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      Studio Interior No. 2

      Discover Armin Landeck’s ‘Studio Interior No. 2’ (1936). A captivating black & white drawing showcasing an artist's studio filled with art and objects. Hand-painted reproduction available.

      Explore Armin Landeck's evocative prints! This American printmaker masterfully captures NYC scenes & urban life through aquatint, drypoint & lithography. Discover his legacy.

      Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.

      Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.

      Giclée / Kunsttryk

      Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish. ( Bestil håndmalet reproduktion Skift til digitalt billede)

      Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P118B Dkr10
      Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P118H Dkr10
      Corner sample of the P118W picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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      Corner sample of the P805H picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
      P805H Dkr10
      Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
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      Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
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      Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
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      Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
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      Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
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      Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
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      Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
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      Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
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      Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
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      Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
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      Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
      W940BG Dkr15
      Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
      W953PJ Dkr8

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      Samlet pris

      Dkr 426

      Studio Interior No. 2

      Giclée / Kunsttryk

      Reproduktionsstørrelse

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      Samlet pris

      Dkr 426


      Om kunstneren

      Armin Landeck: A Pioneer of American Printmaking

      Armin Landeck (1905-1984) stands as a singular figure in the annals of American printmaking, recognized for his masterful command of technique and his ability to distill complex urban landscapes into powerfully expressive images. Born June 4, 1905, in Crandon, Wisconsin, Landeck’s artistic journey began with an early fascination for architecture—a discipline that would profoundly shape his visual sensibilities and inform his approach to printmaking throughout his prolific career. He pursued formal education at the University of Michigan before earning a Bachelor of Architecture degree from Columbia University in 1927, establishing him as a skilled craftsman and providing him with a foundational understanding of spatial relationships and structural principles.
      • Early Influences: Landeck’s formative years were marked by exposure to European artistic currents—particularly Cubism—during his travels abroad in 1928. This encounter ignited his passion for abstraction and propelled him toward exploring innovative printmaking methods.
      • The Atelier Era: Recognizing the transformative potential of collaboration, Landeck joined Stanley William Hayter’s Atelier 17 in 1941, immersing himself in the experimental spirit of Surrealist printing techniques. This partnership proved pivotal in honing his craft and fostering a groundbreaking dialogue between artistic vision and technical precision.

      Technique and Artistic Style: Mastering Intaglio Printmaking

      Landeck’s distinctive style—characterized by sharp lines, rich textures, and dramatic tonal contrasts—stemmed from his unwavering dedication to intaglio printmaking methods, notably drypoint and aquatint. Drypoint, utilizing a stylus to incise lines directly onto a metal plate, allowed Landeck to achieve unparalleled textural depth and expressive dynamism. Simultaneously, aquatint employed powdered resin on the plate surface, creating tonal gradations through controlled chemical etching—a technique that mirrored his architectural understanding of light and shadow. These methods enabled him to capture the essence of urban environments with remarkable subtlety and conviction.
      • Drypoint: Landeck’s mastery of drypoint resulted in prints imbued with palpable energy and visual complexity, reflecting his engagement with Cubist principles.
      • Aquatint: The aquatint technique provided Landeck with the means to convey mood and atmosphere—a hallmark of his artistic vision—through nuanced tonal variations.

      Notable Works and Recognition

      Landeck’s oeuvre encompasses over 140 prints that are now considered masterpieces of American printmaking, reflecting his unwavering commitment to exploring the expressive possibilities of intaglio techniques. Among his most celebrated pieces include “Rooftop and Skylights” (1969), a stunning depiction of New York City’s skyline rendered with meticulous detail and evocative tonal harmonies; “Pop’s Tavern” (1934), capturing the vibrant pulse of urban nightlife through dynamic lines and luminous highlights; and “Lonely Street” (1936), portraying solitude amidst the bustling cityscape—works that exemplify Landeck's ability to distill complex emotions into visually arresting images. His prints are housed in prestigious collections worldwide, including those of the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Smithsonian American Art Museum, cementing his legacy as a visionary artist who profoundly shaped the trajectory of 20th-century printmaking.

      Legacy and Influence

      Armin Landeck’s enduring influence extends beyond his artistic achievements—he served as a professor at the Art Students League in New York City from 1931 until 1958, nurturing generations of aspiring printmakers and fostering a spirit of experimentation and innovation. His dedication to teaching underscored his belief that art should inspire creativity and cultivate intellectual curiosity. Landeck’s work continues to resonate with audiences today, serving as a testament to the transformative power of artistic vision and technical mastery—a legacy that secures his place among America's most distinguished printmakers.

      Hurtige fakta

      • Artistic Movement Or Style: Printmaking
      • Artists Or Movements Influenced By This Artist: ['Cubism']
      • Artists Who Influenced This Artist:
        • Edward Hopper
        • Stanley William Hayter
      • Date Of Birth: June 4, 1905
      • Date Of Death: December 1, 1984
      • Full Name: Armin Landeck
      • Nationality: American
      • Notable Artworks:
        • Rooftop and Skylights
        • Pop's Tavern
      • Place Of Birth: Crandon, Wisconsin