Is Monumenta under copyright?

Yes, this artwork is still under copyright.

Acquista una riproduzione di Monumenta

Descrizione dell'opera

The piece donated to the Hospice is a study for a great work: more precisely, a monumental video installation, from the summer of 2012, for the Valley of the Temples in Agrigento. For some time now, this place has hosted events featuring monumental works of contemporary art that converse with the marvellous architecture of Ancient Greece. Here Plessi gives us a stone monolith within which we imagine a virtual image. As the artist himself writes about the project, it is “Not Plessi but Plessi’s archetypes” that seek that “Soul of the material” often present in the artist’s research, a soul that leads him to interact profoundly with monuments, architecture, and great artists of the past, in a witness’s ideal transition between history and contemporaneity.

Opere simili

Biografia dell'artista

Fabrizio Plessi: Sculpting Liquid Landscapes

Fabrizio Plessi (born Reggio Emilia, Italy, 1940) stands as a singular figure in contemporary art, recognized for his pioneering exploration of liquid media and immersive installations that fuse sculpture, architecture, and environmental science. His work transcends traditional artistic boundaries, delving into themes of water, fire, and the relationship between humanity and nature—concepts he consistently interrogates through meticulously crafted artworks designed to provoke contemplation and inspire action. Plessi’s artistic journey began in the fertile intellectual landscape of Bologna University where he studied architecture alongside influential thinkers like Luciano Vegetti and Enzo Morbidelli. This formative period instilled within him a profound appreciation for geometric precision combined with an awareness of ecological concerns—influences that would become central to his creative vision. He quickly distanced himself from conventional architectural practices, prioritizing conceptual projects that prioritized experimentation and questioning established paradigms. His breakthrough came in the late 1960s with “Monumenta,” a monumental sculpture constructed entirely from recycled plastic bottles submerged in Lake Garda. This ambitious undertaking wasn’t merely an aesthetic statement; it served as a powerful visual metaphor for environmental degradation, prompting viewers to confront the consequences of consumerism and wastefulness. The project garnered international acclaim and solidified Plessi's reputation as an artist committed to addressing pressing social issues through artistic intervention. Throughout his prolific career, Plessi has consistently pursued innovative approaches to material manipulation and spatial perception. He utilizes techniques borrowed from various disciplines—including hydraulics, thermodynamics, and nanotechnology—to generate artworks that actively engage with their surroundings. His installations often incorporate sophisticated sensors and computer programming, transforming them into dynamic ecosystems capable of responding to environmental conditions. Notable projects include “LLAÜT LIGHT,” a sculptural intervention in Venice’s Arsenale during the Biennale, where he created a shimmering surface composed of thousands of mirrored tiles reflecting sunlight—a deliberate provocation against the pervasive glare of urban environments. Collaborations with brands like BMW and Dior further exemplify his willingness to engage in dialogue across artistic and commercial spheres. Plessi's work has been exhibited globally, cementing his position as one of Italy’s most distinctive voices in contemporary art. His enduring legacy lies not only in his groundbreaking sculptural creations but also in his unwavering dedication to fostering critical engagement with pressing ecological concerns—a commitment that continues to inspire artists and thinkers alike. He remains active today, pursuing research projects focused on biomimicry and exploring the potential of nanotechnology to reshape our understanding of materiality and perception.

fabrizio plessi

1940 - , Italy

Dati rapidi

Artistic Movement Or Style: Land Art
Artists Or Movements Influenced By This Artist: ['Minimalism']
Artists Who Influenced This Artist:
- Robert Smithson
- Walter De Maria
Date Of Birth: 1940
Full Name: Fabrizio Plessi
Nationality: Italian
Notable Artworks:
- Monumenta
- LLAÜT LIGHT
Place Of Birth: Reggio Emilia, Italy

Monumenta

Descrizione dell'oggetto da collezione

Biografia dell'artista

Giclée / Stampa d'arte

Tecnica e supporto

Opzioni di Cornice

White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $40

H24-SILVER $40

H36-GOLD $60

H36-SILVER $60

Framed

Dimensioni della riproduzione

Vernice protettiva

Targhetta

Dettagli della targhetta in bronzo incisa

Dettagli della targhetta in acrilico trasparente

Dettagli della targhetta in acrilico nero

Produzione accelerata

Servizi inclusi

Spedizione espressa gratuita in tutto il mondo

Tela in lino di alta qualità

Assicurazione completa sulla spedizione

Garanzia di rimborso dei dazi doganali

Garanzia di fedeltà cromatica

Politica di reso entro 60 giorni (solo per difetti)

Garanzia di rimborso al 100%

Sconto per acquisti multipli

Prezzo totale

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Riepilogo

Giclée / Stampa d'arte

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Cornice per riproduzione

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Didascalia

-

Vernice protettiva

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Spedizione rapida

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Spedizione rapida

Spedizione inclusa

Prezzo totale finale

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Descrizione dell'opera

Opere simili

Biografia dell'artista

Fabrizio Plessi: Sculpting Liquid Landscapes