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统计数据Monkeys
- 36.0 x 28.0 cm
展开全文
艺术微喷/版画
博物馆级艺术微喷或帆布版画，制作高效，并提供多种饰面选择。 (
订购纯手工绘制画作 切换至数字图像销售渠道)
您可以从与原作比例一致的预设尺寸中进行选择。
请输入您所需的宽度和高度，以适配您的画框或墙面。由于印刷品只能进行裁剪，无法超出原图尺寸，因此若比例不一致，画面的一部分将会被裁切。在正式印刷之前，我们会为您发送一份数字效果图供您确认。本页面显示的图片并非最终裁剪后的效果——只有效果图才能展示真实的裁剪情况。
玻璃选项仅适用于110厘米以下的尺寸。
Monkeys
艺术微喷/版画
复刻品尺寸
-
最终结算价
¥ 430
相似作品
艺术家简介
A Life of Ink and Rebellion
Kawanabe Kyōsai entered the world in 1831 in Koga, born into a samurai family. His early years were marked by a sudden, visceral encounter with mortality when, at age nine, he discovered a human head separated from a corpse in the Kanda river. This early shock preceded a formal education under the masters of the Kanō school and Utagawa Kuniyoshi. While he mastered the precise brushwork required by tradition, his spirit gravitated toward the more liberated styles of the popular schools. He moved to Edo, where his father joined the official firefighters of the Shogunate, and there, Kyōsai began to develop a persona that would define his career.
His path was never one of quiet conformity. During the political shifts from the Edo period to the Meiji era, he became a figure of both fascination and friction. He was arrested three times by the authorities of the Shogunate, often for the satirical nature of his work which mocked government officials and criticized prevailing policies. These brushes with the law did not dampen his output; instead, they reinforced his reputation as an independent thinker. His art reflected the chaos of a nation transforming from a feudal state into a modern power.
The Demon of the Brush
Kyōsai’s technical skill was matched by a wild, undisciplined energy. He earned the nickname Shuchu gaki, or "the Painting Demon," a title he embraced through his use of various seals in his work. His subject matter was vast and often strange, ranging from the religious to the grotesque. He populated his canvases with demons, skeletons, frogs, and animals, often imbuing them with human-like humor or political significance. One notable long painting on a handscroll, The battle of the farts, captured the political ferment of his era through sheer caricature.
His creative process was as legendary as his subjects. It was said that he could paint after an entire night of drinking, entering a state where the brush moved with instinctive speed. This spontaneous style, sometimes referred to as kyōga or "crazy pictures," allowed for a fluid draughtsmanship that felt alive. While he possessed the technical foundations of the Kanō school, his work leaned into chaos and comedy rather than quiet reverence. He was a skilled woodblock print artist, producing works like Kyōsai hyakuzu and various namazu-e prints that resonated with the public.
A Legacy in Lines
Beyond his individual paintings, Kyōsai contributed to the evolution of visual storytelling. In 1874, he helped create what is considered the first manga magazine, Eshinbun Nipponchi, alongside Kanagaki Robun. Though the publication lasted only three issues, it represented an early attempt at a new form of graphic media. His influence reached far beyond Japan, as his works found their way into collections such as the British Museum and the Guimet Museum in Paris. Even Western visitors, including architects like Josiah Conder, documented his extraordinary abilities.
The artist passed away in 1889 due to gastric cancer. He left behind an immense body of work, estimated at over 10,000 pieces, spanning prints, sketches, and albums. His life was a mirror of the era he inhabited—turbulent, transitioning, and deeply complex. Through his ink, the transition from the Middle Ages to a modern industrialized society found its most expressive voice.
Kawanabe Kyōsai
1831 - 1889
艺术家简介
- Artistic Movement Or Style: Ukiyo-e, Caricature, Manga pioneer
- Artists Or Movements Influenced By This Artist: ['Manga history']
- Artists Who Influenced This Artist:
- Utagawa Kuniyoshi
- Kanō school
- Date Of Birth: 1831
- Date Of Death: 1889
- Full Name: Kawanabe Kyōsai
- Nationality: Japanese
- Notable Artworks: ['The Battle of the Farts']
- Place Of Birth: Koga, Japan