Two Models
Expressionism
60.0 x 96.0 cm
ジークレー/アートプリント
迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 ( 手描き画への切り替え
画像に切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Two Models
ジークレー/アートプリント
複製画のサイズ
-
合計金額
$ 64
関連作品
アーティストの略歴
George Mayer-Marton: A Hungarian Visionary Shaped by Exile and Byzantine Influence
Georg Mayer-Marton (1897–1960) was a Hungarian Jewish artist whose life’s journey—marked by artistic brilliance, personal tragedy, and profound engagement with the spiritual landscape of his time—established him as a pivotal figure in Viennese art between the first and second world wars. His distinctive style, characterized by expressive brushwork and a fascination with Byzantine mosaics, continues to resonate with collectors and scholars alike. Born in Győr, Hungary, Mayer-Marton’s formative years coincided with the waning days of Austro-Hungarian Empire. He served bravely in the Austro-Hungarian army during World War I, gaining invaluable experience that would later inform his artistic sensibilities. From 1919 to 1924, he pursued formal training at the Academy of Fine Arts Vienna and Munich, immersing himself in the avant-garde currents shaping European art. It was in Vienna that he established a career as an artist and secured a position as secretary, subsequently vice-president, within the Hagenbund—a prestigious society championing progressive artistic ideals. Despite facing challenges securing recognition through competitions like the 1928 Summer Olympics, Mayer-Marton’s dedication to his craft remained unwavering. The Anschluss of Austria in 1938 and the enactment of Hitler's Nuremberg Laws irrevocably altered Mayer-Marton’s trajectory. Forced into exile alongside his wife, he sought refuge in England, where he endured the harrowing ordeal of the London Blitz when his studio home was destroyed by an incendiary bomb—resulting in a devastating loss of irreplaceable artwork and personal possessions. Undeterred by adversity, he persevered in painting, resuming oil work only in 1948 after overcoming significant obstacles. The tragic fate of his parents – deported and murdered during the Holocaust – profoundly impacted Mayer-Marton’s artistic vision, inspiring him to create “Women with Boulders,” a poignant depiction reflecting themes of resilience and sorrow amidst bleak surroundings. His academic pursuits continued at Liverpool College of Art from 1952 onwards, where he lectured on painting and undertook significant mosaic commissions for the Roman Catholic Church in Northwest England, notably adorning Holy Rosary Church in Oldham with a monumental Byzantine-inspired mural—a testament to his pioneering technique and enduring legacy. Mayer-Marton’s artistic output spanned decades, reflecting both personal hardship and unwavering commitment to exploring spiritual themes through innovative visual language.- Notable Works: “Self Portrait,” “Llanthony Valley,” “Waterfall”
- Style Characteristics: Expressionism, Byzantine Mosaic Technique
- Influences: Viennese Avant-Garde Art Movements
georg mayer marton
1897 - 1960
基本情報
- Artistic Movement Or Style: Expressionism
- Artists Or Movements Influenced By This Artist: ['Byzantine mosaic']
- Artists Who Influenced This Artist: ['Franz Marc']
- Date Of Birth: June 3, 1897
- Date Of Death: August 8, 1960
- Full Name: Georg Mayer Marton
- Nationality: Hungarian
- Notable Artworks:
- Self Portrait
- Llanthony Valley
- Waterfall
- Place Of Birth: Győr, Hungary

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
