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통계 정보Anemoner
- 37.0 x 44.0cm
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지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Anemoner
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
₩ 87276
유사한 작품들
작가 정보
Early Life, Family and Training
Anthonore Christensen enters the world on 5 July 1849 in Copenhagen, Denmark. She is born into a household where art is a primary language. Her mother, the painter Eleonora Tscherning, and her father, the army officer and politician Anton Frederik Tscherning, provide a foundation of both discipline and creativity. This artistic lineage extends to her sister, Sara Ulrik, who also pursues the path of a flower painter.
The training begins under the guidance of Emma Thomsen, a specialist in floral subjects. This early instruction shapes her technical approach to the natural world. Later, the mentorship shifts to her mother, Eleonora Tscherning. In 1869, the two women travel together, crossing borders to study in Germany, Italy, and Paris. These excursions move her training beyond the confines of a studio and into the light of Europe.
Artistic Career and Major Works
The exhibition halls of Charlottenborg provide the first glimpse of her talent. In 1867, she begins exhibiting under her maiden name, immediately drawing attention to her fresh and carefully presented compositions. The momentum builds quickly. By the following year, the Royal Painting Collection acquires Voxende Anemoner, tidligt Foraar (Growing Anemones, Early Spring), signaling her arrival in the Danish art scene.
Her focus shifts as her life changes. Following her marriage and a two-year period in Italy, her canvases reflect a new maturity. The flora of the south begins to appear in her work, bringing different light and forms to her still lifes. This evolution leads to significant recognition within the Danish art community. In 1887, she receives the Neuhausen Prize for Et Kurvelaag med afskaarne Roser (A Flower Basket with Roses). The momentum continues until 1893, when she is awarded the medal of the year.
Beyond her own canvas, she establishes herself as a teacher. Her technical skill attracts high-profile students, including Queen Louise and Queen Olga of Greece. She maintains this professional presence through the turn of the century, bridging the gap between the nineteenth and twentieth centuries with her specialized botanical studies.
Later Years and Death
On 4 October 1871, Anthonore Christensen marries the classical philologist Richard Christensen. The union leads the couple away from Denmark for a two-year period in Italy. This time abroad shifts the focus of her work, as the flora of the south begins to influence her compositions. The marriage remains a central part of her life until Richard's death in an accident five years later.
The later years of her life see her established as a significant figure in the Danish art scene, even as she maintains her focus on the botanical world. Her legacy continues through her son, Axel Anthon, who would later become a librarian and mathematics historian. Anthonore Christensen dies on 27 August 1926 in Hørsholm. She is laid to rest in Holmen Cemetery.
Anthonore Christensen
1849 - 1926 , Denmark
작가 정보 요약
- Artistic Movement Or Style: Classicism
- Artists Who Influenced This Artist:
- Emma Thomsen
- Eleonora Tscherning
- Full Name: Anthonie Eleonore Christensen
- Nationality: Danish
- Notable Artworks:
- Growing Anemones, Early Spring
- A Flower Basket with Roses
- Place Of Birth: Copenhagen, Denmark
- Date Of Birth: 1849
- Date Of Death: 1926