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      The breakfast table

      Experience 'The Breakfast Table' by John Brack (1958). A vibrant snapshot of domestic life, capturing a family’s morning meal with bold colors and dynamic composition. Explore Australian art at the Art Gallery of NSW.

      Istražite kultna australijska slika Johna Bracka! Poznat po prikazivanju urbanog života i jedinstvenih perspektiva, ovaj uticajni umetnik nudi oštar realizam. Otkrijte njegovo nasleđe i dela poput 'Collins St., 5 pm'. #AustralianArt #JohnBrack #Realism

      Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

      Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

      Giclee štampa / Umetnički otisak

      Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Naručite ručno oslikano reprodukciju Pređi na prodaju digitalnih slika)

      Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118B дин10
      Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118H дин10
      Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P118W дин10
      Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
      P438Z дин10
      Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508JH дин12
      Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P508YH дин12
      Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805H дин10
      Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
      P805Z дин10
      Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919BZ дин10
      Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919G дин10
      Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
      P919XJ дин10
      Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
      P959ZH дин10
      Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
      P968JZ дин12
      Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
      W106C дин8
      Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
      W218G дин10
      Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
      W218JH дин8
      Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
      W218Y дин10
      Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W307PJ дин10
      Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
      W316G дин10
      Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
      W316PJ дин8
      Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
      W316Y дин10
      Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
      W398PJ дин8
      Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
      W4111J дин10
      Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
      W500HY дин15
      Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
      W500JH дин15
      Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
      W692G дин12
      Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
      W849H дин8
      Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
      W940BG дин15
      Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
      W953PJ дин8

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      Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
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      Ukupna cena

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      The breakfast table

      Giclee štampa / Umetnički otisak

      Veličina reprodukcije

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      Ukupna cena

      дин 6461

      Brzi pregled

      • Artist: John Brack
      • Medium: Oil on canvas
      • Subject: Domestic scene
      • Influences: Australian life
      • Dimensions: 122.2 x 68.7 cm
      • Notable elements: Geometric composition
      • Title: The Breakfast Table

      Kviz o umetnosti

      Svako pitanje ima samo jedan tačan odgovor.

      Pitanje 1:
      What is the primary subject matter of John Brack’s ‘The Breakfast Table’?
      Pitanje 2:
      In what year was ‘The Breakfast Table’ painted?
      Pitanje 3:
      Which art movement is John Brack most associated with?
      Pitanje 4:
      What technique does Brack primarily employ in ‘The Breakfast Table’?
      Pitanje 5:
      The painting utilizes strong lighting. What effect does this lighting primarily create?

      A Moment Frozen in Time: John Brack’s “The Breakfast Table”

      John Brack's "The Breakfast Table," painted in 1958, isn’t merely a depiction of a morning meal; it’s a carefully constructed tableau brimming with quiet observation and subtle commentary on Australian domestic life. This iconic work, now residing within the National Gallery of New South Wales, offers a captivating glimpse into a seemingly ordinary scene—a family breakfast—transformed by Brack's masterful use of color, composition, and perspective.

      The painting immediately draws the eye with its vibrant palette. Brack eschews the muted tones often associated with still life, opting instead for an almost fluorescent yellow for the tabletop, a hue that feels both startlingly modern and deeply rooted in the Australian landscape – reminiscent of the harsh sunlight reflecting off the red earth. This bold choice contrasts sharply with the deep shadows cast by the objects scattered across the surface, creating a dynamic interplay of light and dark that anchors the composition and imbues it with a sense of immediacy. The careful arrangement of the cutlery, plates, bottles, and cups isn’t haphazard; each element is deliberately positioned to contribute to the overall narrative.

      The Language of Domesticity

      Brack's genius lies in his ability to convey more than just the visual elements of a breakfast scene. He captures the *feeling* of that moment—the lingering traces of activity, the unspoken interactions between family members, and the subtle sense of routine that defines everyday life. The empty glasses, cups, and plates speak volumes about the recent departure of the occupants, while the scattered crumbs hint at the remnants of a shared meal. Brack’s use of aerial perspective – looking down on the table as if from above – creates an intimate yet slightly detached view, inviting the viewer to become a silent observer within this domestic drama.

