Pointillism
The banks of the Seine (Maximilien Luce)
The banks of the Seine is a work of Maximilien Luce (1858–1941). It belongs to the Pointillism movement.
The banks of the Seine: key details
- Title
- The banks of the Seine
- Artist
- Maximilien Luce (1858–1941)
- Artist born in
- Paris, France
- Movement
- Pointillism
- Subject
- france, fish
The banks of the Seine: image files
Maximilien Luce, The banks of the Seine. Public domain.
Colours checked against the original, file retouched by a digital expert.
Buy the high-resolution imageQuestions about The banks of the Seine
What subjects appear in "The banks of the Seine" by Maximilien Luce?
The themes present in "The banks of the Seine" by Maximilien Luce include france, fish. Together they summarize the artwork's subject matter.
Can the image of "The banks of the Seine" by Maximilien Luce be freely reproduced?
The copyright answer for "The banks of the Seine" by Maximilien Luce: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.
Who is the artist behind "The banks of the Seine"?
"The banks of the Seine" is attributed to Maximilien Luce.
What art movement does "The banks of the Seine" by Maximilien Luce belong to?
"The banks of the Seine" is a work of Pointillism. The movement indicates the artistic tradition the work is part of.
Is "The banks of the Seine" by Maximilien Luce in the public domain, and why?
"The banks of the Seine" by Maximilien Luce is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Maximilien Luce died in 1941.
About Maximilien Luce
1858–1941, France
Maximilien Luce
A Parisian Soul: The Life and Art of Maximilien Luce Maximilien Luce, born in Paris in 1858, was a painter deeply entwined with the social and artistic currents of his time. His early life, spent amidst the working-class neighborhoods of Montparnasse, instilled within him a sensitivity to the realities of urban existence—a theme that would resonate throughout his prolific career. Initially apprenticed to a wood engraver in 1872, Luce honed a meticulous attention to detail and an appreciation for line and form, skills that would later inform his explorations with color and light. This foundational training wasn’t merely technical; it connected him to a tradition of graphic arts deeply engaged with social commentary, setting the stage for his own politically charged artistic journey.
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