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统计数据Farewell to Piet Retief
1938
37.0 x 74.0 cm
University of Pretoria Museums
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Farewell to Piet Retief
艺术微喷/版画
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$ 64
A plaster of Paris relief panel titled Farewell to Piet Retief by the South African artist Anton van Wouw (1862-1945). Piet Retief (1780-1838) was the President of the Voortrekkers (Colonial Pioneers) that moved from the current day Eastern Cape to the present day KwaZulu Natal. On 25 January 1838 he left his wagon train to negotiate with the Zulu King Dingane. This panel was created to commemorate this event on the centenary in 1938 but it was too expensive to cast in bronze and the project was never completed. The damaged plaster was part of the artists’ studio contents after his death in 1945. Short biography: Anton van Wouw was born on 26 December 1862 in Driebergen in the Netherlands. After school, Van Wouw began as a stucco worker in Delft where he learnt the art of sculpture. He studied at the Rotterdam Academy for Arts, but stopped his studies to join his father and brother in South Africa. After having a hard time as an artist in the early beginnings of his career of the then Zuid-Afrikaansche Republiek (South African Republic 1852-1902) Van Wouw was finally recognised for his work when Sammy Marks (1884-1920), a Lithuanian-born South African industrialist and financier, commissioned Van Wouw to create the famous Kruger Memorial, currently situated on Church Square in the centre of South Africa
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艺术家简介
Anton van Wouw: The Sculptor Who Captured the Soul of Boer South Africa
Anton Pieter van Wouw (1862 – 1945) stands as a monumental figure in South African art history, rightfully earning the moniker “father of South African sculpture.” Born in Driebergen-Vijfhuizen, Netherlands, his artistic journey began amidst the burgeoning Impressionist movement but swiftly pivoted towards a profound engagement with the spirit and struggles of the Boer Republic. This formative experience irrevocably shaped his oeuvre, resulting in sculptures that resonate with an unparalleled sensitivity to human emotion and the grandeur of the natural world.- Early Life & Artistic Training: Van Wouw’s formal artistic education commenced at the Koninklijke Academie voor Beeldende Künsten in Antwerp, Belgium, where he honed his skills under the tutelage of Gustave Serrurier-Bovy and Jean Petitjean.
- Move to Pretoria & The Kruger Commission: His relocation to Pretoria in 1890 marked a pivotal moment, initiating a decade-long wait for his first substantial commission – namely, the colossal statue of Paul Kruger for Church Square. This undertaking cemented his connection with Sammy Marks, a wealthy financier who championed van Wouw’s vision and recognized his ability to convey profound narratives through sculpture.
The Boer Spirit & Artistic Style
Van Wouw's artistic style evolved dramatically during his time in the Transvaal wilderness. Witnessing firsthand the hardships endured by the Boers – farmers, miners, and patriots – he developed an unwavering empathy for their plight and a fervent belief in their resilience. This conviction permeated his sculptures, characterized by meticulous realism combined with expressive dynamism. He skillfully employed techniques honed from academic training to depict figures imbued with palpable emotion, capturing moments of heroism, sorrow, and contemplation. His masterful use of bronze ensured that his creations endured the passage of time, preserving the essence of a bygone era.- Technique & Materials: Van Wouw’s preferred medium was bronze casting, utilizing molds created from wax models—a technique perfected during his Antwerp years.
- Subject Matter: Wildlife & Portraiture His artistic output encompassed both wildlife depictions and portrait busts, reflecting his fascination with the natural world and his desire to honor prominent figures of his time. Notable works include “Bird Catcher,” “Girl With Guitar,” and numerous portraits capturing the faces of Boer dignitaries.
Notable Achievements & Legacy
Despite facing considerable challenges during his lifetime—including financial difficulties and periods of artistic obscurity—van Wouw persevered, producing a prolific body of work that continues to inspire admiration. His statue of Kruger remains an enduring symbol of Boer pride and determination, standing proudly in Pretoria’s central square as a testament to his artistic vision. Furthermore, he established the Anton Ulrich Museum in Brunswick, Germany, ensuring that his sculptures would be accessible to future generations.Influence & Historical Significance
Anton van Wouw's contribution to South African sculpture transcends mere craftsmanship; it embodies a profound engagement with social and cultural values. He championed realism as a means of conveying truthfulness and emotion, influencing subsequent sculptors who sought to capture the spirit of their time. His sculptures serve as invaluable documents of the Boer Republic’s history—a period marked by conflict, idealism, and unwavering commitment to independence—solidifying his place as one of South Africa's most celebrated artists and a true pioneer in figurative sculpture.
anton pieter van wouw
1862 - 1945 , Netherlands
艺术家简介
- Artistic Movement Or Style: South African Sculpture
- Date Of Birth: December 27, 1862
- Date Of Death: July 30, 1945
- Full Name: Anton Pieter van Wouw
- Nationality: Dutch
- Notable Artworks:
- Girl with Guitar
- Bird Catcher
- Self-portrait Anton van Wouw
- Place Of Birth: Driebergen-Vijfhuizen, Netherlands
