Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 5 works by Carl Ebert in our catalogue
Quick answer
The most famous Carl Ebert painting is Forest Landscape with Bathing Children (1867); the original is in the Bavarian State Painting Collections, Munich. Evening Landscape (1875) and Landscape society in a park are numbers two and three. Out of the 5 works by Carl Ebert in our catalogue, these are the 5 most famous, ranked, each with its year and museum, so you can choose the painting to order.
The 2 museums that hold the most of the paintings on this page.
| Museum | City | Works by Carl Ebert | Paintings from this list |
|---|---|---|---|
 Bavarian State Painting Collections |
Munich | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Munich | 1 | Isar Landscape |
The dated Carl Ebert paintings here fall within 9 years, 1867 to 1875. Browse them year by year to choose yours.
Select a year to see its paintings.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, Munich, ranks first, followed by Evening Landscape (1875) and Landscape society in a park.
Carl Ebert was 46: Forest Landscape with Bathing Children is dated 1867, and Carl Ebert was born in 1821.
5 works by Carl Ebert are in our catalogue, dated 1867 to 1875.
Mainly in Bavarian State Painting Collections (Munich) and Lenbachhaus (Munich). See the museum table above for the full list.
Earliest on this page: Forest Landscape with Bathing Children (1867). Latest: Evening Landscape (1875).
The Bavarian State Painting Collections, Munich holds 2 of the paintings ranked here, including Forest Landscape with Bathing Children and Evening Landscape.
Yes. Every painting on this page can be ordered as a hand-painted oil reproduction or a print. Open the painting, choose the size and place your order.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
