Paper

Student Artwork Guide

Panic

Name Class Date

André Masson, Panic (1955), MOMA - Museum of Modern Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
André Masson allpaintingsstore.com/en/artists/andre-masson/
Artist’s dates
1896 – 1987
Painted
1955
Medium
Ink On Paper
Movement
Surrealist Automatic Drawing
Held at
MOMA - Museum of Modern Art allpaintingsstore.com/en/museums/moma-museum-of-modern-art-new-york-city/
Artistic style
Abstract Expressionism
Influences
Automatic Drawing
Notable elements
Biomorphic shapes
Subject or theme
Chaos, Anxiety

In context

Panic — André Masson

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Shaded: the lifetime of André Masson (1896–1987) ▲ this work, 1955

Compare with

  • Childbirth, 1955 allpaintingsstore.com/en/art/andre-masson-childbirth-D3J2LN-en/
  • Beyond, 1957 allpaintingsstore.com/en/art/andre-masson-beyond-6WHJZW-en/
  • Pygmalion, 1938 allpaintingsstore.com/en/art/andre-masson-pygmalion-6WHJXR-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: allpaintingsstore.com/en/art/similar/andre-masson-panic-D3B5Q6-en/

Colours

Measured from the image

    Main colour

    White #f6f0e1

    Catalogued palette

    • #F6F0E1
    • #554B59
    • #BABAAE
    • #5A7A6D
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Panic — André Masson

    The Raw Nerve of Anxiety: Unpacking André Masson’s “Panic”

    André Masson's "Panic," created in 1955, isn’t merely a painting; it’s an excavation. A visceral plunge into the turbulent depths of the human psyche, rendered with a frenetic energy that both unsettles and compels. This etching, executed on paper, captures a moment suspended between chaos and control, reflecting the anxieties simmering beneath the surface of post-war Europe – a period Masson himself deeply inhabited through his pioneering work in Surrealism and Automatism.

    The composition immediately assaults the senses. A dominant teal background—a shade suggestive of both twilight and unease—is fractured by swirling, violently intertwined lines in shades of purple and magenta. These aren’t neat, controlled strokes; they are a deliberate act of disruption, mirroring the feeling of being overwhelmed by internal turmoil. The lack of a clear focal point forces the viewer's eye to dart across the surface, mimicking the restless, fragmented experience of panic itself. The overall effect is less about depicting a specific scene and more about conveying an intense emotional state – a raw, unfiltered expression of anxiety.

    Automatism: A Journey Beyond Conscious Control

    Masson’s technique—Automatism—was central to his artistic practice. Rejecting the constraints of rational thought and deliberate planning, he sought to tap into the unconscious mind through spontaneous action. In “Panic,” this manifests as a seemingly chaotic outpouring of lines, yet beneath the surface lies a carefully orchestrated process. Masson would often begin with sand drawings, allowing the subconscious to dictate the initial forms, then translate these images onto paper using various tools – in this case, etching techniques—to create the final image. This method aimed to bypass conscious control and reveal hidden emotions and associations.

    The influence of Surrealism is undeniable, but Masson’s approach extends beyond simple dream imagery. He was deeply interested in primal emotions, exploring themes of violence, eroticism, and metamorphosis – all powerfully represented within the swirling forms of “Panic.” The piece echoes the work of artists like André Breton and Joan Miró, yet possesses a uniquely personal intensity, reflecting Masson's own struggles with psychological turmoil.

    Symbolic Echoes: Violence, Repression, and the Unconscious

    The imagery within "Panic" is rich in symbolic potential. The tangled lines can be interpreted as representing repressed emotions struggling to surface, a visual manifestation of internal conflict. The use of dark teal and vibrant purples and magentas creates a dramatic contrast, suggesting a battle between opposing forces – perhaps order versus chaos, reason versus instinct. Some viewers have noted the resemblance to organic forms—twisted limbs or distorted figures—suggesting a sense of fragmentation and loss of control.

    Interestingly, Masson’s work frequently engaged with themes of violence, reflecting anxieties prevalent in post-war Europe. The piece can be seen as an exploration of the destructive potential within the human psyche – a warning against succumbing to overwhelming fear and losing oneself in the chaos of internal struggle. The title itself—"Panic"—underscores this central theme, encapsulating the feeling of being trapped within one’s own anxieties.

