11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 3点の Theodore E. Pineの作品がカタログにあります
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Theodore E. Pineの作品の中で最も評価の高い作品はThe Daughters of Daniel T. MacFarlan (1857)で、その原画はニューヨークのメトロポリタン美術館に所蔵されています。 第2位と第3位は、Mr. and Mrs. Daniel T. MacFarlan (1858)とKate Lyon Cornell (1856)です。 当カタログにはTheodore E. Pineによる作品が3点収められています。ここに掲載されている3点は、制作年と所蔵美術館とともに、最も有名な作品を順に並べたものです。
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
このランキングで最も頻繁に登場する4つの主題と、それぞれの主題における代表作。
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Theodore E. Pineの作品 | このリストの絵画 |
|---|---|---|---|
 メトロポリタン美術館 |
ニューヨーク | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
1856年から1858年までの計3年間：Theodore E. Pineによる年代別の絵画作品をご紹介します。
年を選択して作品を見る
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The Daughters of Daniel T. MacFarlan (1857)（メトロポリタン美術館, ニューヨーク）が第1位、次いでMr. and Mrs. Daniel T. MacFarlan (1858)、Kate Lyon Cornell (1856)の順となっています。
Theodore E. Pineの享年は29歳です。The Daughters of Daniel T. MacFarlanの制作年は1857年で、Theodore E. Pineは1828年に生まれました。
Theodore E. Pineによる作品が3点、1856年から1858年にかけてのものがカタログに掲載されています。
主にメトロポリタン美術館 (ニューヨーク)に所蔵されています。全リストについては、上記の美術館一覧をご参照ください。
このページで最も古い作品: Kate Lyon Cornell (1856)。最新の作品: Mr. and Mrs. Daniel T. MacFarlan (1858)。
ここにランクインしている3点の絵画のうち、対象となるのはTree (2), Landscape (2) と Clouds (2)です。
ここにランクインしている全3作品のうち、3作品のOil On Canvas
メトロポリタン美術館, ニューヨークには、The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan と Kate Lyon Cornellを含む、ここにランクインしている絵画のうち3点が所蔵されています。
はい。このページに掲載されているすべての絵画は、手描きの油彩複製画、またはプリントとしてご注文いただけます。絵画を選択し、サイズを選んで注文を確定してください。
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
