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StatistikaThree-Sided Vortex
1966
41.0 x 20.0 cm
Chrysler Museum of Art
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Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.
Kao poštovana i legalna alternativa, nudimo prilagođene, ručno oslikane umetničke radove inspirisane originalom. Naši stručni i profesionalni umetnici pažljivo proučavaju stil, ambijent i umetničku suštinu originala kako bi kreirali novo, unikatno delo koje budi istu emociju – ostajući pritom potpuno autentično stvaranje.
Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.
Ručno rađena uljana reprodukcija
Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. (
Pređi na prodaju štampanih primeraka Pređi na prodaju digitalnih slika)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Unesite širinu i visinu koja vam je potrebna, kako bi se uklopili u vaš ram ili zid. Pošto je ovo ručno oslikano delo, umetnik može naslikati malo više prostora oko slike ili malo skratiti ivice za dimenzije drugačijeg oblika — izbor je na vama. Pre početka rada, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja konačan rezultat — samo digitalni prikaz pokazuje stvarnu sliku.
Nakon narudžbine, tim AllPaintingsStore.com će klijentu putem e-pošte poslati uputstva i dostaviti prikaz predloženog rešenja
Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (25 октобар). Bez kompromisa po pitanju kvaliteta.
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Sveobuhvatno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja i autentičnosti pri reprodukciji
Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
Garancija povrata 100% novca
Popust pri većoj količini
Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
Three-Sided Vortex
Tehnika izrade reprodukcije
Veličina reprodukcije
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Ukupna cena
дин 26601
Srodna umetnička dela
Biografija umetnika
Early Life and Artistic Beginnings
- Born: January 2, 1938, in Passaic, New Jersey
- Early years spent in Rutherford and Clifton, New Jersey
- Studied painting and drawing at the Art Students League of New York (1955-1956)
- Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
- Influenced by William Carlos Williams, who was his pediatrician.
The Shift to Minimalism and Conceptual Art
- After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
- Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
- Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
- Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
- Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.
Land Art and Earthworks: Spiral Jetty and Beyond
- Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
- Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
- Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
- Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.
Theoretical Writings and Landscape Perspectives
- Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
- Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
- His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.
Legacy and Historical Significance
- Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
- Considered a pivotal figure in Land Art and Earthworks movements.
- His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
- Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
- The Holt/Smithson Foundation continues to preserve and promote his legacy.
Robert Smithson
1938 - 1973 , United States of America
Brzi pregled
- Artistic Movement Or Style:
- Land Art
- Earthworks
- Minimalism
- Artists Or Movements Influenced By This Artist:
- Land Art movement
- Earthworks movement
- Artists Who Influenced This Artist: ['William Carlos Williams']
- Full Name: Robert Smithson
- Nationality: American
- Notable Artworks:
- Spiral Jetty
- Non-Sites
- Mirror Displacement
- Place Of Birth: Passaic, United States of America
- Date Of Birth: 1938
- Date Of Death: 1973
