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Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade.
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Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (26 јул)
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
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Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povrata u roku od 60 dana (samo u slučaju nedostataka)
Garancija povrata novca od 100%
Popust pri grupnoj kupovini
Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
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Giclee štampa / Umetnički otisak
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Biografija umetnika
Patrociño Barela: The First Hispanic Artist Recognized Nationally
Patrocinio Barela (1900–1964) stands as a singular figure in twentieth-century Hispanic New Mexican art, recognized by scholars and artists alike as the inaugural Mexican-American artist to achieve widespread acclaim. Born around 1900—precise birthdates remain elusive—Barela’s formative years unfolded amidst hardship and itinerant labor, shaping his artistic vision profoundly.
His early life was marked by profound loss; both his mother and younger sister succumbed to illness before he reached adolescence. Largely self-educated, Barela pursued formal schooling for mere weeks, demonstrating an innate aversion to structured learning. He embarked on a nomadic existence as a steelworker, miner, railroad laborer, farmhand, and unionized carpenter—experiences that instilled in him a deep understanding of the human condition.
In 1930, he married Maria Sanchez, establishing a family rooted in Taos County, New Mexico. With seven children, Barela’s domestic life mirrored the turbulent currents of his broader world. Legend recounts that a priest encouraged him to repair a damaged wooden santo—a figure of St. Anthony—sparking his lifelong passion for wood carving.
His artistic journey commenced in 1931, propelled by an instinctive affinity for juniper and cedar. Barela’s distinctive style diverged markedly from the traditional santero practice of replicating centuries-old polychrome prototypes; instead, he crafted sculptures imbued with expressive primitivism, surrealism, and a palpable emotional resonance.
The Works Progress Administration (WPA) played an instrumental role in nurturing Barela's talent. Assigned to a horse-drawn cart, he participated in the Public Works of Art Project (PWAP), gaining recognition from critics nationwide—particularly Henry Moore, who likened his sculptures to those originating in Africa and Oceania.
Time magazine hailed Barela as “the discovery of the year,” cementing his place in art history. Two subsequent exhibitions showcased his work at the San Francisco Golden Gate Exposition and the American Art Today show at New York’s World’s Fair, further establishing him as a national sensation. His unwavering dedication to carving—despite facing considerable personal challenges—inspired generations of Hispanic New Mexican artists.
Barela's legacy extends beyond his artistic output; he fostered a family of artists who continue the tradition of crafting sacred objects from juniper and cedar. Today, his sculptures are treasured collector’s items, embodying a singular aesthetic that continues to captivate audiences worldwide.
patrociño barela
1900 - 1964
Osnovne informacije
- Artistic Movement Or Style: Expressionist
- Artists Or Movements Influenced By This Artist: ['Santero']
- Artists Who Influenced This Artist: ['Henry Moore']
- Date Of Birth: c. 1900
- Date Of Death: October 24, 1964
- Full Name: Patrociño Barela
- Nationality: Mexican-American
- Notable Artworks:
- David and Goliath
- Saint George
- Place Of Birth: Bisbee, Arizona
