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Основні факти

  • Also known as:
    • Dasavant
    • Dasvant
    • Dasavanta
    • دسوانث
  • Died: 1584
  • Art period: Renaissance
  • Works on this site: 4
  • Top 3 works:
    • The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)
    • The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night
    • The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night
  • Copyright status: Public domain

The Creative Spirit of the Mughal Era

Daswanth was a Mughal-era painter serving under the emperor Akbar. Born the son of a palanquin-bearer, he was a Hindu who demonstrated a natural talent for painting and drawing on walls. This talent led him to be taught by the Persian master painter Khwāja 'Abd al-Samad. While 'Abd al-Samad's work was traditional and conservative, Daswanth's own works were noted for being imaginative and original. He was recognized in the Ain-i-Akbari as one of the three most important artists of his period, and the Akbarnama also credited him with great artistic talent.

His artistic style was characterized by a chaotic and creative energy that distinguished him from his contemporaries. His illustrations often appeared otherworldly, sometimes described as scary, with figures that were proportionally inconsistent and weightless. He possessed a unique technique involving the free application of wet pigment and a beautiful understanding of perspective through the use of character size, architectural details, and backgrounds. His work often focused on storytelling, depicting gods, demigods, courtly figures, and warriors, frequently portraying scenes of battle and gory violence.

Masterpieces and Contributions

Daswanth contributed significantly to several major works, including the Hamzanama and the Tarikh e Khandan e Timuriyah. He is also associated with the Razmnama, a Persian translation of the Hindu epic the Mahabharata, where he drew as many as 31 full-page miniatures. His work in this collection included diverse compositions, such as:

  • Arjun hitting the target: A scene depicting a crowd of kings and the protagonist Arjuna near a cauldron of hot oil.
  • Abhimanyu's Chakravyuha: A unique double-page composition featuring thousands of figures arranged in a maze formation.

His repertoire also included illustrations for the Tūtīnāma, such as The Wounded Monkey Bites the Hand of the Prince. His style occasionally incorporated elements from other traditions, such as Chinese-style clouds or Western techniques and idioms. His life ended in 1584 after he wounded himself with a dagger.

Питання та відповіді

Чи можу я відвідати віртуальний музей творів Daswanth?

Можливий віртуальний візит: сторінка 3D-музей митця Daswanth дозволяє переглянути роботи автора у тривимірній галереї.

Чи можу я переглянути роботи Daswanth за тематикою?

Роботи Daswanth можна переглянути за тематикою на сторінці Атлас тематик митця.

Чи можу я дослідити використання кольору в усіх роботах Daswanth?

Геном палітри Daswanth — це сторінка, що представляє колірний профіль усього творчого дорослого цього митця.

Чи можу я переглянути роботи Daswanth за кольоровим спектром?

Роботи Daswanth можна переглянути за кольором на сторінці Колірний спектр митця.

Вікторина

У кожному запитанні лише одна правильна відповідь.

Запитання 1:
Under which emperor did the Mughal-era painter Daswanth serve?
Запитання 2:
Who was the Persian master painter that taught Daswanth?
Запитання 3:
In which document is Daswanth referenced as one of the top three most important artists of his period?
Запитання 4:
The Razmnama is a Persian translation of which Hindu epic?
Запитання 5:
Which work by Daswanth depicts a monkey's action and the response of a prince?