Updating Yamantaka
このページに掲載されている作品は著作権法によって保護されており、当社の許可なく同一の複製物を制作または販売することは法律で禁じられています。この保護は、以下のような国際条約に基づき執行されます。 ベルヌ条約 および、以下の条項に定められたものを含む各国の法律により、 米国著作権法 第17編。
この手法は、著作権で保護された作品の複製や複写を伴わないため、著作権法に完全に準拠しています。これは単なる模倣ではなく、創造的な再解釈です。元の作品からインスピレーションを受けつつも、それとは異なる、全く新しい絵画を生み出すものです。
ジークレー/アートプリント
スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描きの複製画を注文する
デジタル画像販売へ切り替え)
P118B ¥10
P118H ¥10
P118W ¥10
P438Z ¥10
P508JH ¥12
P508YH ¥12
P805H ¥10
P805Z ¥10
P919BZ ¥10
P919G ¥10
P919XJ ¥10
P959ZH ¥10
P968JZ ¥12
W106C ¥8
W218G ¥10
W218JH ¥8
W218Y ¥10
W307PJ ¥10
W316G ¥10
W316PJ ¥8
W316Y ¥10
W398PJ ¥8
W4111J ¥10
W500HY ¥15
W500JH ¥15
W692G ¥12
W849H ¥8
W940BG ¥15
W953PJ ¥8
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
額縁や壁のスペースに合わせて、ご希望の幅と高さを入力してください。プリントはカットすることは可能ですが、元の画像より大きくすることはできないため、異なる比率のサイズを選択された場合は、画像の一部が欠けることになります。印刷を開始する前に、内容を確認していただくためのデジタルモックアップをお送りいたします。このページに表示されている画像は、実際のカット後の状態を示すものではありません。実際の仕上がりはモックアップにてご確認ください。
Updating Yamantaka
ジークレー/アートプリント
複製画サイズ一覧
-
合計金額
¥ 10077
The Weight of Mortality: Tenzing Rigdol’s “Updating Yamantaka”
Tenzing Rigdol's "Updating Yamantaka" isn't merely a painting; it’s an arresting collision of ancient Tibetan iconography and contemporary unease. Created in 2010, this work transcends the boundaries of traditional thangka art, forcing us to confront uncomfortable truths about power, death, and the unsettling ways they intersect within our world. At first glance, the composition appears deceptively serene – a vibrant tapestry woven with pastel hues, intricate textile patterns reminiscent of Tibetan prayer rugs, and the solemn script of sacred texts. However, a closer examination reveals a deliberate subversion of established artistic conventions, culminating in an image that is both profoundly unsettling and intellectually stimulating.
The central figure, Yamantaka – the Lord of Death and King of the Law within the Tibetan Buddhist tradition – dominates the canvas. Traditionally depicted astride a buffalo relentlessly pursuing a human victim, symbolizing the inescapable cycle of life and death, Rigdol’s interpretation diverges dramatically. The anonymous, everyman figure representing the sacrificed individual is replaced with the unmistakable face of Osama bin Laden. This jarring juxtaposition isn't gratuitous; it serves as a potent metaphor for the anxieties of the 21st century – a world grappling with global terrorism, political instability, and the pervasive sense that ancient philosophical concepts are suddenly rendered terrifyingly relevant.
A Dialogue Between Tradition and Modernity
Rigdol’s artistic approach is deeply rooted in his Tibetan heritage, yet he doesn't simply replicate traditional styles. He masterfully blends these established techniques with elements of contemporary art, incorporating influences from American Sign Language (ASL) – a subtle nod to his dual identity as a Tibetan-American artist – and personal iconography that speaks to his own experiences. The deliberate layering of sacred text alongside the unsettling image of bin Laden creates a dynamic tension, suggesting a critical engagement with both spiritual and secular realms. The use of pastel colors, typically associated with serenity and spirituality, is deliberately juxtaposed against the stark reality presented by the central figure, amplifying the work’s emotional impact.
Born in Kathmandu, Nepal, in 1982, Rigdol's upbringing was shaped by his family’s displacement from Tibet. This personal history profoundly informs his artistic practice, fueling a desire to explore themes of cultural identity, exile, and the enduring legacy of tradition. His work is not simply an aesthetic exercise; it’s a deeply considered meditation on the complexities of navigating multiple worlds and grappling with profound questions about mortality and morality.
Symbolism and its Shifting Meanings
The symbolism within “Updating Yamantaka” operates on multiple levels. The buffalo, traditionally representing relentless pursuit and destruction, embodies the forces of chaos and violence that threaten to overwhelm human existence. Yamantaka himself represents the inevitable cycle of death and rebirth, a concept central to Buddhist philosophy. However, by placing the face of Osama bin Laden upon this figure, Rigdol transforms the traditional symbolism into a commentary on contemporary global conflict. The image becomes a visual representation of how ancient philosophical concepts can be reinterpreted and applied to address modern challenges – suggesting that even seemingly immutable truths are subject to change and re-evaluation.
