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      Catalogue entry

      Duino-Nueve (Orrantia/92)

      1992. Acrylic On Canvas. Inter-American Development Bank.

      Fig. 1. Fernando de Szyszlo, Duino-Nueve (Orrantia/92), 1992. Shown as the reproduction you are specifying: , .

      § 1Catalogue data

      § 2Abstract

      컬렉션 상세 정보

      작가 소개

      Fernando de Szyszlo (1925-2017) was a pivotal Peruvian abstract artist who fused European modernism with pre-Columbian themes & Incan motifs. Explore his paintings, sculptures, and legacy as a key figure in Latin American art.

      § 3Commentary

      Fernando de Szyszlo: Bridging Ancient Echoes and Modern Expression

      Fernando de Szyszlo (1925-2017) stands as a monumental figure in Peruvian art history, recognized for his pioneering role in establishing abstract expressionism within Latin America while simultaneously honoring the profound legacy of Andean culture. Born in Lima to a Peruvian mother of Spanish-Indian descent and a Polish father, Szyszlo’s formative years instilled in him an appreciation for both European intellectual traditions and indigenous heritage—a duality that would profoundly shape his artistic vision. This confluence of influences is palpable throughout his oeuvre, resulting in canvases that resonate with a unique blend of formal innovation and symbolic depth. Szyszlo's journey into art began at the National University of Engineering but was swiftly redirected by an irresistible passion for architecture before he decisively embraced the School of Plastic Arts of Pontifical Catholic University of Peru. Graduating in 1948, he embarked on a transformative voyage across Europe, immersing himself in the groundbreaking works of masters like Rembrandt and Titian—artists who championed dramatic chiaroscuro and psychological realism. These encounters ignited Szyszlo’s imagination and fueled his determination to forge a path distinct from established artistic conventions. His stylistic evolution culminated in the embrace of abstract expressionism during the mid-1950s, marking a pivotal moment in Peruvian art. Rejecting representational accuracy, Szyszlo sought to convey emotion and experience directly onto the canvas through spontaneous gestures and bold color palettes—a technique championed by artists like Jackson Pollock and Willem de Kooning. However, unlike his contemporaries who often prioritized purely formal experimentation, Szyszlo consistently incorporated elements of Andean iconography and symbolism into his paintings. Recurring motifs such as llamas, condors, and geometric patterns hark back to the rich artistic traditions of Peru’s pre-Columbian past, grounding his abstract explorations in a tangible connection to Peruvian cultural heritage. The painting "Duino-Nueve (Orrantia/92)" exemplifies Szyszlo's distinctive approach. The image depicts a solitary figure wielding a knife—a potent symbol representing both vulnerability and decisive action—against a dark backdrop punctuated by flashes of intense color. The artist’s meticulous attention to detail, particularly in capturing the texture and contours of the hand holding the blade, underscores his commitment to conveying palpable physicality alongside conceptual ideas. Furthermore, Szyszlo's masterful use of pigment creates an atmosphere of dramatic tension, mirroring the psychological complexities inherent in the subject matter. Szyszlo’s artistic legacy extends beyond stylistic innovation; he served as a crucial catalyst for fostering dialogue between Peruvian art and Andean culture—a contribution that continues to inspire artists and scholars alike. His unwavering dedication to exploring the expressive potential of abstraction combined with his reverence for indigenous traditions solidified his position as one of Peru's most influential visual artists, ensuring that his work remains relevant and captivating for generations to come.
      • Artist: Fernando de Szyszlo
      • Born Year: 1925
      • Death Year: 2017
      • Birth City: Lima
      • Birth Country: Peru
      Notable Artworks: Trashumantes, Untitled, SZY #1, Camino a Mendieta V Place Of Birth: Lima

      Historical Context

      Szyszlo’s artistic endeavors unfolded during the formative years of Peruvian art history—a period marked by burgeoning interest in European modernism alongside an increasing awareness of Andean cultural identity. The influence of Surrealist artists like René Magritte and Salvador Dalí can be discerned in Szyszlo's exploration of dreamlike imagery and subconscious symbolism, reflecting a broader artistic preoccupation with psychological depth and imaginative vision.

      Style & Technique

      Szyszlo’s signature style—abstract expressionism infused with Andean motifs—characterized by spontaneous brushstrokes, bold color combinations, and textural layering—represents a radical departure from traditional Peruvian painting practices. He skillfully manipulated pigment to create luminous surfaces that capture the essence of emotion and experience, mirroring the expressive dynamism found in the works of European masters like Willem de Kooning and Franz Kline.

      Symbolism

      Recurring motifs such as llamas, condors, and geometric patterns—elements drawn from Andean iconography—serve as powerful symbols representing resilience, spiritual aspiration, and connection to ancestral traditions. Szyszlo’s deliberate incorporation of these visual cues underscores his commitment to honoring Peruvian cultural heritage while simultaneously elevating abstract expressionism beyond purely formal considerations.

