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Portrait of Adèle Martin

Adèle Martin Paintings: The Top 1 Most Famous, Ranked

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 1 works by Adèle Martin in our catalogue

Quick answer

The most famous Adèle Martin painting is The Arrest of Joan of Arc (1835). Out of the 1 works by Adèle Martin in our catalogue, these are the 1 most famous, ranked, each with its year and museum, so you can choose the painting to order.

1801 – 1875, Dijon

Top 10 Adèle Martin paintings, ranked

Adèle Martin by year: the top paintings

All dated Adèle Martin paintings on this page are from 1835, listed here by rank.

Works per year

Select a year to see its paintings.

Adèle Martin paintings: common questions

What is the most famous painting by Adèle Martin?Show answer

The Arrest of Joan of Arc (1835) ranks first.

What was Adèle Martin's age when The Arrest of Joan of Arc was painted?Show answer

Adèle Martin was 34: The Arrest of Joan of Arc is dated 1835, and Adèle Martin was born in 1801.

How many works by Adèle Martin do you list?Show answer

1 works by Adèle Martin are in our catalogue.

Can I order a Adèle Martin reproduction?Show answer

Yes. Every painting on this page can be ordered as a hand-painted oil reproduction or a print. Open the painting, choose the size and place your order.

About the artist: Adèle Martin

A Life in Color and Shadow

Born in Dijon, France, in 1801, Joséphine Adèle Marie Martin lived a life that saw her move from the quietude of her birthplace to the bustling energy of Paris. Known to many as Adèle Martin or Adèle Dugied, she was a woman who found her voice through the brush. Her presence in the art world was most felt between 1831 and 1847, a period when she established herself as a painter capable of capturing both the dignity of a sitter and the weight of a historical moment.

Her marriage to Pierre Dugied in 1837 marked a chapter in her personal life, yet her identity remained deeply tied to her craft. She navigated the social and professional landscapes of mid-nineteenth-century France, leaving behind works that reflect the era's preoccupation with character and narrative. Her legacy is preserved in collections such as Le musée Magnin de Dijon, where her hand remains visible to those who seek the stories of the past.

The Subjects of Her Brush

Adèle Martin’s work moved between the intimate and the dramatic. She possessed the ability to focus on the subtle nuances of a person's face or the tension of a historical scene. Her repertoire included:

In her portraits, there is a sense of the individual, a way of freezing a moment of quietude or social standing. When she turned her attention to history, as seen in her depiction of Joan of Arc, the scale of her ambition shifted. She sought to translate the gravity of legend into a visual language that her contemporaries could recognize and feel.

A Quiet Legacy

Though her active years as a painter were concentrated in a specific window of time, the impact of her work endured. She died in Dijon in 1875, leaving behind a body of work that speaks to the skill of a woman who carved out a space for herself in a demanding profession. Her paintings remain as physical traces of her life, offering a window into the visual culture of nineteenth-century France.