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Portrait of Cornelia Scheffer

Cornelia Scheffer Paintings: The Top 4 Most Famous, Ranked

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 4 works by Cornelia Scheffer in our catalogue

Quick answer

The most famous Cornelia Scheffer painting is Self-portrait (1795); the original is in the Dordrechts Museum, Dordrecht. Woman with Two Children on a Country Road (1811) and The Women of Souli (1833) are numbers two and three. Out of the 4 works by Cornelia Scheffer in our catalogue, these are the 4 most famous, ranked, each with its year and museum, so you can choose the painting to order.

1769 – 1839, Dordrecht Most works: Dordrechts Museum

Top 10 Cornelia Scheffer paintings, ranked

Museums holding Cornelia Scheffer's originals

The museum that holds the most of the paintings on this page.

Museum City Works by Cornelia Scheffer Paintings from this list
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 4 Self-portrait, Woman with Two Children on a Country Road, The Women of Souli

Cornelia Scheffer by decade: the top painting of each

Works per decade

Select a decade to see its top painting.

Cornelia Scheffer paintings: common questions

What is the most famous painting by Cornelia Scheffer?Show answer

Self-portrait (1795), Dordrechts Museum, Dordrecht, ranks first, followed by Woman with Two Children on a Country Road (1811) and The Women of Souli (1833).

What was Cornelia Scheffer's age when Self-portrait was painted?Show answer

Cornelia Scheffer was 26: Self-portrait is dated 1795, and Cornelia Scheffer was born in 1769.

How many works by Cornelia Scheffer do you list?Show answer

4 works by Cornelia Scheffer are in our catalogue, dated 1795 to 1833.

Where are the original Cornelia Scheffer paintings kept?Show answer

Mainly in Dordrechts Museum (Dordrecht). See the museum table above for the full list.

Which are the earliest and latest famous Cornelia Scheffer paintings?Show answer

Earliest on this page: Self-portrait (1795). Latest: The Women of Souli (1833).

Which Cornelia Scheffer originals are at the Dordrechts Museum?Show answer

The Dordrechts Museum, Dordrecht holds 4 of the paintings ranked here, including Self-portrait, Woman with Two Children on a Country Road and The Women of Souli.

Can I order a Cornelia Scheffer reproduction?Show answer

Yes. Every painting on this page can be ordered as a hand-painted oil reproduction or a print. Open the painting, choose the size and place your order.

About the artist: Cornelia Scheffer

A Life of Miniature Precision

Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.

In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.

The Move to Paris

The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.

Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.

Legacy in Miniature

Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.

Her technical output remains rooted in the intimate scale of her training:

She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.