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      工作室 · 始于2015 · 法国巴黎
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      实景预览 AR 试挂 订购此收藏品的纯手工复刻画作 切换至数字图像销售渠道 发送
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      Strips

      Experience 'Strips' by Gordon Bennett AO – a powerful quilt reflecting Gee’s Bend heritage & resilience. Explore vibrant colors, geometric patterns, & Indigenous artistry. Hand-painted reproduction.

      Explore the powerful art of Gordon Bennett AO – an Australian artist blending Indigenous heritage & Anglo-Celtic roots. His thought-provoking works challenge identity & history.

      本页面展示的作品受版权法保护,这意味着我们无法合法地制作或销售与其完全相同的复制品。此项保护依据包括以下国际协议等: 伯尔尼公约 以及各国法律,包括下文所述的法律: 美国版权法第17编。

      这种方法完全符合版权法规,因为它并不涉及对受保护艺术品的复制或翻录。相反,它是一种富有创意的重新诠释——是一件受原作启发、但与原作并不相同的全新绘画作品。

      艺术微喷/版画

      博物馆级艺术微喷或帆布版画,制作高效,并提供多种饰面选择。 ( 订购此收藏品的纯手工复刻画作 切换至数字图像销售渠道)

      Corner sample of the P118B picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
      P118B ¥10
      Corner sample of the P118H picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
      P118H ¥10
      Corner sample of the P118W picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
      P118W ¥10
      Corner sample of the P438Z picture frame: 模压聚苯乙烯, 5.5 cm wide and 3.5 cm thick
      P438Z ¥10
      Corner sample of the P508JH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P508JH ¥12
      Corner sample of the P508YH picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P508YH ¥12
      Corner sample of the P805H picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
      P805H ¥10
      Corner sample of the P805Z picture frame: 模压聚苯乙烯, 5 cm wide and 3.5 cm thick
      P805Z ¥10
      Corner sample of the P919BZ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P919BZ ¥10
      Corner sample of the P919G picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P919G ¥10
      Corner sample of the P919XJ picture frame: 模压聚苯乙烯, 7 cm wide and 3.5 cm thick
      P919XJ ¥10
      Corner sample of the P959ZH picture frame: 模压聚苯乙烯, 5 cm wide and 3 cm thick
      P959ZH ¥10
      Corner sample of the P968JZ picture frame: 模压聚苯乙烯, 6 cm wide and 4 cm thick
      P968JZ ¥12
      Corner sample of the W106C picture frame: 实木, 5 cm wide and 3 cm thick
      W106C ¥8
      Corner sample of the W218G picture frame: 实木, 5 cm wide and 3 cm thick
      W218G ¥10
      Corner sample of the W218JH picture frame: 实木, 5 cm wide and 3 cm thick
      W218JH ¥8
      Corner sample of the W218Y picture frame: 实木, 5 cm wide and 3 cm thick
      W218Y ¥10
      Corner sample of the W307PJ picture frame: 实木, 6 cm wide and 3 cm thick
      W307PJ ¥10
      Corner sample of the W316G picture frame: 实木, 6 cm wide and 3 cm thick
      W316G ¥10
      Corner sample of the W316PJ picture frame: 实木, 6 cm wide and 3 cm thick
      W316PJ ¥8
      Corner sample of the W316Y picture frame: 实木, 6 cm wide and 3 cm thick
      W316Y ¥10
      Corner sample of the W398PJ picture frame: 实木, 5 cm wide and 3 cm thick
      W398PJ ¥8
      Corner sample of the W4111J picture frame: 实木, 6.5 cm wide and 3.5 cm thick
      W4111J ¥10
      Corner sample of the W500HY picture frame: 实木, 7 cm wide and 5 cm thick
      W500HY ¥15
      Corner sample of the W500JH picture frame: 实木, 7 cm wide and 5 cm thick
      W500JH ¥15
      Corner sample of the W692G picture frame: 实木, 8 cm wide and 4 cm thick
      W692G ¥12
      Corner sample of the W849H picture frame: 实木, 5 cm wide and 3 cm thick
      W849H ¥8
      Corner sample of the W940BG picture frame: 实木, 7.5 cm wide and 4.5 cm thick
      W940BG ¥15
      Corner sample of the W953PJ picture frame: 实木, 6 cm wide and 3.5 cm thick
      W953PJ ¥8

      标准尺寸
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      您可以从与原作比例一致的预设尺寸中进行选择。

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      请输入您所需的宽度和高度,以适配您的画框或墙面。由于印刷品只能进行裁剪,无法超出原图尺寸,因此若比例不一致,画面的一部分将会被裁切。在正式印刷之前,我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。

      全球配送()仅需 2 周即可送达,无需等待标准流程的 4/5 周。(27 October)

