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Bacchante

1786. Engraving, 2359.0 x 395.0 cm. Hermitage Museum.

Fig. 1. Francesco Bartolozzi, Bacchante, 1786. Vises som den reproduktion, du har angivet: , .

§ 1Katalogdata

Dimensioner
2359.0 x 395.0 cm

§ 2Abstrakt

Beskrivelse af samlerobjektet

Francesco Bartolozzi’s ‘Bacchantes,’ created in 1786, showcases Angelica Kauffman’s masterful depiction of three women immersed in peaceful contemplation amidst the tranquil beauty of the forest. The engraving captures a moment of idyllic friendship and artistic elegance.

Kunstnerbiografi

Italian engraver famed for the crayon method, using delicate dots and colored inks to create soft, chalk-like portraits and allegories.

§ 3Kommentarer

A Moment in the Woods

In this 1786 composition, we find ourselves drawn into a quiet, wooded setting where three women are gathered. There is a sense of ease in their posture, a feeling of shared companionship that feels almost private, as if we have stumbled upon a fleeting moment of rest. The figures are positioned with a natural grace; one woman rests on the left, while the other two are situated closer to the right, creating a balanced, rhythmic arrangement within the foliage. Nature surrounds them, populated by two birds—one drifting near the upper-left corner and another settled toward the bottom-right—adding a subtle layer of life to the tranquil scene. It is a study of repose and the gentle harmony found in the company of others.

Technical Nuance and Origin

This work is a stipple engraving, printed in colours, representing a second state of the print. The technique relies on the delicate application of small dots to build form and tone, a method that allows for a softness of texture that traditional line engraving often lacks. It is a reproduction of a painting by Angelica Kauffman, translated through the skilled hand of Francesco Bartolozzi. The precision of the stipple allows for a subtle gradation of light and shadow across the skin of the women and the surrounding leaves.

  • Technique: Stipple engraving printed in colours
  • State: 2nd state
  • Medium: Print after a painting

The Art of the Engraver

Francesco Bartolozzi brought a specific sensitivity to this piece, characterized by a soft, chalk-like quality that mimics the texture of a drawing. His ability to translate the painterly nuances of Kauffman's original vision into the medium of engraving is evident in the way the light settles upon the figures. The work reflects the Neoclassical sensibilities of the late 18th century, focusing on clarity and the idealized beauty of the human form. It remains a significant example of how printmaking could capture the delicate atmosphere of a painted scene, preserving the mood of the original through meticulous, pointillist detail.

Spørgsmål og svar

Er "Bacchante" af Francesco Bartolozzi et lyst eller et mørkt kunstværk?

"Bacchante" har en overordnet lysstyrke på brilliant, og dens luminans er Bright Balance.

Hvilken epoke stammer "Bacchante" fra?

"Bacchante" af Francesco Bartolozzi stammer fra perioden Early Modern. Denne klassificering placerer værket i en kunsthistorisk kontekst.

Hvordan downloader jeg billedet af "Bacchante" af Francesco Bartolozzi?

"Bacchante" af Francesco Bartolozzi kan downloades fra værkets Download-side som et højopløseligt digitalt billeddownload.

§ 4Kunstneren

Francesco Bartolozzi

Francesco Bartolozzi

1728 - 1815, Italy

Hurtige fakta om Francesco Bartolozzi

  • Name: Francesco Bartolozzi
  • Movement: Neoclassical
  • Birth Date: 1725
  • Death Date: 1815
  • Influenced: Michele Benedetti, Ignatius Joseph van den Berghe, Thomas Cheesman, Lambertus Antonius Claessens, Daniel Gardner, Christiaan Josi, Johan Fredrik Martin, Conrad Martin Metz, Luigi Schiavonetti, John Keyse Sherwin, Heinrich Sintzenich, Peltro William Tomkins, Don Bernardo Zilotti, Gabriel Scorodomoff
  • Birth Place: Florence, Italy
  • Nationality: Italian
  • Date Of Birth: 1725
  • Date Of Death: 1815
  • Influenced By: Joseph Wagner, Ignazio Hugford, Giovanni Domenico Ferretti
  • Notable Works: Clytie, Virgin and Child, plates for Shakespeare Gallery
  • Place Of Birth: Florence, Italy

Kunstnerbiografi

Francesco Bartolozzi: Life and Legacy

Early Life and Training

  • Born: Florence, Italy in 1725.
  • Initially destined to follow his father’s profession as a goldsmith and silversmith.
  • Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
  • Spent three years dedicated to painting before turning his attention to engraving in Venice.
  • Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.

