1969. Painting, 46.0 x 46.0 cm. The Ramzi and Saeda Dalloul Art Foundation.
§ 1Katalogdata
- 46.0 x 46.0 cm
Dette kunstværk er ophavsretsbeskyttet
Kunstværket vist på denne side er beskyttet af ophavsretsloven, hvilket betyder, at vi ikke lovligt kan skabe eller sælge en identisk reproduktion. Denne beskyttelse håndhæves i henhold til internationale aftaler som f.eks. den Bernerkonventionen og af nationale love, herunder de bestemmelser, der er fastlagt i Amerikansk ophavsretslov - Titel 17.
Som et respektfuldt og lovligt alternativ tilbyder vi skræddersyede, håndmalede kunstværker inspireret af originalen. Vores dygtige og professionelle kunstnere studerer omhyggeligt originalens stil, stemning og kunstneriske essens for at skabe et nyt, unikt værk, der fremkalder den samme følelse – samtidig med at det forbliver en original skabelse i egen ret.
Denne metode overholder fuldt ud ophavsretsreglerne, da den ikke indebærer kopiering eller duplikering af det beskyttede kunstværk. I stedet er der tale om en kreativ nytolkning – et nyt maleri, som er inspireret af det oprindelige, men ikke identisk med det.
Læs mere§ 2Abstrakt
Beskrivelse af samlerobjektet
An abstract geometric exploration of a religious symbol featuring vibrant yellow and blue tones by Samia Halaby from 1969, offering a bold modern centerpiece for your collection.
Kunstnerbiografi
A pioneer of abstract painting and computer art, Samia Halaby blends Islamic geometric influences with expressionism in iconic works like Pink Flying Over Pink, inviting you to discover her vibrant visual legacy.
§ 3Kommentarer
A Geometric Symphony of Faith and Form
In the vibrant landscape of late twentieth-century abstraction, few works capture the intersection of spiritual iconography and geometric precision as strikingly as Samia Halaby’s Black Cross. Created in 1969, this captivating piece serves as a profound meditation on the power of shape to convey deep-seated cultural and religious meaning. At first glance, the viewer is met with a radiant central cruciform, where a brilliant yellow core radiates outward, bounded by deep, contemplative blues. This interplay of light and shadow does not merely depict a symbol; it breathes life into it, transforming a static icon into a pulsating, energetic entity that seems to vibrate against the canvas.
The composition is a masterclass in balanced tension. Surrounding the central cross, a constellation of orange squares drifts through the space, creating a rhythmic movement that guides the eye across the 46 x 46 cm surface. These geometric elements act as celestial satellites, grounding the ethereal light of the cross within a structured, mathematical reality. The technique reflects a sophisticated understanding of color theory, where the warmth of the orange and yellow provides a striking counterpoint to the cool, stabilizing presence of the blue edges, resulting in a visual harmony that is both intellectually stimulating and aesthetically soothing.
The Intersection of Abstraction and Symbolism
To behold Black Cross is to witness the dialogue between the abstract and the sacred. While the painting avoids the literalist traps of traditional religious art, it utilizes the language of abstraction to evoke the essence of the cross. The use of bold, non-representational shapes allows the viewer to experience the spiritual weight of the symbol without the distraction of figurative detail. This approach aligns with the broader movements of the era, where artists sought to strip away the superficial to reach a more primal, universal truth through color and form.
For the discerning collector or interior designer, this piece offers an unparalleled opportunity to introduce a focal point of profound depth into a contemporary space. The painting’s ability to command attention through its high-contrast palette makes it an ideal centerpiece for modern galleries, minimalist living rooms, or sophisticated executive suites. It is more than a mere decoration; it is a conversation starter that invites contemplation on the nature of belief, the structure of the universe, and the enduring power of geometric beauty. Owning a high-quality reproduction of this work allows one to bring a fragment of 1960s avant-garde history into the modern home, providing an atmosphere of intellectual rigor and soulful elegance.
Spørgsmål og svar
Blev "Black Cross" i kunstnerens hjemland?
Nej – kunstværket opbevares i udlandet. Samia Halaby er født i Palestine, og museet, der opbevarer originalen af "Black Cross", ligger i Libanon.
Hvad er formatet og størrelsen på "Black Cross"?
"Black Cross" af Samia Halaby har proportionerne af et Square værk på 46 x 46 cm.
Hvor mættede og intense er farverne i "Black Cross" af Samia Halaby?
"Black Cross" af Samia Halaby er gengivet med en Balanced Soft mætning og en Balanced intensitet.
Skift til printsalg
For kunstværker eller reproduktioner, der er større end 105 cm (ca. 41 tommer) på en hvilken som helst side, vil rammen blive leveret som et adskilt sæt. Denne metode sikrer sikker levering og forhindrer skader under transport.