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      总计金额

      ¥ 430

      Strips

      艺术微喷/版画

      复刻品尺寸说明

      -

      总计金额

      ¥ 430

      I was born December 29, 1960, in Gee’s Bend, Alabama. As a young child living in Gee’s Bend, I grew up on a farm and had to work in the fields. Because of my young age, I was only allowed to carry water to those who were big enough to chop cotton and the other things that we grew in our fields. Our field was located in an area called Carson, although my grandfather had two fields, one in Carson and the other one located in a place called Hotel (some people called it Long Bottom). Hotel was the area where the old cemetery was located. There, my family grew cotton, corn, peanuts, and sweet potatoes, just to name a few of our crops.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.Roman Pettway, the community entrepreneur, introduced Gee’s Bend to a new mode of farming. Cucumbers were the “new cotton,” but thank God, the season for cucumber picking was very short, from late May to the first week in July. We knew when the month of July came it would not be long before we could finally have a summer break. Growing cucumbers lasted for nearly a decade, and many families planted a second crop because this was a quicker and faster way to earn income. My family and others planted their own gardens and grew almost all the vegetables needed to survive the winter months. I learned to can vegetables and to make plum and blackberry jelly and jams. My mother Qunnie Pettway’s first paying job was working at the Freedom Quilting Bee. Her paycheck was not a whole lot, and sometimes she would have to work several weeks before getting any pay. During her absence, my oldest brother and I had to do most of the household chores. We didn’t have a water pump of our own, so we carried water from my aunt Lucy T. Pettway’s house. We also carried water from a natural spring, a spring called Cross Spring. Some of the men in the community tailored the spring into a well by damming it up with barrels; this made it much easier to obtain the water. The water was used to cook and wash our clothes. We also heated our bathwater in the same wash pot we used to wash our clothes. By the time I turned about fifteen, we got running water and paved roads. Now that the roads were paved and we had running water, washing, cleaning, riding the school bus, and walking got a lot better. I can recall that I was about five or six years old when I was first introduced to sewing. At that age we were only allowed to thread the needles for the quilters in my grandmother’s and my mother’s quilting group. The leftover scraps are what we got to sew and piece together, practicing on how to make a real quilt. We never actually made a quilt, because the leftover pieces were so small in size, so I looked for something else more interesting to do than sticking my fingers with a needle. During grade school the bulk of my school clothes were homemade by my mother, Qunnie Pettway; she has always had a passion for sewing. Since quilting and making quilts were such a big part of my grandmother’s, my mother’s, and my aunt’s life, I believe the seed of quiltmaking was planted into my genes. Whenever we would go to either aunt Lucy T. Pettway’s or aunt Ruth Mosely’s houses to play during the summer months, t../..

      问答详情

      我能否更详细地查看“Strips”?

      Gordon Bennett Ao 的《Strips》 的 X 光视图可在作品的 X射线检测 页面查看:通过十一层光学图层对图像进行交互式深度解析。

      Gordon Bennett Ao 的《Strips》 的画面方向是怎样的?

      Gordon Bennett Ao 的《Strips》 是一幅 Portrait 构图的作品。在选择打印尺寸之前,建议先确认其比例。

      在购买之前,我可以在自己的墙上预览 Gordon Bennett Ao 的《Strips》 吗?

      通过兼容设备访问 Gordon Bennett Ao 的《Strips》 的 AR 预览 页面,即可利用增强现实技术将艺术品呈现在您自己的空间中。


      艺术家简介

      **a pioneering figure in indigenous australian art**

      gordon bennett ao, a prominent australian artist of aboriginal and anglo-celtic descent, left an indelible mark on the contemporary art scene. born on october 9, 1955, in monto, queensland, bennett's life was a testament to his multifaceted identity, which he boldly expressed through his art.
      • **early life and career**: before dedicating himself to art, bennett worked at telecom australia until the age of 32. this transition marked the beginning of his prolific artistic journey.
      • **artistic style**: known for his vibrant and thought-provoking works, bennett's art challenged perceptions of identity, history, and the construction of knowledge. his bold style, humane in its approach, resonated with audiences worldwide.
      • **contribution to indigenous australian art**: as a leading figure in contemporary indigenous australian art, bennett's work not only reflected his heritage but also paved the way for future generations of aboriginal artists.

      **notable works and exhibitions**

      though the exact list of bennett's notable works is not provided here, his contributions to the art world are well-documented on AllPaintingsStore.com. some of his works can be found under the art movements 1/2 section, offering a glimpse into his artistic evolution.

      **legacy and influence**

      - **influence on contemporary art**: bennett's influence extends beyond his own generation, inspiring new artists to explore themes of identity and cultural heritage. - **perpetuating indigenous australian art**: his contributions have ensured the continued relevance and recognition of indigenous australian art on a global scale.

      **remembering gordon bennett ao**

      bennett passed away on june 3, 2014, but his legacy endures. for those interested in exploring more of his work or delving into the world of indigenous australian art, prints that you can afford on AllPaintingsStore.com offers a unique opportunity to experience his art in a tangible, affordable manner.
      • **key takeaway**: gordon bennett ao's life and work serve as a powerful reminder of the impact one artist can have on the broader cultural landscape.
      • **future directions**: as we move forward, it's essential to continue celebrating and supporting artists who, like bennett, challenge our perceptions and broaden our understanding of the world.

      **conclusion**

      gordon bennett ao's remarkable journey, though cut short, has left an indelible mark on the art world. his legacy serves as a beacon for future generations, inspiring new voices and visions in the ever-evolving landscape of contemporary indigenous australian art.
      Gordon Bennett Ao

      Gordon Bennett Ao

      1955 - 2014 , Australia

      快速概览

      • Full Name: Kerry James Marshall
      • Nationality: American
      • Date Of Birth: 1955
      • Date Of Death: 2014
      • Place Of Birth: Mount Ommanoo, Australia
      • Notable Artworks:
        • Untitled (The Figure)
        • Small Arches
        • Pastimes
      • Artistic Movement Or Style: Narrative realism
      • Artists Who Influenced This Artist: ['Charles White']
      • Artists Or Movements Influenced By This Artist: ['Social Realism']