    A Legacy of Raw Emotion: Masson's Enduring Impact

    “Panic” stands as a powerful testament to André Masson’s innovative approach to art. It’s not a comfortable piece; it demands engagement and invites introspection. His exploration of Automatism, combined with his unflinching portrayal of psychological turmoil, cemented his place as a key figure in the Surrealist movement and beyond. Reproductions of this work continue to resonate today, offering a glimpse into the complexities of the human experience – a reminder that beneath the surface of everyday life, there often lies a turbulent landscape of anxieties and unresolved emotions.

    Artist and museum

    Artist

    André Masson

    Born in Balagny-sur-Thérain, France

    André Masson: A Life in Art

    Born: Balagny-sur-Thérain, France (January 4, 1896)

    Died: 1987

    Early Life and Artistic Training

    Masson began his artistic journey at the age of eleven, studying at the Académie Royale des Beaux-Arts in Brussels under Constant Montald. This early training provided a foundation for his later experimentation with various styles.

    His initial work showed an interest in Cubism, demonstrating an early engagement with modern art movements.

    The Surrealist Period and Automatic Drawing

    Masson became a key figure within the Surrealist movement, enthusiastically embracing automatic drawing as a technique. This involved creating artwork without conscious control, allowing the subconscious to guide the hand.

    He collaborated with other prominent figures of the era like Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, fostering a vibrant artistic community.

    Notable Techniques:

    Automatic Drawings: Numerous pen-and-ink works showcasing his innovative approach to art.

    Sand and Glue on Canvas: Experimentation with throwing sand and glue onto canvas, creating unique oil paintings based on the resulting shapes.

    His work during this period often explored violent or erotic themes, reflecting a departure from traditional artistic conventions.

    Evolution and Later Works

    By the late 1920s, Masson moved away from Surrealism, developing a more structured style influenced by artists like André Derain. This is evident in his landscape paintings.

    During World War II, his work was condemned as "degenerate" by the Nazis. He escaped to the United States with assistance from Varian Fry, significantly impacting American Abstract Expressionists like Jackson Pollock.

    After returning to France, Masson settled in Aix-en-Provence and focused on landscape painting, demonstrating a shift towards more naturalistic subjects.

    Legacy and Influence

    André Masson's pioneering work in Surrealism and automatic drawing left an enduring legacy on the art world.

    His influence can be seen across various artistic movements, from Cubism to Abstract Expressionism, solidifying his position as a pivotal figure in modern art history.

    Masson’s exploration of subconscious imagery and innovative techniques continue to inspire artists today.

    Museum

    MOMA - Museum of Modern Art

    On show in New York City, United States of America

    A Sanctuary of Modernity: Exploring the Soul of MoMA

    Nestled within the vibrant pulse of Midtown Manhattan, the Museum of Modern Art (MoMA) stands as far more than a mere repository for artistic treasures; it’s a living testament to the relentless spirit of innovation and the enduring power of human expression. Established in 1929 by visionary philanthropists, MoMA emerged from the shadows of the Great Depression not merely as an institution, but as a defiant declaration: a dedicated space consecrated solely to embracing the radical, the challenging, and profoundly influential works destined to shape the future of art. From its humble beginnings within the Heckscher Building, it has blossomed into an architectural marvel and a globally recognized landmark, inviting visitors on a profound journey through over a century of artistic evolution – a continuous narrative woven from groundbreaking movements and individual genius.

    A Tapestry of Artistic Innovation

    At the heart of MoMA’s breathtaking collection lies a carefully curated panorama spanning the late 19th century to the present day. Iconic works resonate across generations, each piece a window into a specific moment in art history. Vincent van Gogh's Starry Night, with its turbulent brushstrokes and swirling vortex of emotion, embodies the raw intensity of Expressionism. The canvas seems to breathe, capturing not just a night sky but the artist’s profound inner turmoil. Pablo Picasso’s Les Demoiselles d’Avignon shattered artistic conventions, laying the foundation for Cubism and forever altering our perception of representation. Its fragmented forms and jarring perspectives challenged traditional notions of beauty and perspective, ushering in an era of unprecedented experimentation. And Andy Warhol’s iconic silkscreen prints – particularly Campbell Soup Cans – capture the electric energy of postwar America with their bold colors and playful engagement with popular culture. These seemingly mundane objects, elevated to the realm of art, became symbols of consumerism and mass production, reflecting a rapidly changing society.

    Beyond these monumental figures, MoMA boasts an astonishing breadth: from the delicate brushstrokes of early Impressionists like Monet, whose Water Lilies evoke a serene contemplation of nature, to the abstract explorations of Kandinsky, who pioneered non-representational art; the pioneering photography of Alfred Stieglitz, documenting the dawn of modern photography; and the architectural designs that have shaped our world. Each gallery unfolds as a new chapter in this ongoing story, revealing the diverse voices and perspectives that have defined modern artistic expression.

