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449587艺术品 30613艺术家 4660博物馆 32语言
Catalogue entry

Number 13

1965. Gouache, 58.0 x 73.0 cm. 达拉斯艺术博物馆.

Fig. 1. James Brooks, Number 13, 1965. Shown as the reproduction you are specifying: , .

§ 1Catalogue data

尺寸
58.0 x 73.0 cm

§ 2Abstract

藏品详情

Explore James Brooks's iconic 'Number 13,' a monumental Abstract Expressionist painting featuring bold black and white contrasts, gestural brushstrokes, and evocative symbolism reflecting the artist’s journey through WPA murals and wartime service.

艺术家简介

James Brooks (1906-1992) was a pivotal Abstract Expressionist painter known for his innovative staining techniques, lyrical abstraction, & large-scale murals like "Flight" at LaGuardia Airport. Explore his calligraphy-infused works and legacy as a fi

§ 3Commentary

A Dance of Contrast: The Raw Energy of Number 13

In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a profound dialogue between light and shadow, order and chaos. The composition is defined by a striking monochrome palette, where the deep, commanding presence of black paint meets the luminous clarity of white space. Upon first encounter, the viewer is swept into a whirlwind of gestural movement; there is an undeniable sense of spontaneity, as if the artist’s very pulse were captured within the sweeping strokes of gouache and ink.

The visual journey begins on the left side of the canvas, where the forms are fluid and organic. Here, amorphous dark shapes emerge from the white background, suggesting a phantom-like profile or a face in silhouette, though they remain tantalizingly abstract. These loose, energetic sweeps of black paint create a sense of dynamic motion, pulling the eye into an unpredictable rhythm. This side of the work feels deeply personal and emotive, embodying the "action painting" spirit where the physical act of creation is as much a part of the art as the final image.

Structure Amidst the Storm

As the gaze traverses the canvas toward the right, a fascinating transformation occurs. The wild, unpredictable energy of the left gives way to a more structured arrangement. Thick, horizontal bands of black paint stretch across the space, separated by rhythmic white intervals. These bands introduce a sense of gravity and architectural stability to the piece, creating a captivating tension between the unstructured, atmospheric shapes on one side and the deliberate, layered stripes on the other. This juxtaposition of the organic and the geometric invites endless interpretation, making it a centerpiece that rewards deep contemplation.

The technique employed by Brooks is nothing short of masterful. By utilizing gouache and ink, he achieves a variety of textures—some areas appear smooth and ethereal, while others reveal the heavy, tactile weight of thick applications. The visible brushstrokes serve as a map of the artist's movements, lending the work an intimate, human quality. For the collector or interior designer, this piece offers more than just visual interest; it provides a sophisticated focal point that can anchor a room with its dramatic duality and timeless elegance.

A Legacy of Emotion and Motion

Beyond its formal qualities, Number 13 resonates with a profound emotional depth. The stark black-and-white contrast evokes themes of duality—day and night, presence and absence, life and void. There is a certain drama inherent in the composition, a tension that feels both ancient and modern. It is a work that does not merely sit upon a wall but actively interacts with its environment, casting a spell of introspection on all who behold it.

For those seeking to bring the spirit of mid-century American abstraction into a contemporary space, this reproduction offers an unparalleled opportunity. It captures the essence of Brooks's unique ability to blend the monumental scale of his muralist roots with the intimate, psychological intensity of abstract painting. Whether placed in a minimalist gallery setting or a richly textured living space, Number 13 remains a powerful testament to the enduring beauty of the Abstract Expressionist movement.

常见问题与解答

James Brooks 的《Number 13》 的画面方向是怎样的?

James Brooks 的《Number 13》 采用 Landscape 格式。该格式描述了构图的比例。

“Number 13”代表了James Brooks艺术生涯的哪个阶段?

在James Brooks的艺术生涯中,"Number 13"创作于Mature Period时期。这一阶段有助于将其与艺术家的其他作品进行比较。

"Number 13" 是 Abstract Expressionism 运动中著名的艺术作品吗?

