The Spring
20.0 x 29.0 cm
ジークレー/アートプリント
迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 ( Switch to hand made Painting
Switch to Image)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
The Spring
ジークレー/アートプリント
複製画のサイズ
-
合計金額
$ 64
アーティストの略歴
Early Life and Education
- Born: Geneva, Switzerland (1815)
- Died: 1893
- Parents: Louis John Menn (confectioner) and Charlotte-Madeleine-Marguerite Bodmer.
- Early artistic training began at age twelve with Jean Duboi.
- Studied at the Geneva Arts Society drawing school.
- In 1833, entered the studio of Ingres in Paris, receiving formal academic training.
- During his time in Paris, he copied works by Raphael, Titian, Veronese and Rubens.
- Spent time studying classical antiquities from Pompeii.
Artistic Development and Influences
- Early Travels: Visited Milan, Venice, Padua, Bologna, Florence, and Rome (1834-1838).
- Influence of Corot & Barbizon School: Became friends with Camille Corot and was influenced by the Barbizon school painters.
- Introduction to Plein Air Painting: Began practicing plein air painting during his time in Italy, a significant departure from traditional studio practices.
- Paysage Intime: Developed a style known as "paysage intime" (intimate landscape), characterized by simple, understated scenes of rural life.
- Destruction of Early Works: Between 1880 and 1890, Menn destroyed many of his earlier works, seeking to refine his artistic vision.
Major Themes and Style
- Focus on Nature: Menn's work primarily depicted landscapes, often featuring scenes from the Swiss countryside.
- Quiet Observation: His paintings emphasized quiet observation and a sense of tranquility.
- Rejection of Grandiloquence: Avoided dramatic or theatrical compositions, preferring understated realism.
- Influence of Classical Masters: Continued to study and copy works by classical masters like Raphael, demonstrating his respect for artistic tradition.
- Emphasis on Authenticity: Art historian Fritz Schmalenbach described Menn's style as characterized by authenticity and a disregard for superficial appearances.
Teaching Career and Legacy
- Professor at Geneva Art School (1850-1893): Held the position of director for 42 years, training two generations of Swiss painters.
- Notable Students: Among his most famous students were Eugène Burnand, Pierre Pignolat, Édouard Vallet and Ferdinand Hodler.
- Hodler's Influence: Hodler credited Menn as a pivotal influence in his artistic development, stating he "owed everything" to him.
- Emphasis on Individual Development: As an instructor, Menn encouraged students to develop their own unique artistic voices.
- Historical Significance: Recognized for introducing plein air painting and the paysage intime into Swiss art, paving the way for later generations of landscape painters.
Key Works
- Cherries: A Group of Young Women in a Landscape, One of Them Holding a Basket of Cherries (1855)
- Catching Frogs
- Children Playing with a Lamb (1850)
- The Spring
- Farm at Coinsins, Switzerland (1865)
Barthélemy Menn
1815 - 1893 , Switzerland
基本情報
- Artistic Movement Or Style: Plein-air painting, Paysage intime
- Artists Or Movements Influenced By This Artist: ['Ferdinand Hodler']
- Artists Who Influenced This Artist:
- Ingres
- Corot
- Raphael
- Titian
- Date Of Birth: May 20, 1815
- Date Of Death: October 10, 1893
- Full Name: Barthélemy Menn
- Nationality: Swiss
- Notable Artworks:
- Cherries A Group of Young Women
- Catching Frogs
- Farm at Coinsins, Switzerland
- Place Of Birth: Geneva, Switzerland

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。