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统计数据Mount Fuji
1760
129.0 x 37.0 cm
展开全文
艺术微喷/版画
博物馆级艺术微喷或帆布版画，制作高效，并提供多种饰面选择。 (
订购纯手工绘制画作 切换至数字图像销售渠道)
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玻璃选项仅适用于110厘米以下的尺寸。
Mount Fuji
艺术微喷/版画
复刻品尺寸
-
最终结算价
¥ 430
Japan’s grandest peak, with its contours rendered in outlines of pale gray ink with washes to subtly suggest volume, sits above a landscape of rice paddies stretched out before it—employing an unusual sense of perspective that give the impression that the artist was viewing the scene from faraway and above. The central focus of the composition is the area of rice paddies in the middle ground with the subdivided plots (ase 畦) drawing the eye with their bold, abstracted depiction. The overall composition, disarmingly simple at first glance, strikes one as different from anything else in in Ike Taiga’s corpus, though comparisons can be made with depictions of Fifth Month scenes from sets of paintings done by the artist of the theme of Mount Fuji in Twelve Months. Looking closely the brushwork is firm and well controlled. Some of Taiga’s students, including Aoki Shukuya created similar compositions based on Taiga’s model, as did Okada Beisanjin a generation later.The monk and Nanga painter Geppō (1760–1839), considered third in the Taiga lineage after Shukuya praised this painting on the box inscription, adding to its cachet as a work that was emulated by Taiga’s pupils.
常见问题与解答
"Mount Fuji" 的色彩饱和度如何？
Ike Taiga 的《Mount Fuji》 的色彩饱和度为 Muted。
Ike Taiga 的《Mount Fuji》 是否属于公有领域？
Ike Taiga 的《Mount Fuji》 属于 属于公有领域 —— 其版权已过期。此版权状态决定了该作品图像的复制方式。
我能查看Ike Taiga 的《Mount Fuji》的X光影像吗？
您可以在作品的 X射线透视 页面上逐层探索 “Mount Fuji”；该交互式查看器的设计灵感源自修复师使用的光源台，通过十一层光学读数呈现图像细节。
相似作品
艺术家简介
Ike no Taiga: Bridging Tradition and Innovation in Edo Period Landscape Painting
Ike no Taiga (1723-1776) stands as a monumental figure within the *bunjinga* tradition—a uniquely Japanese form of literati painting that flourished during the Edo period. More than just an artist, he embodied the spirit of his time, skillfully blending classical Chinese aesthetics with groundbreaking experimental techniques to produce works that continue to resonate with collectors and scholars alike. His life story itself is a testament to perseverance and intellectual curiosity, shaping him into one of the most influential painters of his era. Born into humble circumstances—his father a farmer on the outskirts of Kyoto—Taiga’s early life was marked by hardship. The family moved to Kyoto shortly before his birth, seeking refuge from famine conditions, and his father's employment at the silver mint afforded them modest financial stability. Tragically, he passed away when Taiga was just three years old, leaving his widowed mother to raise him with unwavering devotion. Remarkably, she prioritized his education, securing tutors who instilled in him a profound understanding of both Japanese and Chinese disciplines—a foundation that would prove crucial to his artistic development. By the age of six, he began formal training at Manpuku-ji Zen Temple, fostering connections that would endure throughout his life, grounding him in Buddhist philosophy and shaping his contemplative approach to artmaking. Taiga’s artistic journey commenced professionally at fourteen, establishing a fan painting workshop where he honed his craft alongside fellow artists and collectors. A pivotal encounter with Yanagisawa Kien—a prominent social and artistic patron—introduced him to the vibrant *bunjinga* circle of Kyoto, propelling him toward collaborations that would solidify his reputation as a leading figure in Japanese art. Notably, Taiga’s formative influence stemmed from Yi Fujiu (j: i fukyū), a Chinese painter specializing in landscape depictions who taught Taiga innovative painting methods—documented extensively in *Yi Fujiu Ike no Taiga Sansui Gafu* (1803). This manual became the cornerstone of Taiga's artistic style, reflecting the pervasive impact of Chinese art on Edo period aesthetics.- Key Characteristics: Taiga’s paintings are characterized by a masterful fusion of meticulous observation and expressive brushwork. He meticulously rendered landscapes—often featuring mountains, rivers, and trees—capturing subtle nuances of light and atmosphere with remarkable precision.
- Technique: Unlike many of his contemporaries who adhered strictly to established conventions, Taiga experimented with techniques that pushed the boundaries of *bunjinga*. He employed “finger painting”—a method where pigment is applied directly onto paper using fingertips—creating textured surfaces and conveying a sense of immediacy and spontaneity.
- Notable Works: Among his celebrated compositions are "Landscape with Tower," "Fishing Boat on Reed Covered Bank and Calligraphy," and “Finger Painting of a Landscape,” each exemplifying Taiga’s distinctive style and demonstrating his ability to capture the essence of nature in evocative imagery.
Ike Taiga
1723 - 1776
艺术家简介
- Artistic Movement Or Style: *Bunjinga* (Literati Painting)
- Artists Or Movements Influenced By This Artist: Yanagisawa Kien
- Artists Who Influenced This Artist: Yi Fujiu
- Date Of Birth: 1723
- Date Of Death: 1776
- Full Name: Ike no Taiga
- Nationality: Japanese
- Notable Artworks:
- Landscape with Tower
- Finger Painting of a Landscape
- Fishing Boat on Reed Covered Bank and Calligraphy
- Place Of Birth: Kyoto, Japan