Artistic Development and Style

  • Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
  • He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
  • The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
  • His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.

Career in London

  • Moved to London in 1764 and remained there for nearly forty years.
  • Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
  • Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
  • Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
  • Frequently collaborated with artists such as Cipriani and Angelica Kauffman.

Major Achievements and Works

  • Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
  • His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
  • In 1802, he became the founding president of the short-lived Society of Engravers.
  • Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.

Later Life and Historical Significance

  • In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
  • He died in Lisbon in 1815.
  • Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
  • His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.

§ 5Relaterede værker

§ 6Spørgsmål

Hurtige fakta

  • Artist: Francesco Bartolozzi
  • Dimensions: 2359 x 395 cm
  • Artistic style: Neoclassical

Kunstquiz

Der er kun ét korrekt svar på hvert spørgsmål.

Spørgsmål 1:
What is the title of the artwork?
Spørgsmål 2:
In what year was this painting created?
Spørgsmål 3:
Which artist is credited with creating 'Bacchante'?
Spørgsmål 4:
The description suggests the painting depicts a scene with what elements?
Spørgsmål 5:
Bartolozzi was known for popularizing which specific engraving technique?

§ 7Angiv kilde til dette opslag

AllPaintingsStore.com, “Francesco Bartolozzi, Bacchante (1786)”, https://allpaintingsstore.com/da/art/francesco-bartolozzi-bacchante-8Y32HT-en/ (hentet 27 oktober 2026).

§ 8Reproduktionen

Håndlavet oliereproduktion

Håndmalet olie på lærred i din valgte størrelse og ramme, udført efter bestilling af vores kunstnere. ( Skift til printsalg Skift til digitalt billede)

Det er angivet i margenen på ordresedlen; den nuværende status for denne seddel lyder som følger.

Bacchante

Reproduktionsmetode

Størrelse på reproduktion

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Eksklusivt udvalgte senior-kunstnere

Mere detaljerigdom, finesse og ekstra produktionstid

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Indramning af reproduktion

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For kunstværker eller reproduktioner, der er større end 105 cm (ca. 41 tommer) på en hvilken som helst side, vil rammen blive leveret som et adskilt sæt. Denne metode sikrer sikker levering og forhindrer skader under transport.

Professionel montering er påkrævet – dette er ikke et gør-det-selv produkt.
Sættet skal samles, og lærredet skal opspændes af en erfaren professionel indrammer ved brug af trælim (ikke medfølger), en lærredsspænder og klemmer til at holde blindrammen vinkelret, mens limen tørrer. Forkert samling eller ujævn spænding af lærredet kan beskadige kunstværket permanent og er ikke dækket af vores garanti.

  • Alle massive trælister er inkluderet, præcist tilpasset i størrelsen.

  • Samles med de medfølgende skruer samt trælim til hjørneforbindelserne, som ikke medfølger og skal anskaffes af din indrammer.

  • Professionelt værktøj er påkrævet og medfølger ikke: en lærredsstrækker (spændetang) og klemmer til at holde blindrammen vinkelret, mens limen tørrer.

Vigtigt:
Hjørneforbindelserne kræver trælim, listerne skal holdes fast med skruetvinger, indtil limen er helt tør, og opspænding af lærredet på den samlede ramme kræver en lærredsspænder. Ingen af disse dele er inkluderet i sættet. Vi anbefaler, at du kontakter en erfaren professionel indrammer, før du bestiller denne størrelse.

Navneskilt

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Beskyttende fernis

Blank lak (fremhæver farverne og beskytter mod lys og fugt)

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Hurtig levering

Verdensomspændende levering () på 3-4 uger i stedet for de standard 5 uger. (24 november). Ingen kompromiser med kvaliteten.

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Ekspreslevering

Verdensomspændende levering til inden for 5 uger. (1 december).

Inkluderet

Samlet pris

Dkr 1724

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