Plum Branch
1888
148.0 x 95.0 cm
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade. ( Pređite na ručno oslikano umetničko delo
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Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (2 август)
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Kompletno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povrata u roku od 60 dana (samo u slučaju nedostataka)
Garancija povrata novca od 100%
Popust pri grupnoj kupovini
Plum Branch
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
-
Konačna cena
$ 64
Opis predmeta
Biografija umetnika
The Enigmatic World of Yu-Won: A Journey Through Abstract Expressionism
Yu-Won, a name whispered with reverence in contemporary art circles, is an abstract expressionist painter whose canvases pulse with raw emotion and intellectual depth. Born in Seoul, South Korea, in 1985, Yu-Won’s artistic trajectory has been anything but conventional. Her early life was steeped in the rich traditions of Korean calligraphy and landscape painting – influences that would later subtly inform her large-scale abstract works. However, a pivotal move to New York City at the age of eighteen proved transformative. Immersed in the vibrant energy of the American art scene, Yu-Won quickly gravitated towards the gestural freedom and philosophical undercurrents of Abstract Expressionism, finding kinship with artists like Mark Rothko, Helen Frankenthaler, and Clyfford Still. This wasn’t merely an adoption of style; it was a catalyst for forging her own unique visual language.From Calligraphy to Canvas: The Evolution of a Style
Yu-Won's initial explorations in New York were marked by a deliberate deconstruction of traditional Korean techniques. She abandoned the meticulous brushwork and representational forms of her upbringing, instead embracing the spontaneity and physicality of Western abstract painting. Early pieces often featured layers of diluted ink washes reminiscent of Sumi-e paintings, but these were disrupted by bold swathes of color applied with palette knives and even unconventional tools like rags and squeegees. This period was characterized by a search for balance – a negotiation between the controlled precision of her heritage and the liberating chaos of Abstract Expressionism. The artist herself describes this phase as “a conversation between two worlds, a dismantling and rebuilding of visual vocabulary.” Over time, these washes evolved into complex fields of color, often dominated by deep blues, ochres, and crimson reds – hues that evoke both the Korean landscape and the emotional intensity of Rothko’s color field paintings. Her technique became increasingly refined, focusing on subtle gradations of tone and texture to create a sense of depth and luminosity.Themes and Influences: Exploring Inner Landscapes
Yu-Won's work is deeply introspective, exploring themes of memory, identity, and the human condition. While her paintings are non-representational, they often hint at underlying narratives – fragmented recollections, emotional states, or philosophical inquiries. The influence of Eastern philosophy, particularly Zen Buddhism, is palpable in her emphasis on intuition, spontaneity, and the search for emptiness (Sunyata). She frequently cites the writings of Korean poet Kim Sowol as a source of inspiration, drawn to his evocative imagery and melancholic tone. Beyond literature and philosophy, Yu-Won’s work also reflects a fascination with natural phenomena – the shifting patterns of light and shadow, the textures of rock formations, and the vastness of the ocean. These elements are not depicted literally but rather serve as emotional touchstones, informing the overall mood and atmosphere of her paintings.- Memory and Loss: Recurring motifs suggest a longing for connection to her homeland.
- The Subconscious Mind: Yu-Won aims to tap into universal emotions through abstract forms.
- Zen Buddhism: A focus on intuition, emptiness, and the present moment is central to her process.

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm