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      아틀리에 · 2015년 설립 · 프랑스 파리
      AllPaintingsStore
      allpaintingsstore.com
      Catalogue entry

      In This Place Hand-painted oil painting – standard and custom sizes

      2010. . Women - Their Work.

      Fig. 1. Leah Devun, In This Place, 2010. Shown as the reproduction you are specifying: , .

      § 1Catalogue data

      § 2Abstract

      작가 소개

      Leah Devun: Contemporary artist & historian exploring queer & feminist narratives through photography. See her work featured in Artforum, Huffington Post & more.

      § 3Commentary

      § 4The artist

      Leah Devun

      Leah Devun

      1980 - , United States of America

      Quick facts about Leah Devun

      • Full Name: Leah Devun
      • Nationality: American
      • Date Of Birth: 1980
      • Place Of Birth: Brooklyn, United States of America
      • Notable Artworks:
        • In This Place
        • Early Morning Goodbye
        • Our Hands on Each Other
      • Artistic Movement Or Style: Contemporary art

      작가 소개

      A Life Interwoven with History: The Art of Leah DeVun

      Leah DeVun, born in Brooklyn, New York, in 1980, is a figure whose work seamlessly bridges the realms of academic history and contemporary art. Her journey began with a rigorous education—a B.A. and Ph.D. from Columbia University—that laid a foundation for her multifaceted career as an Associate Professor at Rutgers University, specializing in women’s and gender history. However, DeVun is not confined to the ivory tower; she is a practicing artist whose photography delves into the often-overlooked narratives of queer and feminist experiences, transforming historical inquiry into compelling visual storytelling. Her work isn't simply *about* history; it actively engages with it, reinterpreting and reclaiming marginalized voices through a distinctly contemporary lens.

      Unearthing Queer Landscapes: Photography as Historical Reclamation

      DeVun’s artistic practice centers on photography, employed not merely as a medium for documentation but as a tool for excavation. Her most celebrated project, “Our Hands on Each Other,” exemplifies this approach. The series presents evocative photographs of the landscapes inhabited by rural lesbian communes—spaces that represent attempts at self-sufficiency, community building, and resistance against societal norms. These aren’t idealized depictions; they are grounded in the realities of these communities, acknowledging both their utopian aspirations and the challenges they faced. Through careful composition and a sensitive eye for detail, DeVun imbues these landscapes with a sense of quiet dignity, inviting viewers to contemplate the histories embedded within them. The project is more than just visual documentation; it’s an act of remembrance, ensuring that these often-erased spaces and the lives lived within them are not forgotten. Her work has garnered attention in prominent publications like *Artforum*, *Huffington Post*, *Art Papers*, and *Hyperallergic*, demonstrating its resonance with contemporary audiences interested in intersectional histories.

      From Alchemy to Archives: A Broadening Scope of Inquiry

      DeVun’s intellectual curiosity extends beyond the visual realm, manifesting in a prolific body of written work. Her first book, *Prophecy, Alchemy, and the End of Time* (Columbia University Press, 2009), explored esoteric traditions as sites of resistance and alternative knowledge systems. This early work reveals a fascination with marginalized voices and unconventional forms of understanding—a theme that would continue to permeate her later projects. Her more recent publication, *The Shape of Sex: Nonbinary Gender from Genesis to the Renaissance* (Columbia University Press, 2021), is a landmark achievement in gender studies. This meticulously researched book challenges conventional understandings of gender as a binary construct, tracing the historical presence of nonbinary identities across centuries and cultures. The work received the prestigious Margaret W. Rossiter History of Women in Science Prize, solidifying DeVun’s position as a leading scholar in her field. She also co-edited *Trans*historicities*, a special issue of *TSQ: Transgender Studies Quarterly*, further demonstrating her commitment to expanding the boundaries of transgender studies and challenging established historical narratives.

      Influences and Artistic Development

      DeVun’s work is informed by a diverse range of intellectual and artistic influences. Her engagement with feminist theory, queer studies, and critical animal studies shapes her approach to history and representation. She draws inspiration from artists who challenge conventional norms and explore marginalized identities, but also from the very archives she seeks to reinterpret. The ONE National Gay and Lesbian Archives, for example, serves as a crucial source of material for her work, prompting her to question traditional archival practices and uncover hidden histories. Her artistic development reflects a growing sophistication in both visual technique and theoretical understanding—a willingness to experiment with form and content while remaining deeply committed to social justice and historical accuracy.

