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      西蒙·贝宁

      Self-portrait

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      As the last major master of the Netherlandish tradition, Flemish miniaturist Simon Bening achieved unparalleled fame through exquisite works like his Self-Portrait and Book of Hours, inviting a closer look at his delicate worlds.
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      ¥ 431

      Self-portrait

      艺术微喷/版画

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      总计金额

      ¥ 431

      Written in gold on a red background is an inscription that identifies this miniature as a self-portrait of the famous Bruges illuminator, Simon Bening: "Simon Bennik, the son of Alexander, painted this himself at the age of 75 in 1558."Simon Bening became one of the most famous illuminators of the sixteenth century. He spent his early years in Ghent or Antwerp, probably working under the tutelage of his father, the illuminator Alexander Bening. Simon moved to Bruges permanently in 1517, where over time he headed a large and flourishing workshop. Although Bening was much admired in his day and widely imitated, his artistic personality has yet to be thoroughly studied.This miniature painting has attracted considerable interest in art history as an early self-portrait of an artist. Bening portrays himself, spectacles in hand, seated before a wooden easel. The easel holds a drawing of the Virgin and Child; along its left edge, small ledges hold various painting materials. In representing this imagery Bening allies himself with Saint Luke, the patron saint of painting, who is traditionally shown painting an image of the Virgin - a subject that itself became a conceit for the self-portrait of the artist in the 15th and 16th centuries. Bening portrays himself not in the garb of an artisan, but as a member of the intelligentsia. By inscribing his work with a signature (as the son of Alexander) and a date, he acknowledges his talents and heritage in the distinguished lineage of Bening illuminators in Bruges. The illumination was probably made as an independent work, rather than as part of a book, at a time when autonomous miniatures increasingly came into production. A second version of this miniature is in the Victoria and Albert Museum, London.

      问答详情

      "Self-portrait" 的色彩之间是如何相互关联的？

      西蒙·贝宁 的《Self-portrait》 的色彩呈现出一种 Unified Palette 的和谐感。这种和谐感描述了色彩之间的相互关系。

      创作《Self-portrait》时，西蒙·贝宁 的年龄是多少？

      西蒙·贝宁 在 1558 年创作《Self-portrait》时，年龄为 75 岁。该年龄是根据艺术家的出生年份 1483 计算得出的。

      “Self-portrait”被归于哪位艺术家名下？

      "Self-portrait" 的创作者是 西蒙·贝宁。该作品以 西蒙·贝宁 的名义编入目录。

      "Self-portrait" 是在哪一年创作的？

      西蒙·贝宁 的《Self-portrait》 的创作年份为 1558。

      是否有与“Self-portrait”风格相似的作品？

      西蒙·贝宁 的《Self-portrait》 的 相似作品 页面展示了相关艺术作品。

      西蒙·贝宁 的《Self-portrait》 的色彩基调是什么？

      西蒙·贝宁 的《Self-portrait》 的色彩特征：Earthy 色调，以 Espresso (#5f4b34) 为主导。

      西蒙·贝宁 的《Self-portrait》 的色彩饱和度与强度如何？

      “Self-portrait”的色彩饱和度为Subtle Color，色彩强度为Balanced。

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