Anteprima in scala reale
Invia
Condividi
Dettagli opera
Guida
Scarica
Simili
Radiografia
Slideshow
StatisticheApollo
1670
194.0 x 114.0 cm
Espandi i dettagli
Giclée / Stampe d'arte
Stampa giclée o su tela di qualità museale, con produzione rapida e diverse opzioni di finitura. (
Acquista il dipinto realizzato a mano Passa all'immagine digitale)
Scegli tra le nostre dimensioni predefinite, che rispettano le proporzioni originali dell'opera d'arte.
Inserisci la larghezza e l'altezza desiderate, per adattarle alla tua cornice o alla tua parete. Una stampa può essere solo ritagliata, mai resa più grande dell'immagine originale; pertanto, un formato con una forma differente comporterà la perdita di una parte dell'opera. Ti invieremo un mockup digitale da approvare prima di procedere con la stampa. L'immagine mostrata in questa pagina non rappresenta il ritaglio reale — solo il mockup lo mostra.
Consegna in tutto il mondo () in 2 settimane invece delle normali 4/5 settimane. (25 Ottobre)
Spedizione espressa gratuita in tutto il mondo
Tela in lino di alta qualità
Assicurazione completa sulla spedizione
Garanzia di rimborso dei dazi doganali
Garanzia di fedeltà cromatica assoluta
Politica di reso entro 100 giorni (solo per difetti di fabbricazione)
Garanzia di rimborso al 100%
Offerta per acquisti multipli
L'opzione vetro è disponibile solo per dimensioni inferiori a 110 cm
Apollo
Giclée / Stampe d'arte
Dimensioni riproduzione
-
Prezzo finale calcolato
€ 56
Opere simili
Biografia dell'artista
Life and Early Years
Pietro della Vecchia, born in Vicenza around 1603, was the son of gasparo della vecchia, a painter who had gained admittance to the Venetian painters’ guild. While biographical details about his early life remain scarce and somewhat unreliable—scholarly debates persist regarding his precise birthplace—evidence suggests he was nurtured within a family steeped in artistic tradition. Alessandro Varotari, known as il Padovanino, served as his teacher, marking an initial encounter with the stylistic currents of Renaissance Venice and fostering a lifelong fascination for the legacy of Titian and Giorgione. Some historians question the veracity of this formative apprenticeship, hinting at potential collaborations beyond Varotari’s immediate influence. Nevertheless, della Vecchia's artistic journey commenced in Vicenza, where he honed his skills before relocating to Venice around 1625 or 1626.Influences and Artistic Style
Pietro della Vecchia’s style was profoundly shaped by the titans of Venetian painting—particularly Carlo Saraceni and Jean Leclerc—whom he encountered during his formative years. These artists championed a dramatic chiaroscuro technique, mirroring Caravaggio's revolutionary approach to illumination, and instilled in della Vecchia an unwavering commitment to realism and emotional intensity. His early works bear unmistakable traces of Saraceni’s influence, demonstrating a masterful grasp of Venetian artistic conventions.Notable Works
Among Pietro della Vecchia’s most celebrated achievements are “Due Vecchi Disputanti” (San Pietro e San Paolo), an altarpiece executed in 1628 that captures the fervor of theological debate; “San Pietro,” a monumental painting completed in 1634 showcasing unparalleled artistic skill and conveying profound spiritual depth; and “Il ponte di Trinquetaille,” a captivating depiction of Venetian life painted in 1635, reflecting the vibrant atmosphere of the Rodano River.Career Highlights
Della Vecchia’s career ascended to prominence during his tenure as Venice's "pitor ducal" (painter to the duke), commencing in 1640 and continuing until his death in 1678. This prestigious position afforded him unparalleled access to royal patronage and enabled him to undertake ambitious artistic projects, including the decoration of Palazzo Pesaro and the restoration of Giorgione’s Castelfranco Madonna.Legacy
Pietro della Vecchia's enduring legacy resides in his contribution to Venetian Baroque art—a movement characterized by theatrical grandeur, emotional dynamism, and masterful illusionism. His meticulous attention to detail, coupled with his unwavering devotion to stylistic innovation, cemented his place as one of the foremost painters of his era and ensured that his works continue to inspire admiration and scholarly scrutiny centuries later. He was also a respected art restorer and expert, demonstrating a comprehensive understanding of artistic techniques and materials.
Pietro Della Vecchia
1602 - 1678 , Italia
Dettagli rapidi
- Artistic Movement Or Style: Baroque
- Artists Or Movements Influenced By This Artist: ['Giorgione']
- Artists Who Influenced This Artist:
- Titian
- Carlo Saraceni
- Jean Leclerc
- Date Of Birth: ca. 1602
- Date Of Death: 1678
- Full Name: Pietro Della Vecchia
- Nationality: Italian
- Notable Artworks:
- The Fortune Teller
- Soldiers Play Dices for Christ
- Place Of Birth: Vicenza, Italy