James Brooks 的《Number 13》 被归类为 Iconic,并属于 Abstract Expressionism 流派。

§ 4The artist

James Brooks

James Brooks

1906 - 1992, United States of America

Quick facts about James Brooks

  • Full Name: James Brooks
  • Nationality: American
  • Date Of Birth: 1906
  • Date Of Death: 1992
  • Place Of Birth: St. Louis, United States of America
  • Notable Artworks: ['Flight (LaGuardia Airport mural)']
  • Artistic Movement Or Style: Abstract Expressionism
  • Artists Who Influenced This Artist:
    • Jackson Pollock
    • Lee Krasner
    • Pablo Picasso
    • Georges Braque

艺术家简介

Early Life and Education

  • Born: October 18, 1906, St. Louis, Missouri
  • Family moved to Dallas, Texas in 1916
  • Studied art at Southern Methodist University (1922-1924)
  • Private lessons with James A. Waddell and Martha Simkins in Dallas
  • Moved to New York City in 1926
  • Studied at the Art Students League under Boardman Robinson and Kimon Nicolaides
  • Worked as a commercial artist to support himself

The WPA Years and Early Murals

  • Active in the Works Progress Administration (WPA) Federal Art Project from 1936-1942
  • Painted three murals for the WPA, demonstrating social realist style.
  • Flight (1940-1942): A significant mural at La Guardia Airport's Marine Air Terminal, depicting the history of aviation. It was the largest WPA mural and later restored after being painted over.
  • Friendships with Jackson Pollock and Philip Guston during this period

Abstract Expressionist Period: Style and Development

  • Served as a combat artist in the U.S. Army (1942-1945)
  • Returned to New York City in 1946, reconnected with Pollock and Krasner
  • Shifted towards Abstract Expressionism, influenced by Surrealist principles
  • Developed a unique staining technique: Experimenting with the bleed of paste through canvas.
  • Early works showed influences of Synthetic Cubism.
  • Palette initially featured browns, grays, blacks and vivid colors.
  • Later work incorporated larger forms, broader strokes, and simpler compositions using acrylics.
  • Often used numbers and letters to identify paintings, incorporating nonsense syllables as titles (e.g., *Pask*, *Burwak*, *Jondol*).

Major Exhibitions and Recognition

  • First solo exhibition at the Peridot Gallery in New York City (1949)
  • Participated in the historic Ninth Street Exhibition (1951) – a key event in Abstract Expressionism.
  • Featured in exhibitions such as Twelve Americans and New American Painting at the Museum of Modern Art.
  • Documenta, Kassel, West Germany (1959).
  • John Simon Guggenheim Memorial Foundation Fellowship (1969)

Legacy and Historical Significance

  • Considered a first-generation Abstract Expressionist painter.
  • Known for his innovative staining techniques and lyrical abstraction.
  • His work is held in prominent collections including the Art Institute of Chicago, The Museum of Modern Art, Tate Gallery, and National Gallery of Art.
  • Brooks's artistic journey reflects the evolution of Abstract Expressionism and his willingness to experiment with new approaches to painting.
  • Died on March 9, 1992, in East Hampton, New York.

§ 5Comparanda

§ 6Questions

作品详情

  • Subject or theme: Abstract; bold black and white contrasts
  • Year: 1965
  • Movement: Abstract Expressionism
  • Notable elements or techniques: Gestural brushstrokes, staining technique
  • Medium: Gouache and ink on paper

艺术知识测试

每道题只有一个正确答案。

题目 1:
What is the primary art movement associated with James Brooks's 'Number 13'?
题目 2:
Which materials were used to create this artwork?
题目 3:
In which year was 'Number 13' created?
题目 4:
What is the visual characteristic of the right side of the composition?
题目 5:
Where is this artwork currently housed?

§ 7Cite this entry

AllPaintingsStore.com, “James Brooks, Number 13 (1965)”, https://allpaintingsstore.com/zh/art/james-brooks-number-13-D3FJ7Z-en/ArtistReproduction/ (accessed 4 October 2026).

§ 8The reproduction

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It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

Number 13

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