1980
Apache (Max Cole, 1980)
Apache is a work of Max Cole (1937). It dates from 1980. It is kept at Museum of Fine Arts in Houston, United States of America.
Apache: key details
- Title
- Apache
- Artist
- Max Cole (1937)
- Artist born in
- United States
- Date
- 1980
- Where to see it
- Museum of Fine Arts, Houston, United States of America
Where is Apache today?
Museum of Fine Arts
Houston, United States of America
Origins and History of the Museum of Fine Arts The Museum of Fine Arts began in 1900 as an art school and a modest gallery. Located in the Museum District of Houston, Texas, the institution has grown into one of the largest and most comprehensive art museums in the United States. Its permanent collection spans more than 5,000 years of history, reaching back to the earliest eras of human creativity.
Apache: image files
Max Cole, Apache (1980), Museum of Fine Arts.
Questions about Apache
Toward which tone does "Apache" lean?
Can I use augmented reality to see "Apache" by Max Cole in my room?
"Apache" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.
Where can I buy a print of "Apache" by Max Cole?
"Apache" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.
What saturation and intensity does "Apache" by Max Cole show?
What is the luminance of "Apache" by Max Cole?
Is there a guide for "Apache" by Max Cole?
What color saturation does "Apache" by Max Cole have?
The palette of "Apache" is muted in saturation.
About Max Cole
1937, United States
Max Cole
The Quiet Discipline of the Line Born in Hodgeman County, Kansas, in 1937, Max Cole began a life of meticulous observation that would eventually define her practice as a painter, draftsperson, and graphic artist. Her work does not shout; instead, it invites a slow, meditative descent into its own depths. There is a profound sense of concentration required to engage with her canvases, where the act of painting becomes a rhythmic, almost mystical pursuit. She approaches the surface with a singular motivation, seeking to find what lies behind the visible mark.