Anteprima in scala reale
Condividi
Condividi
Dettagli
Guida
Scarica
Articoli simili
Radiografia
Slideshow
StatisticheDrawing for Arturo Herrera's Sala TAC, Caracas, julio 2009
2009
28.0 x 22.0 cm
Leggi tutto
Giclée / Stampe d'arte
Stampa giclée o su tela di qualità museale, con produzione rapida e diverse opzioni di finitura. (
Ordina la riproduzione dipinta a mano Passa all'immagine digitale)
Scegli tra le nostre dimensioni predefinite, che rispettano le proporzioni originali dell'opera d'arte.
È possibile inserire dimensioni personalizzate per adattare l'opera a una cornice o a uno spazio specifico. Se la dimensione selezionata non corrisponde alle proporzioni dell'immagine originale, procederemo al ritaglio dell'opera o all'estensione dell'immagine con un bordo specchiato o a tinta unita. Un mockup digitale ti verrà inviato per approvazione prima dell'inizio della produzione.
Si prega di notare che l'anteprima a schermo non riflette il ritaglio o l'estensione effettivi. Solo il mockup mostrerà accuratamente la composizione finale.
Sebbene siano disponibili dimensioni personalizzate, si raccomanda di selezionare una dimensione dall'elenco predefinito per preservare le proporzioni originali.
Consegna in tutto il mondo () in 2 settimane invece delle normali 4/5 settimane. (21 Settembre)
Spedizione espressa gratuita in tutto il mondo
Tela in lino di alta qualità
Assicurazione completa sulla spedizione
Garanzia di rimborso dei dazi doganali
Garanzia di perfetta fedeltà cromatica
Politica di reso entro 100 giorni (solo per difetti di fabbricazione)
Garanzia di rimborso al 100%
Sconto per acquisti multipli
L'opzione vetro è disponibile solo per dimensioni inferiori a 110 cm
Drawing for Arturo Herrera's Sala TAC, Caracas, julio 2009
Giclée / Stampe d'arte
Dimensioni della riproduzione
-
Prezzo totale
$ 64
Opere correlate
Biografia dell'artista
The Rhythmic Fragments of Arturo Herrera
In the vibrant intersection where memory meets abstraction, the work of Arturo Herrera emerges as a captivating dance of form and shadow. Born in Caracas, Venezuela, in 1959, Herrera has cultivated an artistic language that transcends borders, moving from his South American roots to the influential art scenes of New York and Berlin. His practice is not merely about what is seen, but about the evocative power of what remains partially hidden. Through a sophisticated mastery of collage, Herrera orchestrates a visual symphony where bits of pop iconography, gestural marks, and nonrepresentational shapes collide, creating a world that feels both strangely familiar and tantalizingly elusive.
The essence of Herrera’s technique lies in his ability to manipulate the viewer's perception through strategies of fragmentation, repetition, effacement, and dislocation. Unlike traditional painters who build a singular narrative upon a canvas, Herrera utilizes the layered logic of collage to peel back and overlap layers of meaning. His work often exists in a liminal space, balancing precariously between abstraction and figuration. One might glimpse the silhouette of a recognizable shape—a curve reminiscent of a comic book character or a swirl from a fairy tale—only to have it swallowed by a bold, gestural sweep of color or a deliberate erasure. This ambiguity serves as a gateway to the unconscious, inviting each observer to engage their own private reservoir of memory and fantasy.
A Journey Through Form and Influence
Herrera’s artistic evolution is deeply intertwined with his movement across the globe and his academic foundations at the University of Tulsa and the University of Illinois at Chicago. His early years in the United States, arriving in 1978, provided a fertile ground for him to begin collecting the very materials that would later define his aesthetic: coloring books, comics, and illustrated tales. These seemingly mundane artifacts were transformed through his hands into high art, stripped of their literal narratives and repurposed as rhythmic, sculptural elements. This process of deconstruction allows him to explore the tension between exactitude and spontaneity, a quality described by critics as chameleonic yet remarkably consistent.
The historical significance of Herrera’s work is cemented by his ability to breathe new life into modernist collage techniques, making them relevant to a contemporary era obsessed with the fluidity of identity. His achievements are reflected in his presence within the world's most prestigious institutions, including:
- The Museum of Modern Art (MoMA), New York
- The Metropolitan Museum of Art, New York
- Tate, London
- Museo Reina Sofia, Madrid
- Museum of Contemporary Art, Los Angeles
Beyond the walls of galleries, Herrera’s reach extends into public art and sculpture, proving that his exploration of shape and color can command even the most expansive urban landscapes. Supported by prestigious honors such as the Guggenheim Fellowship and the DAAD Fellowship, Arturo Herrera continues to challenge the boundaries of visual communication, leaving behind a legacy of works that act as mirrors to our own fragmented, beautiful, and complex inner lives.
Informazioni rapide
- Artistic Movement Or Style: Abstract Expressionism
- Artists Or Movements Influenced By This Artist: ['Minimal Art']
- Artists Who Influenced This Artist:
- Barnett Newman
- Mark Rothko
- Date Of Birth: 1935
- Full Name: Arturo Herrera
- Nationality: Peruvian
- Notable Artworks:
- A Knock
- Untitled
- Place Of Birth: Lima, Peru
