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Katalog ulazak

Dance on the Edge

1996. , 77.0 x 70.0 cm. Southampton Solent University.

Sl. 1. Stephen Powell, Dance on the Edge, 1996. Prikazano kao reprodukcija koju ste odabrali: , .

§ 1Katalog podaci

Dimenzije
77.0 x 70.0 cm

§ 2Apstraktno

Biografija umetnika

Stephen Powell: American glass artist renowned for vibrant, murrine-filled vessels & sculptures. Center College instructor & innovator in glass art since 1983.

§ 3Komentar

§ 4Umetnik

Kratke činjenice o umetniku Stephen Powell

  • Artistic Movement Or Style: Murrine-filled vessels
  • Artists Or Movements Influenced By This Artist:
    • Psychedelic music
    • Contemporary glass
  • Artists Who Influenced This Artist:
    • Lino Tagliapietra
    • Dan Dailey
  • Date Of Birth: November 26, 1951
  • Date Of Death: March 16, 2019
  • Full Name: Stephen Rolfe Powell
  • Nationality: American
  • Notable Artworks:
    • Magician and Bird
    • Points to View
    • Abracadabra
  • Place Of Birth: Birmingham, Alabama

Biografija umetnika

Stephen Powell: A Murrine Maestro of Kentucky

Born in Birmingham, Alabama, in 1951, Stephen Rolfe Powell’s artistic journey began far from the rolling hills and glass furnaces that would ultimately define his legacy. Initially pursuing architecture at Kingston Polytechnic, he found himself increasingly drawn to the expressive potential of painting and sculpture – a pull that ultimately led him away from structured blueprints and towards the vibrant chaos of creative exploration. This early divergence established a foundational tension within his work: a grounding in formal design juxtaposed with an unrestrained passion for experimentation and pushing artistic boundaries.

Powell’s formal training culminated in a Bachelor of Arts in Painting and Ceramics at Centre College in Danville, Kentucky, followed by a Master of Fine Arts in Ceramics from Louisiana State University. It was during his time in Louisiana that he first encountered the transformative power of hot glass, an experience that ignited a lifelong obsession. This initial encounter wasn’t merely a fleeting curiosity; it became a consuming drive, shaping his artistic practice and ultimately leading him to establish Centre College's groundbreaking glass program – a pivotal moment not only for the university but also for the broader landscape of American glass art.

The Rise of a Glass Visionary

Powell’s early career was marked by a relentless pursuit of knowledge and experience. He sought out workshops, demonstrations, and lectures across the globe, immersing himself in diverse techniques and traditions. This global exploration wasn't confined to passive observation; he actively participated, contributing his own unique perspective to the evolving world of glass art. Notably, his time in Russia and Ukraine provided invaluable insights into Soviet-era glassmaking practices – a period largely shrouded in obscurity for Western artists. These experiences profoundly influenced his aesthetic sensibilities, informing his approach to color, form, and texture.

Returning to Centre College in 1983, Powell quickly established himself as a visionary educator and artist. He didn’t simply teach the technical aspects of glassblowing; he fostered a spirit of innovation and encouraged students to explore their own creative voices. The program's rapid growth was fueled by collaborations with leading figures in the field – Corning Glass, Philips Lighting, and Corhart all contributed essential materials and expertise, recognizing Powell’s talent and his ability to elevate their products through artistic integration. In 1997, a new state-of-the-art glass studio opened at Centre College, solidifying its position as a leading center for contemporary glass art.

Murrine and the Language of Color

Powell’s signature style is instantly recognizable: elaborately colored three-foot vessels brimming with intricate murrine – tiny, hand-blown glass rods that create kaleidoscopic patterns. This technique, rooted in Venetian tradition, allows Powell to translate abstract ideas and emotions into a tangible form. His work isn't merely decorative; it’s imbued with symbolism and narrative depth. The vibrant hues he employs—often referencing psychedelic music of the 1960s and 70s – evoke memories, dreams, and subconscious experiences.

The influence of his artistic background is evident in the dynamic interplay of form and color within his pieces. He frequently incorporates geometric shapes alongside organic curves, creating a visual tension that mirrors the complexities of human experience. Powell’s meticulous attention to detail—from the precise arrangement of murrine to the subtle variations in surface texture—demonstrates a profound mastery of his craft.

Recognition and Legacy

Powell's contributions to the art world have been widely recognized through numerous awards and accolades. He was named Kentucky’s “Teacher of the Year” twice, in 1999 and 2000, and received the Acorn Award from the Kentucky Council on Postsecondary Education in 2004. In 2004, he co-produced "Lino Tagliapietra: Glass Maestro," a documentary celebrating the renowned Italian glass artist. His work has been exhibited at prestigious institutions worldwide, including the Smithsonian American Art Museum and the Speed Art Museum, cementing his place as a leading figure in contemporary glass art.

Stephen Rolfe Powell’s legacy extends far beyond his stunning creations. He fostered a vibrant community of artists at Centre College, inspiring generations to pursue their creative passions. His dedication to education and innovation transformed the university into a global hub for glass art, leaving an indelible mark on the artistic landscape. His untimely death in March 2019 marked the loss of a true visionary, but his work continues to captivate and inspire audiences around the world.

§ 5Srodna dela

§ 6Pitanja

§ 7Citiraj ovaj unos

AllPaintingsStore.com, “Stephen Powell, Dance on the Edge (1996)”, https://allpaintingsstore.com/sr/art/stephen-powell-dance-on-the-edge-AQT2TF-en/ArtistReproduction/ (prizren 7 октобар 2026).

§ 8Reprodukcija

Ručno rađena uljana reprodukcija

Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

To je navedeno u margini narudžbenice; trenutno stanje tog dokumenta glasi kao sledi.

Dance on the Edge

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Za umetnička dela ili reprodukcije čija je bilo koja strana veća od 105 cm (približno 41 inč), okvir će biti isporučen u obliku rastavljenog seta za sklapanje. Ovaj metod osigurava bezbednu dostavu i sprečava oštećenja tokom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod namenjen samostalnoj izradi.
Set mora sastaviti i platno zategnuti iskusni profesionalni ramitelj, koristeći drveni lepak (nije uključen u set), hvataljku za zatezanje platna i stege kako bi se održao prav ugao okvira dok se lepak suši. Nepravilno sklapanje ili neravnomerno zategnuto platno mogu trajno oštetiti umetničko delo, što nije pokriveno našom garancijom.

  • Sve šipke od masivnog drveta su uključene, precizno isečene po veličini.

  • Montira se pomoću priloženih šrafova, uz dodatno korišćenje lepka za drvo za spojeve u uglovima, koji nije uključen u set i koji vaš čuvar okvira mora obezbediti.

  • Potreban je profesionalni alat koji nije uključen u set: klešta za zatezanje platna (zatezač) i stege za održavanje pravih uglova letvica tokom sušenja lepka.

Važno:
Za spojeve u uglovima neophodan je lepak za drvo, šipke se moraju pričvrstiti stezgama dok lepak potpuno ne osuši, a za zatezanje platna na sklopljenom ramu potrebne su hvataljke za zatezanje platna. Nijedan od ovih alata nije uključen u komplet. Pre naručivanja ove veličine, molimo Vas da unapred obezbedite iskusnog profesionalca za ramačenje.

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