Gwarancja zwrotu pieniędzy · 100 dni Darmowa dostawa na cały świat
449 587dzieła sztuki 30 613artyści 4 660muzea 32język
Waluta
    Język
      Atelier · Est. 2015 · Paryż, Francja
      AllPaintingsStore
      allpaintingsstore.com
      Podgląd w skali 1:1 Podgląd AR Zamów ręcznie malowaną reprodukcję Przejdź do wersji cyfrowej Wyślij jako kartkę
      Szczegóły dzieła Przewodnik Dodaj do ulubionych Pobierz obraz Podobne obiekty RTG Pokaz slajdów Q&A Statystyki

      Supporting figures

      A master of the late Baroque and early Rococo styles, Balthasar Permoser is renowned for his monumental Zwinger palace sculptures and the Apotheosis of Prince Eugene, inviting you to discover his dramatic stone legacies.

      Giclée / Wydruk artystyczny

      Wydruki giclée lub płótna o jakości muzealnej, szybka realizacja i szeroki wybór opcji wykończenia. ( Zamów ręcznie malowaną reprodukcję Przejdź do wersji cyfrowej)

      Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118B zł10
      Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118H zł10
      Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P118W zł10
      Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
      P438Z zł10
      Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508JH zł12
      Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P508YH zł12
      Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805H zł10
      Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
      P805Z zł10
      Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919BZ zł10
      Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919G zł10
      Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
      P919XJ zł10
      Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
      P959ZH zł10
      Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
      P968JZ zł12
      Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
      W106C zł8
      Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218G zł10
      Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218JH zł8
      Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
      W218Y zł10
      Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W307PJ zł10
      Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316G zł10
      Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316PJ zł8
      Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
      W316Y zł10
      Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
      W398PJ zł8
      Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
      W4111J zł10
      Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500HY zł15
      Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
      W500JH zł15
      Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
      W692G zł12
      Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
      W849H zł8
      Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
      W940BG zł15
      Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
      W953PJ zł8

      Standardowy format
      personalizowane
      CM
      INCH

      Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.

      szerokość
      wysokość

      Wpisz wymaganą szerokość i wysokość, aby dopasować grafikę do ramy lub ściany. Wydruk można jedynie przyciąć, nigdy nie powiększając go poza oryginalny obraz, dlatego format o innych proporcjach spowoduje utratę części kompozycji. Przed rozpoczęciem druku prześlemy Ci cyfrowy podgląd do zatwierdzenia. Obraz wyświetlany na tej stronie nie pokazuje rzeczywistego przycięcia — jedynie podgląd oddaje ten efekt.

      Dostawa na cały świat () w ciągu 2 tygodni zamiast standardowych 4/5 tygodni. (31 Październik)

      Bezpłatna ekspresowa wysyłka na cały świat
      Wysokiej jakości płótno lniane
      Pełne ubezpieczenie przesyłki
      Gwarancja zwrotu należności celnych i podatków importowych
      Gwarancja wiernego odwzorowania kolorów
      100-dniowa polityka zwrotów (tylko w przypadku wad)
      Gwarancja 100% zwrotu pieniędzy
      Zniżka przy zakupie wielu sztuk

      Suma całkowita

      zł 249

      Supporting figures

      Giclée / Wydruk artystyczny

      Wymiary reprodukcji

      -

      Cena całkowita

      zł 249

      Najważniejsze informacje

      • Movement: Baroque
      • Year: 1700
      • Artist: Balthasar Permoser
      • Influences: Renaissance
      • Medium: Stone Sculpture

      Quiz o sztuce

      Do każdego pytania dotyczy tylko jedna poprawna odpowiedź.

      Pytanie 1:
      What architectural structure is the photograph depicting?
      Pytanie 2:
      Which artistic style characterizes Permoser's sculpture?
      Pytanie 3:
      What is a prominent feature of the photograph’s composition regarding the sculptures?
      Pytanie 4:
      The laurel wreaths adorning the figures symbolize:
      Pytanie 5:
      What technique was employed in creating the photograph?

      A Symphony of Stone: Examining Balthasar Permoser’s “Supporting Figures”

      Balthasar Permoser's "Supporting Figures," executed around 1700, stands as a testament to the grandeur and meticulous craftsmanship characteristic of Baroque sculpture. This monumental piece—likely adorning the Zwinger Gallery in Dresden—captures not merely form but also an ethos of opulent decoration and symbolic representation deeply rooted in the artistic fervor of its time.

      • Subject Matter & Composition: The sculpture depicts three male figures draped in richly ornamented robes, embodying a classical ideal of strength and nobility. Their poses are deliberately balanced, mirroring the architectural framework surrounding them—columns that ascend vertically to create a sense of stability and grandeur. Permoser’s masterful framing prioritizes detail, drawing the viewer's eye into the intricate carvings that adorn each figure’s attire and facial features.
      • Style & Technique: Permoser’s work exemplifies Baroque sculpture’s penchant for dynamism and dramatic expression. Employing a technique honed by masters like Giovanni Battista Falconetti, he skillfully manipulates stone—likely sandstone or marble—to achieve remarkable textural depth and luminosity. The photograph itself captures this tactile quality, mirroring the sculptor's dedication to conveying the materiality of his creation.
      • Historical Context: Created during the reign of Augustus II Frederic, Permoser’s sculpture reflects the broader artistic ambitions of Dresden’s Zwinger Palace complex—a project designed to rival Versailles and solidify Saxony’s position as a cultural powerhouse. The Baroque style served as a vehicle for asserting royal authority and celebrating humanist ideals.
      • Symbolism & Emotional Impact: The laurel wreaths encircling each figure speak volumes about honor and victory, aligning with the prevailing religious fervor of the era. Furthermore, the varied expressions—ranging from serene contemplation to solemn dignity—suggest a narrative intent, inviting viewers to contemplate themes of virtue and aspiration. Permoser’s sculpture transcends mere ornamentation; it communicates profound emotional resonance.
      • Detailed Examination: The photograph's meticulous attention to lighting reveals how Permoser utilized chiaroscuro – the interplay of light and shadow – to sculpturally define each figure, emphasizing contours and creating a palpable sense of volume. Fine lines delineate the drapery folds and facial features with astonishing precision, demonstrating Permoser’s mastery of sculptural technique.

