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BesökstatistikNumber 13
Gouache- WallArt
- Abstract Expressionism
1965- Modern
58.0 x 73.0 cm
Dallas Museum of Art
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Konstverket som visas på denna sida skyddas av upphovsrättslagen, vilket innebär att vi inte lagligt kan skapa eller sälja en identisk reproduktion. Detta skydd upprätthålls genom internationella avtal såsom den Bernkonventionen och genom nationella lagar, inklusive de som fastställs av Amerikansk upphovsrättslag – Titel 17. Alla rättigheter förbehållna. Återgivning av konstverk är förbjuden utan skriftligt tillstånd från WahooArt.
Denna metod följer fullt ut upphovsrättsliga regler eftersom den inte innebär kopiering eller duplicering av det skyddade konstverket. Istället är det en kreativ nytolkning – en ny målning som är influerad av originalet men inte identisk med det.
Giclée / Konsttryck
Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. (
Köp handmålat konstverk Byt till digital bildförsäljning)
P118B Skr10
P118H Skr10
P118W Skr10
P438Z Skr10
P508JH Skr12
P508YH Skr12
P805H Skr10
P805Z Skr10
P919BZ Skr10
P919G Skr10
P919XJ Skr10
P959ZH Skr10
P968JZ Skr12
W106C Skr8
W218G Skr10
W218JH Skr8
W218Y Skr10
W307PJ Skr10
W316G Skr10
W316PJ Skr8
W316Y Skr10
W398PJ Skr8
W4111J Skr10
W500HY Skr15
W500JH Skr15
W692G Skr12
W849H Skr8
W940BG Skr15
W953PJ Skr8
Välj bland våra förinställda storlekar som motsvarar konstverkets ursprungliga proportioner.
Ange den bredd och höjd du behöver, för att passa din ram eller din vägg. Ett tryck kan endast beskäras, aldrig göras större än bilden, vilket innebär att ett format med en annan formform leder till att en del av bilden går förlorad. Vi skickar en digital mockup för godkännande innan vi trycker något. Bilden som visas på denna sida visar inte den faktiska beskärningen — det är endast mockuppen som gör det.
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Number 13
Giclée / Konsttryck
Reproduktionsstorlek
-
Totalpris
Skr 634
A Dance of Contrast: The Raw Energy of Number 13
In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a profound dialogue between light and shadow, order and chaos. The composition is defined by a striking monochrome palette, where the deep, commanding presence of black paint meets the luminous clarity of white space. Upon first encounter, the viewer is swept into a whirlwind of gestural movement; there is an undeniable sense of spontaneity, as if the artist’s very pulse were captured within the sweeping strokes of gouache and ink.
The visual journey begins on the left side of the canvas, where the forms are fluid and organic. Here, amorphous dark shapes emerge from the white background, suggesting a phantom-like profile or a face in silhouette, though they remain tantalizingly abstract. These loose, energetic sweeps of black paint create a sense of dynamic motion, pulling the eye into an unpredictable rhythm. This side of the work feels deeply personal and emotive, embodying the "action painting" spirit where the physical act of creation is as much a part of the art as the final image.
Structure Amidst the Storm
As the gaze traverses the canvas toward the right, a fascinating transformation occurs. The wild, unpredictable energy of the left gives way to a more structured arrangement. Thick, horizontal bands of black paint stretch across the space, separated by rhythmic white intervals. These bands introduce a sense of gravity and architectural stability to the piece, creating a captivating tension between the unstructured, atmospheric shapes on one side and the deliberate, layered stripes on the other. This juxtaposition of the organic and the geometric invites endless interpretation, making it a centerpiece that rewards deep contemplation.
The technique employed by Brooks is nothing short of masterful. By utilizing gouache and ink, he achieves a variety of textures—some areas appear smooth and ethereal, while others reveal the heavy, tactile weight of thick applications. The visible brushstrokes serve as a map of the artist's movements, lending the work an intimate, human quality. For the collector or interior designer, this piece offers more than just visual interest; it provides a sophisticated focal point that can anchor a room with its dramatic duality and timeless elegance.