      Historical Significance and Contemporary Relevance

      Leah DeVun’s contribution lies in her ability to seamlessly integrate academic rigor with artistic expression, creating work that is both intellectually stimulating and emotionally resonant. She doesn't simply present history; she *performs* it, using photography as a medium for reclaiming marginalized voices and challenging dominant narratives. Her exploration of queer landscapes, nonbinary identities, and feminist legacies has had a significant impact on contemporary art and scholarship. Her work resonates with current conversations about identity, representation, and social justice, offering a powerful reminder that history is not a fixed entity but an ongoing process of interpretation and reinterpretation. Through her art and writing, DeVun invites us to reconsider the past—and in doing so, to imagine a more inclusive and equitable future.

      § 5Comparanda

      § 6Questions

      § 7Cite this entry

      AllPaintingsStore.com, “Leah Devun, In This Place (2010)”, https://allpaintingsstore.com/ko/art/leah-devun-in-this-place-D9WDPR-en/ArtistReproduction/ (accessed 1 10월 2026).

      § 8The reproduction

      핸드메이드 유화 복제화

      작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환 디지털 이미지 판매 채널로 전환)

      It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

      In This Place

      재현 매체

      복제본 규격

      -

      최정상급 시니어 아티스트

      더욱 세밀한 묘사와 정교함, 그리고 충분한 제작 시간

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      복제화 액자 옵션

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      -

      가로 또는 세로 중 어느 한 면이라도 105cm(약 41인치)를 초과하는 작품이나 복제화의 경우, 프레임은 분해된 키트 형태로 배송됩니다. 이는 안전한 배송을 보장하고 운송 중 발생할 수 있는 손상을 방지하기 위함입니다.

      전문가 조립 권장 - 본 제품은 DIY용이 아닙니다.
      해당 키트는 숙련된 전문 프레임 제작자가 목공용 풀(별도 구매), 캔버스 스트레칭 플라이어 및 풀이 마르는 동안 나무 틀의 수평을 유지할 클램프를 사용하여 캔버스를 팽팽하게 고정하고 조립해야 합니다. 잘못된 조립이나 불균형한 캔버스 장력은 작품에 영구적인 손상을 입힐 수 있으며, 이로 인한 손상은 보증 범위에 포함되지 않습니다.

      • 모든 고형목재 부재가 포함되어 있으며, 정확한 크기로 정밀하게 재단되었습니다.

      • 제공된 나사를 사용하여 조립하며, 모서리 접합부용 목공용 풀은 포함되어 있지 않으므로 제작자께서 별도로 준비해 주셔야 합니다.

      • 전문가용 도구가 필요하며 키트에 포함되어 있지 않습니다: 캔버스 스트레칭 플라이어(텐셔너)와 접착제가 마르는 동안 나무 틀의 수평을 유지하기 위한 클램프가 필요합니다.

      주의사항:
      모서리 접합부에는 목공용 풀이 필요하며, 풀이 완전히 마를 때까지 클램프로 바(bar)를 고정해야 합니다. 또한 조립된 프레임에 캔버스를 팽팽하게 당기려면 캔버스 스트레칭 플라이어가 필요합니다. 이 제품들 중 어느 것도 키트에 포함되어 있지 않습니다. 이 사이즈를 주문하시기 전에 숙련된 전문 액자 제작업체를 미리 섭외하시기 바랍니다.

      캡션

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      -

      보호용 바니시

      유광 바니시(색감을 선명하게 하며 빛과 습기로부터 보호함)

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      내 작품 맞춤 설정

      변경 가능한 예시: 얼굴을 고객의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경.

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      긴급 배송

      전 세계 배송()은 기존 5주의 표준 기간 대신 3~4주 내에 완료됩니다. (29 10월). 품질에는 어떠한 타협도 하지 않습니다.

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      빠른 배송

      지역 일반 배송: 약 5주 소요 (5 11월).

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