Single PS 2B
Concretism
1971
81.0 x 81.0 cm
ジークレー/アートプリント
迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 ( 手描きの絵画を購入
画像を購入)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Single PS 2B
ジークレー/アートプリント
複製画のサイズ
-
合計金額
$ 64
関連作品
アーティストの略歴
The Genesis of a Perceptual Pioneer
Born in the German town of Grünstadt in 1927, Ludwig Wilding would eventually emerge as a master of the unseen, a sculptor of light and shadow who redefined the boundaries of visual perception. His intellectual foundation was as much rooted in philosophy as it was in pigment; his early studies in the History of Art and Philosophy at Mainz University provided a profound conceptual framework for his later explorations into the mechanics of sight. This academic rigor was soon paired with technical mastery during his time at the State Academy of Fine Arts Stuttgart, where he studied under the legendary Willi Baumeister. It was here that the seeds of geometric abstraction were sown, blending the disciplined principles of the Bauhaus movement with a burgeoning fascination for the kinetic potential of form.The Architecture of Optical Illusion
Wilding’s true genius lay in his ability to transcend the two-dimensional plane, breathing life into static objects through meticulously crafted three-dimensional structures. His work is characterized by a striking, monochromatic palette—a stark dance of black and white that serves as the stage for complex visual phenomena. These were not merely sculptures but active participants in a dialogue with the viewer. By manipulating depth and surface, Wilding created works that seemed to pulse and shift with every change in perspective or flicker of light. The technical precision required for such feats was immense, as he sought to capture the very essence of movement within a fixed medium through several key elements:- Geometric Abstraction: Utilizing clean lines and mathematical precision to guide the eye across the surface.
- Kinetic Energy: Creating the illusion of motion through subtle shifts in illumination and viewer position.
- Stereoscopic Depth: Using three-dimensional elements to challenge the boundaries between reality and illusion.
A Legacy Written in Light and Shadow
The impact of Wilding’s vision resonated far beyond the borders of Germany, placing him at the heart of the mid-century explosion of Op Art and Kinetic Art. His inclusion in the seminal The Responsive Eye exhibition at the Museum of Modern Art in New York in 1965 cemented his status as a global figure alongside contemporaries like Bridget Riley and Victor Vasarely. Throughout his career, his work traveled from the prestigious halls of the Hayward Gallery in London to the Columbus Museum of Art in Ohio, proving that the language of optical illusion is universal. Even decades after his passing in 2010, Wilding’s legacy remains a vital part of the art historical canon, reminding us that true art is not just something we look at, but something we experience with our entire sensory being.Ludwig Wilding
1927 - 2010 , Germany
基本情報
- Artistic Movement Or Style: Op Art & Kinetic Art
- Date Of Birth: May 19, 1927
- Full Name: Ludwig Wilding
- Nationality: German
- Notable Artworks:
- Stroboscopic Drawing with Circles
- Kinetisches Objekt Nr. 20
- SBST 2838
- Place Of Birth: Grünstadt, Germany

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。