Furthermore, the inclusion of scripture alongside the unsettling imagery highlights the ongoing dialogue between faith and reason. Rigdol invites us to consider how traditional beliefs can be both comforting and challenging in a world increasingly defined by uncertainty and conflict. The work ultimately compels viewers to confront their own assumptions about power, death, and the role of violence in shaping human destiny.
A Reproduction Worth Considering
“Updating Yamantaka” is more than just a striking image; it’s a powerful statement about the interconnectedness of past and present. AllPaintingsStore offers high-quality reproductions that faithfully capture the painting's intricate details and emotional depth. Whether you are an art collector, an interior designer seeking to infuse your space with thought-provoking imagery, or simply someone captivated by this unique work, a reproduction of “Updating Yamantaka” is a compelling addition to any collection – a reminder of the enduring relevance of ancient wisdom in our rapidly changing world.
よくあるご質問
ご購入前に、Tenzing Rigdol作「Updating Yamantaka」 をご自身の壁に飾った様子を確認することはできますか?
Tenzing Rigdol作「Updating Yamantaka」のARプレビューページでは、対応端末を使用し、拡張現実(AR)によって作品をご自身の空間に表示してご確認いただけます。
Tenzing Rigdol作「Updating Yamantaka」は、どの芸術運動に属していますか?
Tenzing Rigdol作「Updating Yamantaka」に関連する芸術運動はContemporary Tibetanです。この分類により、本作は関連する他の芸術家や作品群の中に位置づけられます。
2010年に「Updating Yamantaka」を制作した際、Tenzing Rigdolは何歳でしたか?
Tenzing Rigdolは、2010年に「Updating Yamantaka」を制作した際、28歳でした。この年齢は、アーティストの誕生年である1982年から算出されています。
関連作品
アーティストについて
Early Life and Education
- Born: Kathmandu, Nepal (1982)
- Nationality: Tibetan-American
- Education: University of Colorado Denver College of Arts & Media – Master's Degree in Philosophy, BA-BFA in Art and Art History. Honorary Doctorate in 2022.
- Early life was marked by his parents fleeing occupied Tibet in the late 1960s.
- Studied traditional Tibetan sand painting and butter sculpture at the Shekar Chorten monastery in India.
- Studied thangka painting under Phenpo Tenthar at the Tibetan Thangka Art School in Kathmandu.
Artistic Development and Influences
- Expertise: Primarily known for his expertise in thangka art, blending traditional techniques with modern artistic expressions.
- Influences: Philosophy, ongoing human conflicts, political issues. His family's history as refugees significantly influenced his work.
- Style: Combines Tibetan heritage with contemporary styles; incorporates elements of American Sign Language (ASL) and personal iconography.
- Themes: Cultural identity, displacement, dialogue, environmental pollution, existentialism, ignorance, mindfulness.
Major Works and Projects
- "Pin drop silence: Eleven-headed Avalokiteshvara": Acquired by the Metropolitan Museum of Art in 2014; a significant recognition of his contemporary Tibetan art.
- 20,000 kg of Tibetan Soil Installation: A project involving transporting soil from Shigatse to Dharamshala symbolizing connection to Tibet for displaced Tibetans. Documented in the film "Bringing Tibet Home."
- "Biography of a Thought": Site-specific installation at The Metropolitan Museum of Art, exploring Buddhist concepts and incorporating personal iconography.
- Poetry Collections: Published three collections – “R”– the Frozen Ink (2008), Anatomy of Nights (2011) and Butterfly’s Wings (2011).
Dialogue Artist Residency (DAR) and Collaborative Efforts
- Establishment of DAR: Founded the Dialogue Artist Residency to encourage collaboration between Tibetan and international artists.
- Collaboration with Filmmakers: Contributed to the documentary "Bringing Tibet Home" (2013).
- Focus on Cultural Exchange: Actively fosters cultural exchange through his residency program and collaborative projects.
Recognition and Historical Significance
- Metropolitan Museum of Art Acquisition: His work being acquired by the Met signifies a growing recognition of contemporary Tibetan art within mainstream Western institutions.
- Honorary Doctorate from CU Denver: The first Tibetan artist to receive this honor, highlighting his contribution to both artistic and intellectual fields.
- Bridging Tradition and Modernity: Rigdol's work is significant for its ability to bridge traditional Tibetan art forms with contemporary concerns, making them accessible to a wider audience while retaining their cultural depth.
- Addressing Social and Political Issues: His art serves as a platform for addressing social and political issues relevant to the Tibetan diaspora and beyond.
Tenzing Rigdol
1982 - , Nepal
アーティスト情報
- Full Name: Tenzing Rigdol
- Nationality: Tibetan-American
- Date Of Birth: 1982
- Place Of Birth: Kathmandu, Nepal
- Notable Artworks:
- Pin drop silence: Eleven-headed Avalokiteshvara
- Updating Yamantaka
- Artistic Movement Or Style: Contemporary art, Thangka art

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
