Reason
Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.
Pitanja i odgovori
Da li je „Reason”, Kader Attia svetlo ili tamno umetničko delo?
Zabeležene vrednosti za „Reason”, Kader Attia su: osvetljenost shadow, luminansa Soft Shadow.
Kako se kontrast i harmonija spajaju u delu "Reason"?
U delu "Reason", Statement kontrast je uparen sa Strong Color Unity harmonijom.
Ko prodaje ručno oslikane kopije dela „Reason”, Kader Attia?
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Kader Attia (1970 –)
Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.
EVA International (Limerick City, Republika Irska)
Kao vodeći irski biennale savremene umetnosti, EVA International transformiše Limerick kroz izložbe u istorijskim znamenitostima. Istražite globalnu kreativnost.
O ovom umetničkom delu
- Naslov: Reason
- Umetnik: Kader Attia
- Godina: 2015
- Format: Landscape
- Status autorskih prava: Pod autorskim pravima
- Gde se može videti: EVA International
- Boja (nijansa): Amber to Saffron
- Intenzitet boje: Monochromatic