Eine Kopie von ... kaufen "Office of the Notary (Intendant"s Office, Jan Woutersz Stap, c. 1629

As is the case with Stap’s other painting in the Rijksmuseum, the present painting is based on the 1539 Landlord’s Steward attributed to Jan Massijs (fig. a). Significantly, Van Mander recorded the presence of a painting, presumably the one of 1539, showing moneychangers by Jan Massijs in Warmoesstraat in Amsterdam in his 1604 Schilder-boeck.7 The costumes worn by Stap’s figures are very similar to those in the 1539 painting. Stap’s figures also resemble those in the earlier painting, although his interest is solely in the naturalistic rendering of the grooved and wrinkled faces. Unlike the 16th-century artist, Stap’s approach to his figures is sympathetic, as he avoids making caricatures of them. The exaggeration of other elements in the present painting taken over from the prototype makes Stap’s restraint in this respect all the more remarkable. Even more than in the 16th-century painting, the figures are crammed together in his composition – to such an extent, in fact, that the table appears to intersect in a most uncomfortable way with the woman on the right, whose anatomy in general is hopelessly mangled. Unlike the interior in the 1539 work, Stap’s does not have windows, increasing the sense of claustrophobia. The tilted perspective of his table is also greater than in the prototype, and the gesturing hands, another feature in the 1539 painting, have been given greater prominence as well. From a contemporary document it appears that Stap actually painted these leathery, arthritic hands from life.8 It is difficult, therefore, to decide to what extent the exaggerated, clumsy features of the present painting reflect Stap’s artistic intent or his artistic short-comings. As in Stap’s painting of c. 1636 in the Rijksmuseum and the 1539 prototype attributed to Jan Massijs, an indication of the painting’s date is recorded in a document within the painting – in this case an open book on the table. The document in the Rijksmuseum painting concerns a debt of Pieter Pietersen, of which 29 guilders and 7 stuivers has been paid, and 8 guilders and 10 stuivers is still outstanding. Jonathan Bikker, 2007 See Bibliography and Rijksmuseum painting catalogues See Key to abbreviations and Acknowledgements This entry was published in J. Bikker (ed.), Dutch Paintings of the Seventeenth Century in the Rijksmuseum Amsterdam, I: Artists Born between 1570 and 1600, coll. cat. Amsterdam 2007, no. 275.

Biografie des Künstlers

Jan Woutersz Stap (1599–1663): A Painter Enshrouded in Mystery

Jan Woutersz Stap, a dutch painter from the 17th century, has left an indelible mark on the art world with his captivating genre works. Born in Amsterdam in 1599, stap's life remains shrouded in mystery, yet his paintings continue to intrigue art enthusiasts and scholars alike. Despite limited biographical details, Stap’s artistic legacy persists—a testament to his skill and vision within the Dutch Golden Age.

Artistic Contributions & Style

Stap is primarily recognized for his genre scenes – depictions of everyday life, often portraying individuals engaged in their occupations. This focus distinguishes him from many other artists of his era who favored grand historical narratives or mythological subjects. His meticulous attention to detail and skillful use of light and shadow exemplify a blend of realism and allegory—a stylistic approach that echoes influences from Hans Memling and reflects the broader artistic currents of the time. He skillfully combined observational accuracy with symbolic representation, creating images that resonated deeply with viewers and conveyed complex ideas.

Notable Works & Collections

Stap’s oeuvre includes “The Notary’s Office” (c. 1629), a seminal genre painting housed in the Rijksmuseum—a masterpiece showcasing his mastery of capturing the atmosphere and nuances of professional life. Another significant piece is "The Landlord's Steward" (c. 1636), demonstrating Stap’s ability to convey emotion and psychological depth through portraiture. These paintings are held in prominent museums, offering invaluable insights into Stap’s artistic sensibilities and contributing significantly to the canon of Dutch Golden Age art.

Religious Paintings: Expressions of Faith

Beyond genre scenes, Stap produced impactful religious compositions, notably “The Deposition,” depicting Christ being removed from the cross—a poignant portrayal imbued with emotional intensity and conveying profound spiritual themes. Similarly, "The Entombment" portrays Jesus’s burial—executed with meticulous detail and symbolic significance. These works underscore Stap's commitment to portraying biblical narratives with sensitivity and artistic excellence.

Legacy & Historical Significance

Jan Woutersz Stap’s contribution to Dutch art history is undeniable. His distinctive style, characterized by realism blended with allegorical elements, solidified his place among the leading painters of his generation. The Rijksmuseum's extensive collection ensures that Stap’s work continues to inspire admiration and scholarly study—a reminder of the enduring power of artistic expression within a pivotal period of European culture. Exploring museums like Mauritshuis and Stedelijk Amsterdam provides an opportunity to experience firsthand the beauty and intellectual richness of Stap’s artistic vision.

Jan Woutersz Stap

1599 - 1663 , Niederlande

Eckdaten zum Künstler

Artistic Movement Or Style: Nederlandse Gouden Eeuw
Artists Or Movements Influenced By This Artist: ['Allegoriale Kunst']
Artists Who Influenced This Artist: ['Hans Memling']
Date Of Birth: Amsterdam, Niederlande (1599)
Date Of Death: 1663
Full Name: Jan Woutersz Stap
Nationality: Niederlande
Notable Artworks:
- Das Notarhaus
- Der Hausmeier
Place Of Birth: Amsterdam

"Office of the Notary (Intendant"s Office, Jan Woutersz Stap, c. 1629

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