Bathing (Anthony Devas)
Bathing er et værk af Anthony Devas (1911–1958). Målene er 41 × 52 cm.
- 41 × 52 cm
Bathing: vigtige detaljer
- Titel
- Bathing
- Kunstner
- Anthony Devas (1911–1958)
- Kunstner født i
- Bromley, United Kingdom
- Dimensioner
- 41 × 52 cm
Bathing: billedfiler
Protected by copyright: these files are for personal reference, not a licence to republish.
Anthony Devas, Bathing.
Farverne er kontrolleret mod originalen, og filen er efterbehandlet af en digital ekspert.
Køb billedet i høj opløsningSpørgsmål om Bathing
Hvad er målene på det originale værk "Bathing"?
De registrerede mål for "Bathing" af Anthony Devas er 41 x 52 cm. Reproduktioner kan bestilles i andre størrelser, mens de samme proportioner bevares.
Er "Bathing" af Anthony Devas i det offentlige domæne?
"Bathing" af Anthony Devas er stadig beskyttet af ophavsret. Denne status bestemmer, hvordan billedet af værket må reproduceres.
Hvilken kunstner tilskrives "Bathing"?
"Bathing" blev skabt af Anthony Devas. Informationen på denne side beskriver Anthony Devass originale værk.
Hvad er årsagen til ophavsretsstatus for "Bathing" af Anthony Devas?
Ophavsretsstatus for "Bathing" – stadig beskyttet af ophavsret – følger af kunstnerens død i 1958.
Om Anthony Devas
1911–1958, United Kingdom
Anthony Devas
The Quiet Observer: The Life and Legacy of Thomas Anthony Devas In the annals of twentieth-century British portraiture, few names evoke the intimate, psychological depth of Thomas Anthony Devas. Born in 1911 in Bromley, Kent, Devas was a painter who possessed the rare ability to look past the surface of his subjects, seeking instead the flickering embers of character and the quiet truths of the human condition. His lineage, rooted in the industrious textile traditions of the Devas Routledge Textile Firm, provided him with an early appreciation for the tactile beauty of craftsmanship and the meticulous attention to detail that would later define his brushwork. This foundation of precision, paired with a profound sensitivity, allowed him to emerge as a significant voice within the influential Euston Road School, a movement that sought to reject wartime abstraction in favor of a renewed commitment to realism and social observation.