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      Supporting figures

      A master of the late Baroque and early Rococo styles, Balthasar Permoser is renowned for his monumental Zwinger palace sculptures and the Apotheosis of Prince Eugene, inviting you to discover his dramatic stone legacies.

      지클레 / 아트 프린트

      빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

      Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
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      Corner sample of the P118H picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
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      Corner sample of the P118W picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
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      Corner sample of the P438Z picture frame: 성형 폴리스티렌, 5.5 cm wide and 3.5 cm thick
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      Corner sample of the P508JH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
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      Corner sample of the P508YH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
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      Corner sample of the P805H picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
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      Corner sample of the P805Z picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
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      Corner sample of the P919BZ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
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      Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
      P919G ₩10
      Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
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      Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
      P959ZH ₩10
      Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
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      Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
      W106C ₩8
      Corner sample of the W218G picture frame: 원목, 5 cm wide and 3 cm thick
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      Corner sample of the W218JH picture frame: 원목, 5 cm wide and 3 cm thick
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      Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
      W218Y ₩10
      Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
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      Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
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      Corner sample of the W316PJ picture frame: 원목, 6 cm wide and 3 cm thick
      W316PJ ₩8
      Corner sample of the W316Y picture frame: 원목, 6 cm wide and 3 cm thick
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      Corner sample of the W398PJ picture frame: 원목, 5 cm wide and 3 cm thick
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      Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
      W4111J ₩10
      Corner sample of the W500HY picture frame: 원목, 7 cm wide and 5 cm thick
      W500HY ₩15
      Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
      W500JH ₩15
      Corner sample of the W692G picture frame: 원목, 8 cm wide and 4 cm thick
      W692G ₩12
      Corner sample of the W849H picture frame: 원목, 5 cm wide and 3 cm thick
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      Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
      W940BG ₩15
      Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
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      Supporting figures

      지클레 / 아트 프린트

      복제본 규격

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      ₩ 87022

      주요 정보

      • Movement: Baroque
      • Year: 1700
      • Artist: Balthasar Permoser
      • Influences: Renaissance
      • Medium: Stone Sculpture

      아트 퀴즈

      각 질문의 정답은 하나뿐입니다.

      문항 1:
      What architectural structure is the photograph depicting?
      문항 2:
      Which artistic style characterizes Permoser's sculpture?
      문항 3:
      What is a prominent feature of the photograph’s composition regarding the sculptures?
      문항 4:
      The laurel wreaths adorning the figures symbolize:
      문항 5:
      What technique was employed in creating the photograph?

      A Symphony of Stone: Examining Balthasar Permoser’s “Supporting Figures”

      Balthasar Permoser's "Supporting Figures," executed around 1700, stands as a testament to the grandeur and meticulous craftsmanship characteristic of Baroque sculpture. This monumental piece—likely adorning the Zwinger Gallery in Dresden—captures not merely form but also an ethos of opulent decoration and symbolic representation deeply rooted in the artistic fervor of its time.

      • Subject Matter & Composition: The sculpture depicts three male figures draped in richly ornamented robes, embodying a classical ideal of strength and nobility. Their poses are deliberately balanced, mirroring the architectural framework surrounding them—columns that ascend vertically to create a sense of stability and grandeur. Permoser’s masterful framing prioritizes detail, drawing the viewer's eye into the intricate carvings that adorn each figure’s attire and facial features.
      • Style & Technique: Permoser’s work exemplifies Baroque sculpture’s penchant for dynamism and dramatic expression. Employing a technique honed by masters like Giovanni Battista Falconetti, he skillfully manipulates stone—likely sandstone or marble—to achieve remarkable textural depth and luminosity. The photograph itself captures this tactile quality, mirroring the sculptor's dedication to conveying the materiality of his creation.
      • Historical Context: Created during the reign of Augustus II Frederic, Permoser’s sculpture reflects the broader artistic ambitions of Dresden’s Zwinger Palace complex—a project designed to rival Versailles and solidify Saxony’s position as a cultural powerhouse. The Baroque style served as a vehicle for asserting royal authority and celebrating humanist ideals.
      • Symbolism & Emotional Impact: The laurel wreaths encircling each figure speak volumes about honor and victory, aligning with the prevailing religious fervor of the era. Furthermore, the varied expressions—ranging from serene contemplation to solemn dignity—suggest a narrative intent, inviting viewers to contemplate themes of virtue and aspiration. Permoser’s sculpture transcends mere ornamentation; it communicates profound emotional resonance.
      • Detailed Examination: The photograph's meticulous attention to lighting reveals how Permoser utilized chiaroscuro – the interplay of light and shadow – to sculpturally define each figure, emphasizing contours and creating a palpable sense of volume. Fine lines delineate the drapery folds and facial features with astonishing precision, demonstrating Permoser’s mastery of sculptural technique.

