Haystack (Anthony Devas)
Haystack je delo autora Anthony Devas (1911–1958). Dimenzije su 34 × 42 cm.
- 34 × 42 cm
Haystack: ključni detalji
- Naslov
- Haystack
- Umetnik
- Anthony Devas (1911–1958)
- Rođen/a u
- Bromley, United Kingdom
- Dimenzije
- 34 × 42 cm
Haystack: datoteke sa slikama
Zaštićeno autorskim pravima: slika je prikazana samo u informativne svrhe.
Svi formati i rezovi →Anthony Devas, Haystack.
Pitanja o Haystack
Kolikih je dimenzija originalnog dela "Haystack"?
Dimenzije dela „Haystack”, autor Anthony Devas su 34 x 42 cm. Reprodukcije se mogu naručiti u drugim dimenzijama uz zadržavanje istih proporcija.
Da li se prikaz „Haystack”, autor Anthony Devas može slobodno reprodukovati?
„Haystack”, autor Anthony Devas pripada i dalje je zaštićeno autorskim pravima. Ovaj status određuje način na koji se slika dela može reprodukovati.
Kome se pripisuje delo "Haystack"?
Autor dela "Haystack" je Anthony Devas. Delo je katalogizovano pod imenom Anthony Devas.
Zašto je status autorskih prava za "Haystack" takav kakav jeste?
Status autorskih prava za delo "Haystack" - i dalje je zaštićeno autorskim pravima - proizilazi iz godine smrti umetnika, 1958.
O umetniku Anthony Devas
1911–1958, United Kingdom
Anthony Devas
The Quiet Observer: The Life and Legacy of Thomas Anthony Devas In the annals of twentieth-century British portraiture, few names evoke the intimate, psychological depth of Thomas Anthony Devas. Born in 1911 in Bromley, Kent, Devas was a painter who possessed the rare ability to look past the surface of his subjects, seeking instead the flickering embers of character and the quiet truths of the human condition. His lineage, rooted in the industrious textile traditions of the Devas Routledge Textile Firm, provided him with an early appreciation for the tactile beauty of craftsmanship and the meticulous attention to detail that would later define his brushwork. This foundation of precision, paired with a profound sensitivity, allowed him to emerge as a significant voice within the influential Euston Road School, a movement that sought to reject wartime abstraction in favor of a renewed commitment to realism and social observation.