      The painting's significance extends beyond its immediate subject matter. It emerged during a period of significant social and artistic change in Australia, coinciding with the rise of the Antipodeans group—a collective of artists who sought to capture the unique character of Australian life. Brack’s work, like that of his contemporaries (including Sidney Nolan and Russell Drysdale), challenged traditional European art conventions and embraced a distinctly Australian sensibility. “The Breakfast Table” exemplifies this shift by focusing on familiar subjects – domesticity, family, and everyday routines—and presenting them with a fresh, modern perspective.

      Symbolism and Brack’s Vision

      While seemingly straightforward, "The Breakfast Table" is rich in symbolic detail. The abundance of tableware suggests a sense of plenty and comfort, while the emptiness hints at a transient moment – a pause before the demands of the day begin. The carefully chosen objects—bottles, spoons, cups—are not merely props but represent the tools and rituals of daily life. Brack’s deliberate arrangement creates a geometric pattern that subtly reinforces the painting's sense of order and control, even as it captures the inherent chaos of a busy household.

      Furthermore, Brack was known for his sharp observations of Australian society and his ability to capture its quirks and contradictions. “The Breakfast Table” can be interpreted as a commentary on the changing role of women in post-war Australia—the shift from traditional domestic roles to more independent lifestyles. The painting’s focus on the mundane details of everyday life suggests a quiet celebration of the ordinary, while also hinting at the unspoken tensions and complexities that lie beneath the surface.

      A Timeless Masterpiece

      "The Breakfast Table" remains one of John Brack's most celebrated works, admired for its striking visual impact, its insightful commentary on Australian culture, and its enduring emotional resonance. It’s a painting that invites repeated viewing, revealing new layers of meaning with each encounter. Whether you are an art enthusiast, a collector seeking to add a significant piece to your collection, or simply someone looking for inspiration, “The Breakfast Table” offers a captivating glimpse into the heart of Australian life and the genius of one of its most important artists.

      Pitanja i odgovori

      Kolika je luminansa dela „The breakfast table”, Džon Brak?

      „The breakfast table”, Džon Brak ima luminancu od Bright Balance. Luminanca opisuje koliko se čini da boje reflektuju svetlosti.

      Ko je kreirao "The breakfast table"?

      Umetnik koji stoji iza dela "The breakfast table" je Džon Brak. Delo je katalogizovano pod imenom umetnika Džon Brak.

      Gde se "The breakfast table" nalazi među uobičajenim motivima umetnika Džon Brak?

      Među zabeleženim temama umetnika Džon Brak – antipodean realism, urban life, post-war australian domesticity, sharp observation, social commentary, group style, brack's iconography, domestic scenes – delo "The breakfast table" donosi sopstveni fokus na breakfast table, australian art, domestic scene, john brack, 1958, family life, composition, still life.

      U kojoj godini je nastalo delo „The breakfast table”, Džon Brak?

      Delo „The breakfast table”, Džon Brak nastalo je 1958.

      Na koji način se "The breakfast table" uklapa u teme i stil umetnika Džon Brak?

      U okviru celokupnog stvaralaštva umetnika Džon Brak, delo "The breakfast table" pripada stilu Contemporary Realism, uz prisustvo tema kao što su antipodean realism, urban life, post-war australian domesticity, sharp observation, social commentary, group style, brack's iconography, domestic scenes.

      Da li je "The breakfast table" ostalo u domovini svog umetnika?

      Da - umetničko delo se čuva u matičnoj zemlji umetnika. Umetnik je rođen u Australija, dok se originalno delo nalazi u Australija.

      U kojim godinama je Džon Brak stvorio/la "The breakfast table"?

      Džon Brak je kreirao/la "The breakfast table" u uzrastu od 38 godina. Umetnik je rođen/a 1920, a datum stvaranja dela je 1958.