A Legacy of Emotion and Motion
Beyond its formal qualities, Number 13 resonates with a profound emotional depth. The stark black-and-white contrast evokes themes of duality—day and night, presence and absence, life and void. There is a certain drama inherent in the composition, a tension that feels both ancient and modern. It is a work that does not merely sit upon a wall but actively interacts with its environment, casting a spell of introspection on all who behold it.
For those seeking to bring the spirit of mid-century American abstraction into a contemporary space, this reproduction offers an unparalleled opportunity. It captures the essence of Brooks's unique ability to blend the monumental scale of his muralist roots with the intimate, psychological intensity of abstract painting. Whether placed in a minimalist gallery setting or a richly textured living space, Number 13 remains a powerful testament to the enduring beauty of the Abstract Expressionist movement.
Frågor och svar
Vilken färgpalett och vilken känsla förenar "Number 13"?
I "Number 13" ackompanjeras Dramatic känsla av Neutrals färger.
Vilket material har "Number 13" använts med, och i vilken stil är det utfört?
"Number 13" är utförd i Gouache, i Abstract Expressionism-stil.
Vilken underliggande nyans genomsyrar "Number 13" av James Brooks?
Den dominerande nyansen i "Number 13" av James Brooks är Green to Violet Spectrum. Nyansen utgör den underliggande tonen i färgpaletten.
Liknande konstverk
Om konstnären
Early Life and Education
- Born: October 18, 1906, St. Louis, Missouri
- Family moved to Dallas, Texas in 1916
- Studied art at Southern Methodist University (1922-1924)
- Private lessons with James A. Waddell and Martha Simkins in Dallas
- Moved to New York City in 1926
- Studied at the Art Students League under Boardman Robinson and Kimon Nicolaides
- Worked as a commercial artist to support himself
The WPA Years and Early Murals
- Active in the Works Progress Administration (WPA) Federal Art Project from 1936-1942
- Painted three murals for the WPA, demonstrating social realist style.
- Flight (1940-1942): A significant mural at La Guardia Airport's Marine Air Terminal, depicting the history of aviation. It was the largest WPA mural and later restored after being painted over.
- Friendships with Jackson Pollock and Philip Guston during this period
Abstract Expressionist Period: Style and Development
- Served as a combat artist in the U.S. Army (1942-1945)
- Returned to New York City in 1946, reconnected with Pollock and Krasner
- Shifted towards Abstract Expressionism, influenced by Surrealist principles
- Developed a unique staining technique: Experimenting with the bleed of paste through canvas.
- Early works showed influences of Synthetic Cubism.
- Palette initially featured browns, grays, blacks and vivid colors.
- Later work incorporated larger forms, broader strokes, and simpler compositions using acrylics.
- Often used numbers and letters to identify paintings, incorporating nonsense syllables as titles (e.g., *Pask*, *Burwak*, *Jondol*).
Major Exhibitions and Recognition
- First solo exhibition at the Peridot Gallery in New York City (1949)
- Participated in the historic Ninth Street Exhibition (1951) – a key event in Abstract Expressionism.
- Featured in exhibitions such as Twelve Americans and New American Painting at the Museum of Modern Art.
- Documenta, Kassel, West Germany (1959).
- John Simon Guggenheim Memorial Foundation Fellowship (1969)
Legacy and Historical Significance
- Considered a first-generation Abstract Expressionist painter.
- Known for his innovative staining techniques and lyrical abstraction.
- His work is held in prominent collections including the Art Institute of Chicago, The Museum of Modern Art, Tate Gallery, and National Gallery of Art.
- Brooks's artistic journey reflects the evolution of Abstract Expressionism and his willingness to experiment with new approaches to painting.
- Died on March 9, 1992, in East Hampton, New York.
James Brooks
1906 - 1992 , United States of America
Snabbfakta
- Full Name: James Brooks
- Nationality: American
- Date Of Birth: 1906
- Date Of Death: 1992
- Place Of Birth: St. Louis, United States of America
- Notable Artworks: ['Flight (LaGuardia Airport mural)']
- Artistic Movement Or Style: Abstract Expressionism
- Artists Who Influenced This Artist:
- Jackson Pollock
- Lee Krasner
- Pablo Picasso
- Georges Braque
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