      “Supporting Figures” remains an enduring emblem of Baroque artistry—a captivating fusion of form, texture, and symbolism that continues to inspire admiration and intrigue. Its reproduction offers a chance to experience the sublime beauty of Permoser's vision within the context of Dresden’s magnificent Zwinger Gallery.

      질의응답

      "Supporting figures"의 유화 복제본을 주문할 수 있을까요?

      "Supporting figures" 작품은 리넨 캔버스 위에 손으로 직접 그린 유화 복제화로 만나보실 수 있습니다. 주문은 수작업 유화 복제화 페이지에서 가능하며, 다양한 사이즈를 선택하실 수 있습니다.

      "Supporting figures"은(는) 어느 작가의 작품인가요?

      "Supporting figures"의 작가는 Balthasar Permoser입니다. 이 작품은 Balthasar Permoser의 이름으로 등록되어 있습니다.

      "Supporting figures"에서 매체와 움직임은 어떻게 결합되어 있나요?

      "Supporting figures"에서 Acrylic On Canvas 기법은 Baroque Sculpture 사조와 만납니다.


      작가 소개

      A Master of Stone and Spirit

      Balthasar Permoser stands as one of the most commanding figures in the history of European sculpture, a virtuoso whose hands breathed life into marble, ivory, and stone. His artistic journey was a grand odyssey across the cultural heart of Europe, beginning in Salzburg. Born in Kammer bei Waging, his early training took place within the workshop of Wolf Weißenkirchner the Younger before he moved to Vienna, where he mastered the delicate and intricate art of ivory carving. This foundational period instilled in him a precision that would later allow him to navigate the transition from the dramatic intensity of the late Baroque to the more graceful, light-filled nuances of the early Rococo.

      The maturation of Permoser’s style was profoundly shaped by his long sojourn in Florence. For fourteen years, he worked within the studio of Giovanni Battista Foggini, an experience that infused his German roots with the warmth and theatricality of the Italian tradition. This period of immersion allowed him to absorb the classical elegance and emotional depth necessary to create works that were not merely decorative, but profoundly narrative. His ability to blend these diverse influences—the meticulousness of ivory carving, the structural strength of German sculpture, and the fluid grace of Italian Baroque—set the stage for his rise as a premier sculptor of his generation.

      The Grandeur of Dresden and Beyond

      Permoser’s career reached its zenith when he was called to Dresden in 1689 by Johann Georg III, Elector of Saxony. It was here that his monumental vision found its most enduring canvas. Working alongside the architect Matthäus Daniel Pöppelmann, Permoser became a central figure in the creation of the Zwinger palace. His contributions to this architectural masterpiece are legendary; he provided the sculptural details for the Nymphenbad fountain and, most famously, sculpted the festive, flexing, and grimacing atlantes for the Wallpavillon. These figures, characterized by their muscular tension and expressive vitality, remain some of his most celebrated achievements, embodying the very essence of the Roman Baroque.

      His reach extended far beyond the borders of Saxony, as evidenced by his significant works in other European centers:

      • In Salzburg, he sculpted the powerful atlantes for the west doorway of the Hofstallung.
      • During his time near Berlin, between 1704 and 1710, he contributed to the splendor of the Schloß Charlottenburg.
      • His masterpiece, the Apotheosis of Prince Eugene, created in the early 18th century, stands as a breathtaking marble testament to his ability to orchestrate theatrical, divine events in stone.

      Throughout his life, Permoser’s work served as a powerful tool of political and spiritual propaganda, elevating historical figures to celestial heights. Whether capturing the agony of Marsyas or the seasonal personifications of winter, his sculptures possess an inimitable ability to capture both the physical form and the underlying emotional truth. He remains a pivotal figure whose evolving style bridged two eras, leaving behind a legacy of stone that continues to resonate with the grandeur of a bygone age.

      Balthasar Permoser

      Balthasar Permoser

      1651 - 1732 , Austria

      작가 정보 요약

      • Artistic Movement Or Style: Late Baroque and early Rococo
      • Artists Who Influenced This Artist:
        • Wolf Weißenkirchner the Younger
        • Giovanni Battista Foggini
      • Full Name: Balthasar Permoser
      • Nationality: German
      • Notable Artworks:
        • Apotheosis of Prince Eugene
        • Marsyas
        • Supporting Figures
        • Hercules garden sculptures
      • Place Of Birth: Salzburg, Austria
      • Date Of Birth: 1651
      • Date Of Death: 1732