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      아틀리에 · 2015년 설립 · 프랑스 파리
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      실제 크기로 보기 AR로 미리보기 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환 보내기
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      • 크기35.0 x 70.0 cm

      Explore the panoramic paintings of August Lohr (1842-1920), a German artist renowned for his evocative landscapes & American panorama work, including Mexico & volcanoes.

      지클레 / 아트 프린트

      빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

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      INCH

      작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

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      액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.

      전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (29 10월)

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      지클레 / 아트 프린트

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      ₩ 86757


      작가 소개

      August Lohr: Panoramic Visions of a Changing World

      August Lohr (1842-1920) wasn’t merely a painter; he was an architect of experience, crafting immersive panoramic scenes that transported viewers to distant lands and momentous events. Born in Munich, Germany, into a family of soapmakers, his artistic journey began at the Academy of Fine Arts, where he honed his skills under Carl Theodor von Piloty, laying the foundation for his distinctive style. Lohr’s career unfolded across two continents – initially in the bustling art scene of Munich, and then, dramatically, in the burgeoning American panorama industry, a period marked by rapid industrialization and a thirst for spectacle.

      Lohr's early work focused on capturing the dramatic landscapes of Bavaria and Switzerland. These meticulously rendered scenes, characterized by crisp detail and a keen eye for light and shadow, established his reputation as a skilled landscape painter. However, it was his move to America in 1885 that truly defined his legacy. Drawn by the promise of opportunity and fueled by a desire to contribute to this rapidly expanding frontier, Lohr joined forces with William Wehner, establishing the American Panorama Company in Milwaukee. This venture marked a significant shift – Lohr transitioned from individual landscapes to large-scale, theatrical experiences designed to engage entire audiences.

      The Rise of the American Panorama

      The panorama craze gripped America during the late 19th century, fueled by technological advancements and a growing desire for accessible entertainment. These enormous painted canvases, often stretching over 30 feet in diameter, were mounted on rotating drums, allowing viewers to slowly circle the scene and take in the vast expanse of detail. Lohr’s role within this industry was multifaceted: he not only created individual panels that comprised the panorama but also managed the logistical complexities of installation, ensuring the seamless integration of his artwork into these immersive environments.

      Lohr's contributions extended beyond mere painting; he played a crucial role in shaping the aesthetic and narrative of the American panoramas. He frequently depicted iconic locations – Mexico City’s Chapultepec Castle, the dramatic landscapes of Pico de Orizaba and Iztaccihuatl volcanoes – capturing their grandeur with remarkable accuracy and evocative detail. His work was particularly sought after for its ability to convey a sense of scale and immediacy, transporting viewers to places they could only dream of visiting.

      Technique and Style

      Lohr’s artistic style is characterized by a meticulous attention to detail, a strong sense of perspective, and a masterful use of color. He employed a technique known as “hard-edge painting,” favoring sharply defined shapes and clear outlines – a deliberate choice that enhanced the illusion of depth within the panoramic format. His landscapes are imbued with a sense of realism, yet also possess an underlying romanticism, reflecting the spirit of exploration and discovery that characterized the American West.

      His work was influenced by several sources: the German tradition of battle panoramas, which he had honed in Munich; the works of American landscape painters like Albert Bierstadt and Frederic Church, who captured the grandeur of the American wilderness; and, crucially, the demands of the panorama industry itself – a need for clarity, detail, and an ability to convey vast distances within a limited space.

      A Transatlantic Journey and Legacy

      Lohr’s time in America proved to be both fruitful and challenging. He established himself as a respected artist within the panorama industry, overseeing the creation of several major installations. However, he also faced financial difficulties and ultimately left Milwaukee for Mexico in 1890, seeking new opportunities and inspiration. He continued to paint landscapes there, capturing the vibrant colors and dramatic scenery of the region.

      Despite a relatively quiet later life, August Lohr’s contribution to American art history is undeniable. He was a pioneer in the development of the panorama as a popular form of entertainment, and his meticulously rendered landscapes continue to captivate viewers with their scale, detail, and evocative power. His work stands as a testament to the transformative potential of art – its ability to transport us beyond our immediate surroundings and offer glimpses into distant worlds.

      Further Exploration

      August Lohr

      August Lohr

      1842 - 1920

      작가 정보 요약

      • Artistic Movement Or Style: Panorama Painting
      • Artists Or Movements Influenced By This Artist: ['Louis Braun']
      • Artists Who Influenced This Artist: ['Carl Theodor von Piloty']
      • Date Of Birth: 1842
      • Date Of Death: 1920
      • Full Name: August Lohr
      • Nationality: German
      • Notable Artworks:
        • Mexico Platz vor einer Kirche
        • Battle of Sedan Panorama
      • Place Of Birth: Hallein, Austria