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During the course of his career, artist Nicholas Hlobo has developed a distinctive body of work stitching and weaving together disparate materials such as ribbon, rubber, gauze and leather to create seductively tactile sculptures and drawings. His works are richly layered, anchored in references to Xhosa culture and the experience of life in post-apartheid South Africa, while reflecting upon themes of language and communication as well as gender and sexuality. The stitches in Itulo are denser and more chaotic, emanating from a large piece of black rubber that has been integrated into the center of the work. Piercing the surface of the paper, the individual stitches cross and tangle at points but remain connected to the central body, which looks like the empty skin of a creature that has departed. Itulo is a long wooden needle used when thatching a house. Here Itulo reminds us of the needle used to make the stitches in the paper, but it is also meant as a metaphor for the act of lovemaking. From Kerryn Greenberg,

Kunstnerens biografi

Nicholas Hlobo: Sculptural Narratives of Identity and Healing

Nicholas Hlobo is a South African artist born in Cape Town in 1975, whose work powerfully confronts themes of queer identity, Xhosa heritage, and the legacy of colonialism. Rooted in Johannesburg, he earned his Bachelor of Technology from Technikon Witwatersrand in 2002, marking the beginning of a prolific artistic journey characterized by monumental sculptural installations that challenge conventional notions of form and materiality. Hlobo’s artistic practice is deeply informed by his personal experiences as a gay Xhosa man navigating the complexities of South African society. This intersectionality fuels his exploration of masculinity and sexuality—not merely as categories, but as fluid concepts shaped by cultural traditions and historical trauma. He meticulously crafts sculptures using unconventional materials – rubber inner tubes, ribbon, organza, lace, and salvaged objects – transforming these seemingly disparate elements into cohesive narratives that speak to the process of regeneration after rupture. This deliberate juxtaposition mirrors his interest in examining how colonization operates both overtly and subtly within contemporary life, reflecting on the scars left by historical oppression. The artist’s technique is equally significant. Hlobo painstakingly cuts and sews together found objects—often incorporating rubber tubes and fabric scraps—creating intricate assemblages that symbolize the healing potential inherent in confronting painful experiences. These sculptures aren't simply representations; they are active dialogues with history, embodying a desire to reclaim agency and disrupt dominant narratives. The layering of textures and patterns contributes to an overall sense of visual richness and invites contemplation on themes of fragmentation and reintegration. His artistic vision draws inspiration from diverse sources, including the traditions of his Xhosa culture and the broader context of postcolonial art globally. Artists like William Wegman and Louise Bourgeois have served as influential models, demonstrating a willingness to experiment with unconventional materials and explore psychological landscapes within sculptural form. Furthermore, Hlobo’s engagement with conceptual art—particularly the work of Robert Smithson—highlights his commitment to challenging established artistic conventions and prioritizing process over polished aesthetics. Hlobo's monumental sculptures have garnered international acclaim, appearing in exhibitions across Europe and North America. Notable works include “Igqirha Lendlela,” a striking photographic still life featuring leather and tire textures that exemplifies his masterful manipulation of materiality; "Untitled (Wazoneka)," which showcases the artist’s exploration of color and texture; and “Itulo,” demonstrating his ability to convey complex emotional narratives through sculptural form. His art continues to provoke discussion about identity, representation, and the role of art in confronting difficult histories—solidifying his position as a pivotal figure within contemporary South African art and beyond.

Notable Exhibitions: Cologne Cathedral Art Exhibition (2018), Venice Biennale (2019), Stedelijk Museum Amsterdam (2021)
Influences: William Wegman, Louise Bourgeois, Robert Smithson
Materials Commonly Used: Rubber Inner Tubes, Ribbon, Organza, Lace, Found Objects

nicholas hlobo

1975 - , South Africa

Kort om kunstneren

Artistic Movement Or Style: Sculptural Art
Date Of Birth: 1975
Full Name: nicholas hlobo
Nationality: South African
Notable Artworks:
- Igqirha Lendlela
- Untitled (Wazoneka)
Place Of Birth: Cape Town, South Africa

Itulo

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