    A Space Designed for Contemplation

    The transformation of MoMA in 2004, spearheaded by Japanese architect Yoshio Taniguchi, was more than just a renovation; it was a reimagining of the museum’s very soul. Taniguchi's design prioritized natural light, creating an atmosphere of luminous serenity that profoundly enhances the impact of the artwork. The atrium, bathed in sunlight streaming through expansive windows, serves as a central gathering area – a space designed for quiet contemplation and a deeper engagement with the art on display. This deliberate architectural choice reflects MoMA’s commitment to fostering a holistic experience, recognizing that the environment itself can contribute significantly to our understanding and appreciation of artistic expression. The careful consideration given to light, space, and flow creates an immersive setting where visitors are invited to lose themselves in the world of modern art.

    Shaping Art Historical Narratives Through Landmark Exhibitions

    MoMA’s legacy extends far beyond its permanent collection; it has consistently been a catalyst for groundbreaking exhibitions that have fundamentally reshaped public perception and redefined art historical narratives. Alfred H. Barr Jr.’s “Cubism and Abstract Art” (1936) stands as a watershed moment, introducing audiences to Picasso, Braque, Kandinsky, and Mondrian – artists who dared to transcend representational limitations and explore uncharted territories of expression. This exhibition wasn’t simply an exposition; it was a bold assertion that art could move beyond mere imitation and delve into the realm of pure feeling and form. Later exhibitions have continued this legacy, tackling contemporary issues with remarkable insight and fostering critical dialogue about our world – from explorations of Surrealism to the rise of Pop Art and Minimalism. The museum’s curatorial team has consistently demonstrated a willingness to challenge conventional wisdom and present new perspectives on art history.

    A Museum for Our Time

    Today, MoMA remains deeply engaged with pressing social issues through exhibitions that address climate change, identity, and justice. It champions artistic innovation and fosters dialogue globally, recognizing the vital role of art in shaping a more equitable and sustainable future. The museum’s commitment to inclusivity is evident not only in its collection but also in its programming, which actively seeks to amplify diverse voices and perspectives. Furthermore, MoMA's dedication extends beyond the purely aesthetic; it embraces a responsibility to engage with the complexities of our time, using art as a tool for critical reflection and social change. The museum’s ongoing efforts to connect with contemporary concerns underscore its role as a vital cultural institution in the 21st century.

    Where to read more

    Find this online

    QR code linking to the download page for Panic

    allpaintingsstore.com/en/art/download/andre-masson-panic-D3B5Q6-en/

    Cite this artwork

    MLA
    Masson, André. Panic. 1955, MOMA - Museum of Modern Art. https://allpaintingsstore.com/en/art/andre-masson-panic-D3B5Q6-en/
    APA
    Masson, André (1955). Panic [Painting]. MOMA - Museum of Modern Art. https://allpaintingsstore.com/en/art/andre-masson-panic-D3B5Q6-en/
    Chicago
    André Masson. Panic. 1955. MOMA - Museum of Modern Art. https://allpaintingsstore.com/en/art/andre-masson-panic-D3B5Q6-en/
    Harvard
    Masson, André (1955) Panic. MOMA - Museum of Modern Art. Available at: https://allpaintingsstore.com/en/art/andre-masson-panic-D3B5Q6-en/

    Look closely

    Panic — André Masson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: chaos, anxiety, abstraction. Do you agree? What would you add, or take away?
    4. Look back at Childbirth (1955), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. André Masson was about 59 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Panic — André Masson

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary emotion conveyed by André Masson’s ‘Panic’?

      • A Serenity and peace
      • B Anxiety, chaos, and unrest
      • C Joyful celebration
    2. 2. Which artistic movement is most closely associated with André Masson’s style in ‘Panic’?

      • A Renaissance Realism
      • B Surrealism and Automatic Drawing
      • C Baroque Grandeur
    3. 3. The swirling lines and shapes in ‘Panic’ are most likely intended to represent:

      • A Realistic landscapes
      • B Repressed energy and psychological turmoil
      • C Geometric architectural designs
    4. 4. What year was André Masson’s ‘Panic’ created?

      • A 1930
      • B 1955
      • C 1987
    5. 5. The color palette of ‘Panic’, featuring teal and purple, contributes to the artwork’s overall effect by:

      • A Creating a sense of warmth and comfort
      • B Generating visual tension and contrast
      • C Mimicking natural light conditions

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4B · 5A