      “Supporting Figures” remains an enduring emblem of Baroque artistry—a captivating fusion of form, texture, and symbolism that continues to inspire admiration and intrigue. Its reproduction offers a chance to experience the sublime beauty of Permoser's vision within the context of Dresden’s magnificent Zwinger Gallery.

      Pytania i odpowiedzi

      Czy mogę zamówić olejną reprodukcję "Supporting figures"?

      "Supporting figures" jest dostępny jako ręcznie malowana reprodukcja olejowa na płótnie lnianym. Zamówienie można złożyć na stronie Ręcznie malowana reprodukcja, wybierając preferowany rozmiar.

      Któremu artyście przypisuje się "Supporting figures"?

      Autorem dzieła „Supporting figures” jest Balthasar Permoser. Praca ta figuruje w katalogu pod nazwiskiem Balthasar Permoser.

      Jak technika i ruch łączą się w "Supporting figures"?

      W "Supporting figures" technika Acrylic On Canvas łączy się z nurtem Baroque Sculpture.


      Biografia artysty

      A Master of Stone and Spirit

      Balthasar Permoser stands as one of the most commanding figures in the history of European sculpture, a virtuoso whose hands breathed life into marble, ivory, and stone. His artistic journey was a grand odyssey across the cultural heart of Europe, beginning in Salzburg. Born in Kammer bei Waging, his early training took place within the workshop of Wolf Weißenkirchner the Younger before he moved to Vienna, where he mastered the delicate and intricate art of ivory carving. This foundational period instilled in him a precision that would later allow him to navigate the transition from the dramatic intensity of the late Baroque to the more graceful, light-filled nuances of the early Rococo.

      The maturation of Permoser’s style was profoundly shaped by his long sojourn in Florence. For fourteen years, he worked within the studio of Giovanni Battista Foggini, an experience that infused his German roots with the warmth and theatricality of the Italian tradition. This period of immersion allowed him to absorb the classical elegance and emotional depth necessary to create works that were not merely decorative, but profoundly narrative. His ability to blend these diverse influences—the meticulousness of ivory carving, the structural strength of German sculpture, and the fluid grace of Italian Baroque—set the stage for his rise as a premier sculptor of his generation.

      The Grandeur of Dresden and Beyond

      Permoser’s career reached its zenith when he was called to Dresden in 1689 by Johann Georg III, Elector of Saxony. It was here that his monumental vision found its most enduring canvas. Working alongside the architect Matthäus Daniel Pöppelmann, Permoser became a central figure in the creation of the Zwinger palace. His contributions to this architectural masterpiece are legendary; he provided the sculptural details for the Nymphenbad fountain and, most famously, sculpted the festive, flexing, and grimacing atlantes for the Wallpavillon. These figures, characterized by their muscular tension and expressive vitality, remain some of his most celebrated achievements, embodying the very essence of the Roman Baroque.

      His reach extended far beyond the borders of Saxony, as evidenced by his significant works in other European centers:

      • In Salzburg, he sculpted the powerful atlantes for the west doorway of the Hofstallung.
      • During his time near Berlin, between 1704 and 1710, he contributed to the splendor of the Schloß Charlottenburg.
      • His masterpiece, the Apotheosis of Prince Eugene, created in the early 18th century, stands as a breathtaking marble testament to his ability to orchestrate theatrical, divine events in stone.

      Throughout his life, Permoser’s work served as a powerful tool of political and spiritual propaganda, elevating historical figures to celestial heights. Whether capturing the agony of Marsyas or the seasonal personifications of winter, his sculptures possess an inimitable ability to capture both the physical form and the underlying emotional truth. He remains a pivotal figure whose evolving style bridged two eras, leaving behind a legacy of stone that continues to resonate with the grandeur of a bygone age.

      Balthasar Permoser

      Balthasar Permoser

      1651 - 1732 , Austria

      Krótka nota

      • Artistic Movement Or Style: Late Baroque and early Rococo
      • Artists Who Influenced This Artist:
        • Wolf Weißenkirchner the Younger
        • Giovanni Battista Foggini
      • Full Name: Balthasar Permoser
      • Nationality: German
      • Notable Artworks:
        • Apotheosis of Prince Eugene
        • Marsyas
        • Supporting Figures
        • Hercules garden sculptures
      • Place Of Birth: Salzburg, Austria
      • Date Of Birth: 1651
      • Date Of Death: 1732