form. It remains a significant example of how printmaking could capture the delicate atmosphere of a painted scene, preserving the mood of the original through meticulous, pointillist detail.

Pitanja i odgovori

Da li je „Bacchante”, autor Francesco Bartolozzi svetlo ili tamno umetničko delo?

„Bacchante“ ima ukupnu osvetljenost od brilliant, dok je luminansa Bright Balance.

Iz kog je doba "Bacchante"?

Istorijska epoha dela „Bacchante”, autor Francesco Bartolozzi je Early Modern. Ova klasifikacija smešta delo u okvir istorije umetnosti.

Kako mogu da preuzmem sliku dela „Bacchante”, autor Francesco Bartolozzi?

„Bacchante”, autor Francesco Bartolozzi možete preuzeti na stranici za Preuzimanje digitalnog prikaza ovog dela, kao preuzimanje digitalne slike visoke rezolucije.

§ 4Umetnik

Francesco Bartolozzi

Francesco Bartolozzi

1728 - 1815, Italy

Kratke činjenice o umetniku Francesco Bartolozzi

  • Name: Francesco Bartolozzi
  • Movement: Neoclassical
  • Birth Date: 1725
  • Death Date: 1815
  • Influenced: Michele Benedetti, Ignatius Joseph van den Berghe, Thomas Cheesman, Lambertus Antonius Claessens, Daniel Gardner, Christiaan Josi, Johan Fredrik Martin, Conrad Martin Metz, Luigi Schiavonetti, John Keyse Sherwin, Heinrich Sintzenich, Peltro William Tomkins, Don Bernardo Zilotti, Gabriel Scorodomoff
  • Birth Place: Florence, Italy
  • Nationality: Italian
  • Date Of Birth: 1725
  • Date Of Death: 1815
  • Influenced By: Joseph Wagner, Ignazio Hugford, Giovanni Domenico Ferretti
  • Notable Works: Clytie, Virgin and Child, plates for Shakespeare Gallery
  • Place Of Birth: Florence, Italy

Biografija umetnika

Francesco Bartolozzi: Life and Legacy

Early Life and Training

  • Born: Florence, Italy in 1725.
  • Initially destined to follow his father’s profession as a goldsmith and silversmith.
  • Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
  • Spent three years dedicated to painting before turning his attention to engraving in Venice.
  • Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.

Artistic Development and Style

  • Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
  • He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
  • The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
  • His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.

Career in London

  • Moved to London in 1764 and remained there for nearly forty years.
  • Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
  • Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
  • Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
  • Frequently collaborated with artists such as Cipriani and Angelica Kauffman.

Major Achievements and Works

  • Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
  • His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
  • In 1802, he became the founding president of the short-lived Society of Engravers.
  • Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.

Later Life and Historical Significance

  • In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
  • He died in Lisbon in 1815.
  • Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
  • His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.

§ 5Srodna dela

§ 6Pitanja

Osnovne informacije

  • Artist: Francesco Bartolozzi
  • Dimensions: 2359 x 395 cm
  • Artistic style: Neoclassical

Kviz o umetnosti

Svako pitanje ima samo jedan tačan odgovor.

Pitanje 1:
What is the title of the artwork?
Pitanje 2:
In what year was this painting created?
Pitanje 3:
Which artist is credited with creating 'Bacchante'?
Pitanje 4:
The description suggests the painting depicts a scene with what elements?
Pitanje 5:
Bartolozzi was known for popularizing which specific engraving technique?

§ 7Citiraj ovaj unos

AllPaintingsStore.com, “Francesco Bartolozzi, Bacchante (1786)”, https://allpaintingsstore.com/sr/art/francesco-bartolozzi-bacchante-8Y32HT-en/ArtistReproduction/ (prizren 27 октобар 2026).

§ 8Reprodukcija

Ručno rađena uljana reprodukcija

Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

To je navedeno u margini narudžbenice; trenutno stanje tog dokumenta glasi kao sledi.

Bacchante

Tehnika reprodukcije

Dimenzije reprodukcije

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Vrhunski maestri umetnosti

Više detalja, prefinjenosti i dodatnog vremena za izradu

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Okvir za reprodukciju

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Za umetnička dela ili reprodukcije čija je bilo koja strana veća od 105 cm (približno 41 inč), okvir će biti isporučen u obliku rastavljenog seta za sklapanje. Ovaj metod osigurava bezbednu dostavu i sprečava oštećenja tokom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod namenjen samostalnoj izradi.
Set mora sastaviti i platno zategnuti iskusni profesionalni ramitelj, koristeći drveni lepak (nije uključen u set), hvataljku za zatezanje platna i stege kako bi se održao prav ugao okvira dok se lepak suši. Nepravilno sklapanje ili neravnomerno zategnuto platno mogu trajno oštetiti umetničko delo, što nije pokriveno našom garancijom.

  • Sve šipke od masivnog drveta su uključene, precizno isečene po veličini.

  • Montira se pomoću priloženih šrafova, uz dodatno korišćenje lepka za drvo za spojeve u uglovima, koji nije uključen u set i koji vaš čuvar okvira mora obezbediti.

  • Potreban je profesionalni alat koji nije uključen u set: klešta za zatezanje platna (zatezač) i stege za održavanje pravih uglova letvica tokom sušenja lepka.

Važno:
Za spojeve u uglovima neophodan je lepak za drvo, šipke se moraju pričvrstiti stezgama dok lepak potpuno ne osuši, a za zatezanje platna na sklopljenom ramu potrebne su hvataljke za zatezanje platna. Nijedan od ovih alata nije uključen u komplet. Pre naručivanja ove veličine, molimo Vas da unapred obezbedite iskusnog profesionalca za ramačenje.

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