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      Reason

      Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.

      Pitanja i odgovori

      Koliko je "Reason" ukupno svetla?

      U pogledu percepcije osvetljenosti, „Reason”, Kader Attia je shadow.

      Ko prodaje ručno oslikane kopije dela „Reason”, Kader Attia?

      Reason“ je dostupan kao ručno oslikana uljana reprodukcija na lanenom platnu. Porudžbinu možete izvršiti na ova stranica, uz izbor različitih dimenzija.

      Gde mogu pronaći statistiku o delu „Reason”, Kader Attia?

      Stranica Statistika za delo „Reason”, Kader Attia prikazuje statistiku javnih poseta: mesečne posete ovom umetničkom delu, poređenje sa najgledanijim radovima ovog umetnika i poreklom posetilaca.

      Da li je dostupno preuzimanje za "Reason"?

      Preuzimanje je dostupno za "Reason": stranica Preuzimanje ovog umetničkog dela nudi preuzimanje digitalne slike visoke rezolucije.

      Da li je „Reason”, Kader Attia svetlo ili tamno umetničko delo?

      Zabeležene vrednosti za „Reason”, Kader Attia su: osvetljenost shadow, luminansa Soft Shadow.

      Kako mogu da otkrijem dela koja su slična delu „Reason”, Kader Attia?

      Radovi slični delu „Reason“ navedeni su na stranici Slična dela ovog umetničkog dela.

      Ka kojoj nijansi teži "Reason"?

      Amber to Saffron nijansa prožima delo „Reason”, Kader Attia.

      Kako mogu da nabavim print dela „Reason”, Kader Attia?

      "Reason" je dostupan kao umetnička štampa na pamučnom platnu ili arhivskom kanvas papiru. Porudžbine se vrše na ova stranica, u dimenziji po vašem izboru.

      Kader Attia (1970 –)

      Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.

      EVA International (Limerick City, Republika Irska)

      Kao vodeći irski biennale savremene umetnosti, EVA International transformiše Limerick kroz izložbe u istorijskim znamenitostima. Istražite globalnu kreativnost.

      O ovom umetničkom delu