      Emotional Impact

      “Duino-Nueve (Orrantia/92)” evokes a profound sense of contemplation and unease—a reflection of Szyszlo’s masterful ability to convey psychological complexity through visual language. The painting's dramatic chiaroscuro contrasts heighten the tension between vulnerability and determination, prompting viewers to confront existential questions about human experience and artistic expression.

      질의응답

      Fernando de Szyszlo의 "Duino-Nueve (Orrantia/92)"의 대비(contrast) 수준은 어느 정도인가요?

      Fernando de Szyszlo의 "Duino-Nueve (Orrantia/92)"의 대비 수준은 Serene입니다.

      Fernando de Szyszlo의 "Duino-Nueve (Orrantia/92)"을(를) 다른 조명 아래에서 볼 수 있을까요?

      Fernando de Szyszlo의 "Duino-Nueve (Orrantia/92)"의 X선 분석 페이지는 엑스레이 스타일의 뷰를 포함하여 작품 이미지의 11개 광학 레이어를 슬라이드하며 살펴볼 수 있는 인터랙티브 뷰어를 제공합니다.

      "Duino-Nueve (Orrantia/92)"은(는) Fernando de Szyszlo의 다른 작품들과 어떤 공통점을 지니고 있나요?

      "Duino-Nueve (Orrantia/92)"은(는) Fernando de Szyszlo의 다른 작품들과 마찬가지로 Abstract Expressionism 양식과 더불어 european modernism, andean heritage, symbolic imagery, exploring identity, central role라는 작가의 반복되는 주제 의식을 공유합니다.

      § 4The artist

      Fernando de Szyszlo

      Fernando de Szyszlo

      1925 - 2017, Peru

      Quick facts about Fernando de Szyszlo

      • Full Name: Fernando de Szyszlo Valdelomar
      • Nationality: Peruvian
      • Date Of Birth: 1925
      • Date Of Death: 2017
      • Place Of Birth: Lima, Peru
      • Notable Artworks:
        • Trashumantes
        • Untitled, SZY #1
        • Camino a Mendieta V
      • Artistic Movement Or Style: Abstract Expressionism
      • Artists Who Influenced This Artist:
        • Rembrandt
        • Titian
        • Tintoretto
      • Artists Or Movements Influenced By This Artist:
        • Cubism
        • Surrealism
        • Informalism

      작가 소개

      The Alchemist of Andean Abstraction

      Fernando de Szyszlo (1925-2017) stands as a monumental figure in Peruvian art history, recognized for his pioneering role in establishing abstract expressionism within Latin America while simultaneously honoring the profound legacy of Andean culture. Born in Lima to a Peruvian mother of Spanish-Indian descent and a Polish father, Szyszlo’s formative years instilled in him an appreciation for both European intellectual traditions and indigenous heritage—a duality that would profoundly shape his artistic vision. His early education at the National University of Engineering was briefly interrupted by a passion for architecture before he decisively embraced the School of Plastic Arts of Pontifical Catholic University of Peru, where he honed his skills and embarked on a journey toward profound artistic exploration.

      The trajectory of Szyszlo’s career was irrevocably altered by his travels throughout Europe in the late 1940s. Immersing himself in the works of Old Masters like Rembrandt, Titian, and Tintoretto, he absorbed a mastery of dramatic lighting and emotional intensity that would later inform his unique approach to shadow and depth. His time in Paris and Florence between 1948 and 1955 placed him at the heart of the vibrant Latin American avant-garde scene centered around Café Flore. Engaging in spirited dialogues with luminaries such as the Surrealist poet Octavio Paz and André Breton, Szyszlo grappled with a central, defining tension: how to reconcile international modernist ideals with the preservation of a distinct Latin American cultural identity.

      A Synthesis of Modernity and Myth

      Upon returning to Peru, Szyszlo became a catalyst for artistic renewal, pushing boundaries by expressing Peruvian subjects in non-representational forms. This was a bold departure from the prevailing stylistic conventions of indigenism that dominated the era. His work sought to reinvent Surrealist themes within a Latin American context, focusing less on mere artistic conceit and more on the deep-seated feelings connected to indigenous mysticism. By weaving pre-Columbian imagery and Incan motifs into the fabric of abstraction, he created a visual language that felt both ancient and avant-garde.

      His technique was characterized by a masterful manipulation of texture and light. Through the use of thick impasto, layered colors, and a frequently muted palette, Szyszlo evoked the weathered surfaces of archaeological relics and the atmospheric weight of Andean landscapes. His paintings often feature:

      • Lyrical color palettes that balance earthy tones with sudden, striking hues.
      • Geometric forms that suggest the structural permanence of ancient architecture.
      • Textural richness created through heavy layering to evoke a sense of geological time.
      • Ambiguous shapes that invite the viewer into a state of contemplative, surrealist wonder.

