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Vincenzo Pacetti 人気の絵画

Vincenzo Pacetti による、当サイトの訪問者から最もリクエストの多い 4点の作品を、人気順にご紹介します。各ハンドペイントによる複製画の仕様と価格を併せて掲載しています。

2026年版 · 4点の作品 すべて受注制作の作品
リネンキャンバス · 真贋証明書付き · 世界中へ配送 Vincenzo Pacetti · 1746 – 1820

Jupiter

1783 · ボ르게ーゼ美術館, Rome · 原寸 120 x 142 cm

Experience the serene dominance of Pacetti's Neoclassical Jupiter sculpture, a masterful study in classical power; discover this timeless piece for your collection.

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Theseus Contemplating the Dead Sow Phaea

1783 · ボ르게ーゼ美術館, Rome

Vincenzo Pacetti's 'Theseus Contemplating the Dead Sow' (1783) is a captivating marble sculpture depicting the Greek hero’s somber reflection, showcasing masterful detail and classical artistry.

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Apollo

1783 · ボ르게ーゼ美術館, Rome · 原寸 120 x 142 cm

Discover Vincenzo Gesualdo (1564-1618), Italian artist & bishop. Explore his religious artworks like 'The Temptation of Adam and Eve' & influence on 17th-century Italian art.

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Achille and Pentesilea

Accademia di San Luca, ローマ · 原寸 68 x 42 cm

技法: リネンキャンバスに手描きされた油彩画
制作元: 熟練した絵師によるオーダーメイド
人気度: Vincenzo Pacettiによる全 4点の作品中、第 4位
配送: 世界各地へ、約5週間でお届け

〜$17027 × 37 cm この作品をオーダーメイドする

原画と同サイズ$22542 × 68 cm オリジナルサイズでオーダーメイド

作家名

Vincenzo Pacetti

1746 – 1820

作品情報

Top-ranked workJupiter
Died1820
Mediumsmarble
NationalityItaly
Creative periodsmature period
Room fitliving room
Top 3 worksJupiter, Theseus Contemplating the Dead Sow Phaea, Apollo

略歴

Vincenzo Pacetti: Life and Legacy

Early Life and Training

Born: Rome, Italy in 1746.
Vincenzo Pacetti began his artistic journey at the Accademia del Nudo, honing his skills in anatomical study and figure drawing.
He furthered his training from 1766 to 1772 under the tutelage of sculptor-restorer Pietro Pacili. Upon Pacili’s death, Vincenzo took over his studio.

Career and Artistic Development

Pacetti quickly established himself as an independent sculptor and was accepted into the Accademia di San Luca, serving as its director – a testament to his growing reputation.
Bartolomeo Cavaceppi, another prominent sculptor-restorer, held Pacetti in high regard, even naming him as executor of his will.
Pacetti’s work evolved around the intersection of sculpture and restoration. He wasn't merely a copier; he actively *completed* fragmented classical works, sometimes adding significant portions based on his artistic judgment.

Major Achievements & Notable Works

The Barberini Faun (1799): Perhaps Pacetti’s most celebrated work. He restored and completed this iconic sculpture, adding a new right leg, now housed in the Glyptothek, Munich.
Hope Dionysus: Currently residing in the Metropolitan Museum of Art, this piece exemplifies Pacetti's skill in completing ancient fragments.
Athena of Velletri (1797): Now located in the Louvre, this sculpture showcases his ability to bring classical forms back to life.
Extensive work at the Galleria Borghese, including reliefs and stucchi for the Sala degli Imperatori – notably “The Goat Amanthea” and “Perseus freeing Andromeda”. He also contributed to rooms housing Bernini’s masterpieces.
Other works can be found in churches like San Salvatore in Lauro, Santo Spirito in Sassia, Santi Michele e Magno, and the Palazzo Carpegna.

Patronage and Later Life

Lucien Bonaparte became a significant patron later in Pacetti’s career. He commissioned numerous plaster casts of famous antique sculptures for his villa at Canino.
Pacetti's diary, covering the years 1773–1803, and his correspondence provide invaluable insights into the Roman art market during that period.
Died: Rome in 1820.

Historical Significance & Legacy

Vincenzo Pacetti occupies a unique position in art history as both a sculptor and a restorer. His work raises questions about authenticity, artistic intervention, and the interpretation of classical forms.
He played a crucial role in shaping the understanding and appreciation of ancient sculpture during the Neoclassical period.
His diaries remain an essential resource for scholars studying the art market and restoration practices of 18th and 19th-century Rome.

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AllPaintingsStore.com 編集部最終更新日: 2026年9月1日

コレクターズ・クイズ

Vincenzo Pacetti was renowned for both sculpting and what other significant skill?
The Barberini Faun, a famous work associated with Pacetti, is currently located in which city?
Who was a significant patron of Vincenzo Pacetti, commissioning works for the Sala degli Imperatori?
What was a common practice of Pacetti regarding ancient sculptures he acquired?
Besides sculpture, what type of resources are important primary sources for understanding the Roman art market during Pacetti's time?

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