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统计数据Ballerina
Impressionism
1934
91.0 x 71.0 cm
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艺术微喷/版画
博物馆级艺术微喷或帆布版画，制作高效，并提供多种饰面选择。 (
订购此收藏品的纯手工复刻画作 切换至数字图像销售渠道)
您可以从与原作比例一致的预设尺寸中进行选择。
请输入您所需的宽度和高度，以适配您的画框或墙面。由于印刷品只能进行裁剪，无法超出原图尺寸，因此若比例不一致，画面的一部分将会被裁切。在正式印刷之前，我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。
玻璃选项仅适用于110厘米以下的尺寸。
Ballerina
艺术微喷/版画
复刻品尺寸说明
-
总计金额
¥ 430
Artist Background
Cathleen Mann was a talented artist known for her captivating portraits and figurative paintings. Her work often featured women and children, showcasing her ability to capture the subtleties of human emotion. The Ballerina painting is a testament to her skill, with the subject's gentle expression and delicate features expertly rendered.Painting Details
The Ballerina painting depicts a woman sitting on a couch, surrounded by decorative vases and a chair. The subject's pink dress and long hair are beautifully captured, while her black cat adds a touch of elegance to the scene. The use of oil on canvas allows for a depth and richness of color, drawing the viewer into the tranquil atmosphere of the painting.- Painting size: 91 x 71 cm
- Painting media: Oil On Canvas
- Painting date: 1934
- Painting location: Glasgow Museums Resource Centre (United Kingdom)
The Ballerina painting is a must-see for anyone interested in art, particularly those who appreciate the works of Cathleen Mann. With its captivating subject and beautiful execution, this painting is sure to delight audiences for generations to come.
问答详情
"Ballerina" 是否支持增强现实 (AR) 预览？
通过作品的 AR 预览 页面，您可以在兼容设备上使用增强现实技术，在自己的墙面上预览 Cathleen Mann 的《Ballerina》。
"Ballerina"创作于哪一年，属于哪种艺术流派？
"Ballerina"创作于1934年，属于Impressionism运动时期的作品。其创作年代与艺术流派确立了该作品在艺术史上的地位。
Cathleen Mann 的《Ballerina》 的比例如何，尺寸是多少？
Cathleen Mann 的《Ballerina》 是一幅 Portrait 构图的作品，原件尺寸为 91 x 71 cm。
相关艺术品
艺术家简介
A Life in Lines and Layers
Cathleen Mann began her days in Newcastle upon Tyne, born to parents who lived through the brush and pigment. Her father, Harrington Mann, and her mother, Florence Sabine Pasley, were both portraitists, providing a childhood shaped by the quiet work of the studio. She learned to paint within her father's London studio, receiving early lessons that would later lead her to the Slade School of Fine Art and eventually to Paris. These formative years were marked by the steadying influence of Ethel Walker, another painter who continued to guide her even as Cathleen pursued her own studies.
The rhythms of her life changed with the arrival of the First World War. The studio was left behind for the work of an ambulance unit, a period that placed her in the middle of a much larger, more chaotic reality. When she returned to her art, her focus remained on the human form and the quiet details of life. She became known for portraits and landscapes, often capturing women and children with a careful eye for the subtle shifts in emotion. Her work found homes in the Victoria and Albert Museum, the Musée du Luxembourg, and the Royal Glasgow Institute of the Fine Arts.
The Dual Path of Paint and Film
During the 1930s, her hands were busy with more than just canvas. She moved into the world of British film, working as a costume designer. This period saw her contributing to the visual fabric of films such as:
- The Iron Duke (1935)
- Things to Come (1937)
- Backstage (1937)
- Forbidden Music (1936)
- The Show Goes On (1936)
- Evensong (1934)
- Chu Chin Chow (1934)
- The Wandering Jew (1933)
Her design work left a physical trace in the collections of the Victoria & Albert Museum. At the same time, her painting continued to evolve. In 1934, she produced Ballerina, an oil on canvas that shows a woman on a couch with a black cat nearby. Her later years brought a shift toward abstraction. Influenced by Matthew Smith, she began experimenting with landscapes of increasing abstraction, nude drawings, and sculpture. This period of experimentation followed the personal losses of 1953, when her husband, John Robert Follett, passed away.
Service and Legacy
The Second World War brought a different kind of responsibility. Mann served as an official war artist, painting portraits of officers and Allied commanders. These works were seen in London and traveled to America, sometimes appearing in the pages of Time magazine. Beyond the canvas, she used her position as the Marchioness of Queensberry to assist others during the bombing of 1940. She worked to secure transport by road and rail to move people to safety in the dock district of south West Ham.
Her career was defined by a movement between the structured world of portraiture and the fluid experimentation of her later years. She held memberships in both the Royal Institute of Oil Painters and the Royal Society of Portrait Painters. Her portraits, such as those of Sir Matthew Smith and Sir Eduardo Paolozzi, remain in the National Portrait Gallery in London. She died in 1959 in her studio on Montpelier Walk, Brompton.
Cathleen Mann
1896 - 1959
快速概览
- Artistic Movement Or Style: Impressionism
- Artists Who Influenced This Artist:
- Harrington Mann
- Ethel Walker
- Matthew Smith
- Full Name: Cathleen Sabine Mann
- Nationality: British
- Notable Artworks:
- Ballerina
- The Portrait of Greta
- Sir Matthew Smith
- Sir Eduardo Paolozzi
- Place Of Birth: Newcastle upon Tyne, United Kingdom
- Date Of Birth: 1896
- Date Of Death: 1959
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