      Legacy and Historical Significance

      The historical significance of Fernando de Szyszlo cannot be overstated; he was the bridge between the ancestral past and the modern future. His ability to articulate modernity through pre-Columbian symbolism generated a profound rupture with tradition while simultaneously entering into a deep, respectful dialogue with it. He did not merely paint abstractly; he sought to find the "soul" of Peru within the language of international abstraction, ensuring that the indigenous spirit was not lost in the transition to modernism.

      Beyond his canvas, Szyszlo was a humanist and an educator, serving as a professor of art at Cornell University and contributing significantly to the intellectual life of his country. Today, his legacy is preserved in some of the world's most prestigious institutions, including The Museum of Modern Art (MoMA) in New York, the Museum of Fine Arts in Houston, and the Museo de Arte Contemporaneo Arequipa. As we approach the centenary of his birth, Szyszlo remains a vital subject of study, reminding us that true innovation often lies in the courageous act of remembering.

      § 5Comparanda

      § 6Questions

      주요 정보

      • Subject or theme: Landscape
      • Influences: Rembrandt
      • Artistic style: Formalist
      • Year: 1992
      • Notable elements or techniques: Knife painting

      아트 퀴즈

      각 질문의 정답은 하나뿐입니다.

      문항 1:
      What artistic movement is Fernando de Szyszlo primarily associated with?
      문항 2:
      The painting depicts a person holding what prominent object?
      문항 3:
      What is the overall atmosphere conveyed by the painting's dark background and close-up view?
      문항 4:
      Fernando de Szyszlo’s artistic vision was influenced by what cultural heritage?
      문항 5:
      What is the painting's technique characterized by?

      § 7Cite this entry

      AllPaintingsStore.com, “Fernando de Szyszlo, Duino-Nueve (Orrantia/92) (1992)”, https://allpaintingsstore.com/ko/art/fernando-de-szyszlo-duino-nueve-orrantia-92-D48BGY-en/ArtistReproduction/ (accessed 2 10월 2026).

      § 8The reproduction

      핸드메이드 유화 복제화

      작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환 디지털 이미지 판매 채널로 전환)

      It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

      Duino-Nueve (Orrantia/92)

      재현 매체

      복제본 규격

      -

      최정상급 시니어 아티스트

      더욱 세밀한 묘사와 정교함, 그리고 충분한 제작 시간

      -

      복제화 액자 옵션

      -

      -

      가로 또는 세로 중 어느 한 면이라도 105cm(약 41인치)를 초과하는 작품이나 복제화의 경우, 프레임은 분해된 키트 형태로 배송됩니다. 이는 안전한 배송을 보장하고 운송 중 발생할 수 있는 손상을 방지하기 위함입니다.

      전문가 조립 권장 - 본 제품은 DIY용이 아닙니다.
      해당 키트는 숙련된 전문 프레임 제작자가 목공용 풀(별도 구매), 캔버스 스트레칭 플라이어 및 풀이 마르는 동안 나무 틀의 수평을 유지할 클램프를 사용하여 캔버스를 팽팽하게 고정하고 조립해야 합니다. 잘못된 조립이나 불균형한 캔버스 장력은 작품에 영구적인 손상을 입힐 수 있으며, 이로 인한 손상은 보증 범위에 포함되지 않습니다.

      • 모든 고형목재 부재가 포함되어 있으며, 정확한 크기로 정밀하게 재단되었습니다.

      • 제공된 나사를 사용하여 조립하며, 모서리 접합부용 목공용 풀은 포함되어 있지 않으므로 제작자께서 별도로 준비해 주셔야 합니다.

      • 전문가용 도구가 필요하며 키트에 포함되어 있지 않습니다: 캔버스 스트레칭 플라이어(텐셔너)와 접착제가 마르는 동안 나무 틀의 수평을 유지하기 위한 클램프가 필요합니다.

      주의사항:
      모서리 접합부에는 목공용 풀이 필요하며, 풀이 완전히 마를 때까지 클램프로 바(bar)를 고정해야 합니다. 또한 조립된 프레임에 캔버스를 팽팽하게 당기려면 캔버스 스트레칭 플라이어가 필요합니다. 이 제품들 중 어느 것도 키트에 포함되어 있지 않습니다. 이 사이즈를 주문하시기 전에 숙련된 전문 액자 제작업체를 미리 섭외하시기 바랍니다.

      캡션

      -

      -

      보호용 바니시

      유광 바니시(색감을 선명하게 하며 빛과 습기로부터 보호함)

      -

      내 작품 맞춤 설정

      변경 가능한 예시: 얼굴을 고객의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경.

      -

      긴급 배송

      전 세계 배송()은 기존 5주의 표준 기간 대신 3~4주 내에 완료됩니다. (30 10월). 품질에는 어떠한 타협도 하지 않습니다.

      -

      빠른 배송

      지역 일반 배송: 약 5주 소요 (6 11월).

      기본 배송비 포함

      총 결제 금액

      ₩ 350808

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