Untitled
2009
252.0 x 185.0 cm
ILHAM Gallery
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish.
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en specifik ramme eller et bestemt område. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide billedet med en spejlet eller ensfarvet kant. En digital mockup vil blive sendt til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun mockuppen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er tilgængelige, anbefaler vi at vælge et mål fra den foruddefinerede liste for at bevare de originale proportioner.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (25 juli)
Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
Fuld transportforsikring
Garanti for refusion af told og importafgifter
Garanti for præcis farvegengivelse
60 dages returret (kun ved fabrikationsfejl)
100% Tilfredshedsgaranti
Mængderabat tilgængelig
Untitled
Giclée / Kunsttryk
Størrelse på reproduktion
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Samlet pris
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Beskrivelse af samlerobjektet
Lignende kunstværker
Kunstnerens biografi
Sopheap Pich: Sculpting Memory and Resilience
Sopheap Pich is a Cambodian American contemporary artist born in Phnom Penh, Cambodia, in 1971. His artistic journey began amidst the harrowing realities of the Khmer Rouge regime—a period marked by unimaginable violence and suffering—leaving him to emigrate to the United States at age 13 as part of a refugee family. This formative experience profoundly shaped his worldview and fueled his creative impulse, inspiring him to explore themes of displacement, identity, and remembrance through sculptural mediums. ### Early Influences and Artistic Formation Pich’s artistic education commenced in Massachusetts Amherst where he earned a BFA followed by an MFA from the School of the Art Institute of Chicago. These academic pursuits instilled in him a foundational understanding of painting techniques while simultaneously nurturing his burgeoning interest in sculpture. Recognizing sculpture as a means to engage intimately with his environment, he deliberately shifted away from traditional painting methods—a decision that would prove pivotal in defining his artistic style. He honed his craft by experimenting with diverse materials and processes, prioritizing tactile exploration and conceptual depth over mere visual aesthetics. Notably, he trained as a Kun Khmer fighter during his youth, which instilled discipline and physical awareness – elements that subtly permeate his sculptural practice. ### Material Exploration and Artistic Style Pich’s artistic style is characterized by its deliberate simplicity and reverence for local Cambodian materials—primarily bamboo and rattan—which serve as central components of his sculptures. Rejecting flamboyant ornamentation or stylistic references to Western art history, he focuses on conveying profound ideas through minimalist forms that echo the landscape and architectural heritage of Cambodia. His sculptural process involves meticulous manipulation of these natural fibers—boiling, cutting, bending, burning, and dyeing—allowing them to speak for themselves as vessels of memory and cultural significance. He sees his sculptures as “scaffolding” for unbuilt forms, reflecting a fascination with potentiality and transformation. This approach aligns with the broader Post-Minimal aesthetic, prioritizing materiality and conceptual resonance over decorative embellishment. ### Notable Works and Exhibitions Pich’s sculptural output encompasses monumental installations like *The Room*, which utilized bamboo strips to explore themes of space and enclosure—a testament to his commitment to confronting complex ideas through tangible forms. His work has garnered international acclaim, appearing in prestigious venues such as the Metropolitan Museum of Art, Guggenheim Museums, Mori Art Museum, M+, and National Gallery Singapore. Furthermore, he was selected for Documenta 13 (2012), cementing his position as a leading voice within contemporary Southeast Asian art. Recent projects include *Compound*, which investigates architectural structures and their relationship to human experience, and *Bricks Before Palaces*, reflecting on Cambodian history and the legacy of monarchy. His exploration of repurposed aluminum—collected from recycling depots—represents a continuing engagement with environmental concerns and social commentary. ### Legacy and Significance Sopheap Pich’s sculptures stand as powerful emblems of resilience and remembrance—a reflection of his personal journey through trauma and displacement, coupled with an unwavering dedication to honoring Cambodian cultural heritage. His work transcends mere aesthetic beauty, inviting viewers to contemplate profound questions about identity, history, and the transformative potential of art. By prioritizing materiality and conceptual depth, Pich has established himself as a seminal figure in contemporary sculpture, shaping dialogues on memory, place, and artistic expression within the global art landscape.Sopheap Pich
1971 - , Cambodia
Kort om kunstneren
- Artistic Movement Or Style: Contemporary sculpture
- Artists Or Movements Influenced By This Artist: ['Minimalism']
- Artists Who Influenced This Artist: ['']
- Date Of Birth: 1971
- Full Name: sopheap pich
- Nationality: Cambodian American
- Notable Artworks:
- Morning Glory
- Untitled
- Place Of Birth: Phnom Penh, Cambodia

Glasmulighed er kun tilgængelig i størrelser under 110 cm