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The massive black trunk of an ancient plum tree with bending, twisting branches spans nearly sixteen feet across four sliding panels. The reptilian old tree sprouts blossoms, which convey the atmosphere of a cold early spring morning and symbolize birth and renewal. These panels originally formed one wall of a room in the Tenshōin, a subtemple of Myōshinji, a Zen temple in Kyoto. During the 1880s, they were sold to a private collector and trimmed at the top to conform to the smaller dimensions of his home. On the reverse of these panels was a composition depicting the Chinese theme of the Eight Daoist Immortals, which formed a wall in the adjacent room. This composition was later separated and remounted, and it is now in the Minneapolis Institute of Arts.

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"Old Plum" hangi tona daha yakın?

Kanō Sansetsu imzalı "Old Plum" eserinin baskın rengi Ochre to Sepia'dir. Bu renk, paletin temel tonunu oluşturur.

"Old Plum" eserinin renkleri canlı mı yoksa yumuşak mı görünüyor?

Kanō Sansetsu imzalı "Old Plum" eserindeki renkler Vivid yoğunluğundadır.

Kanō Sansetsu imzalı "Old Plum" ne düzeyde bir kontrast sunuyor?

Kanō Sansetsu imzalı "Old Plum", açık ve koyu alanlar arasında Statement bir kontrast sergiliyor.

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Sanatçı Özgeçmişi

A Life Shaped by Loss and Legacy

The story of Kanō Sansetsu begins in Hizen Province, Kyūshū, under the weight of early hardship. Born Heshiro Mitsuie, he faced the death of his father when he was only sixteen, leaving him an orphan. This early loss set him on a path that would eventually lead him into the heart of Japan's most significant artistic lineage. Through apprenticeship and later through marriage to the daughter of Kanō Sanraku, he became part of the family that would define the Kyoto branch of the Kanō school.

His connection to the school was deepened by adoption. After the death of Sanraku’s eldest son, Sansetsu took on the mantle of the master, inheriting a position of immense responsibility. He did not merely occupy a title; he became the architect of a dynasty. His life moved alongside the shifting centers of power in Japan, from the rise of the shogunate to the importance of Kyoto as the imperial capital. This stability allowed him to focus on refining a style that would influence generations, including his son, Kanō Einō.

The Quiet Beauty of the Natural World

Sansetsu possessed a particular way of looking at the seasons. His name itself carries a connection to the landscape, as it translates to "Mountain Snow." This affinity for winter is visible in his brushwork, where he captured the stillness of frozen streams and the weight of snow on branches. He moved away from the purely courtly subjects of earlier painters, choosing instead to study the atmosphere of the natural world. His work often features a restrained palette, using shades of blue, gray, and white to suggest the texture of a cold morning.

His technique relied on a careful balance between different modes of painting. He was as comfortable with large-scale works using gold and bright colors as he was with smaller, monochrome ink scrolls. In his larger compositions, such as those featuring an ancient plum tree, he used thick, twisting branches to create a sense of physical presence. In his smaller works, like the depiction of a man riding a donkey along a riverbank, he achieved a sense of solitude and quietude through precise, controlled strokes.

A Lasting Influence on the Kanō School

As the leader of the Kyoto branch of the Kanō school, Sansetsu helped guide the evolution of Japanese painting. He introduced new subjects and techniques that expanded what the school could express. His influence was not limited to his own hand; it lived on through the artists he trained and the family members who followed him. The traditions he helped shape remained central to Japanese art until the Meiji period.

The works he left behind continue to be studied in collections such as the Metropolitan Museum of Art. Some of his notable subjects include:

Winter Landscape: A study of snowy mountains and a lone traveler.
Old Plum: Large sliding panels featuring an ancient, blossoming tree.
Crabs and Peonies: A composition balancing floral elegance with natural textures.
Seabirds on a Winter Coast: A screen work using ink and gold.

Kanō Sansetsu

1651 , Japan

Kısa Bilgiler

Artistic Movement Or Style: Kanō School
Artists Or Movements Influenced By This Artist:
- Kanō Einō
- Kanō School
Artists Who Influenced This Artist: ['Kanō Sanraku']
Date Of Birth: 1589
Date Of Death: 1651
Full Name: Kanō Sansetsu
Nationality: Japanese
Notable Artworks:
- Winter Landscape
- Wang ziyou visiting dai andao
- Crabs and peonies
Place Of Birth: Hizen Province, Japan

Old Plum

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White ₺1

Blurside ₺1

Extended ₺1

P118B ₺10

P118H ₺10

P118W ₺10

P438Z ₺10

P508JH ₺12

P508YH ₺12

P805H ₺10

P805Z ₺10

P919BZ ₺10

P919G ₺10

P919XJ ₺10

P959ZH ₺10

P968JZ ₺12

W106C ₺8

W218G ₺10

W218JH ₺8

W218Y ₺10

W307PJ ₺10

W316G ₺10

W316PJ ₺8

W316Y ₺10

W398PJ ₺8

W4111J ₺10

W500HY ₺15

W500JH ₺15

W692G ₺12

W849H ₺8

W940BG ₺15

W953PJ ₺8

H24-GOLD ₺30

H24-SILVER ₺30

H36-GOLD ₺45

H36-SILVER ₺45

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