Gwarancja zwrotu pieniędzy · 100 dni Darmowa dostawa na cały świat
449 564dzieła sztuki 30 613artyści 4 660muzea 32język
Wpis do katalogu

Lilac

1951. Oil On Canvas, 79.0 x 95.0 cm.

Ryc. 1. Piotr Konchalowski, Lilac, 1951. Przedstawiono jako wybraną przez Ciebie reprodukcję: , .

§ 1Dane katalogowe

Wymiary
79.0 x 95.0 cm

§ 2Abstrakcja

Opis obiektu

Experience Konchalovsky's 'Lilac,' a vibrant still life capturing the beauty of spring. This 1951 masterpiece blends Fauvist color with Russian artistry.

Biografia artysty

Pyotr Konchalovsky (1876-1956) – rosyjski malarz, łączący impresjonizm z fauwizmem i realizmem socjalistycznym. Odkryj jego pejzaże, portrety i ikoniczne dzieła sztuki.

§ 3Komentarz

Lilac by Pyotr Konchalovsky: A Study in Color and Memory

Pyotr Konchalovsky's "Lilac," painted in 1951, is a captivating still life that exemplifies the artist’s mastery of color and his ability to evoke a sense of quiet nostalgia. This piece, measuring 79 x 95 cm, showcases a simple yet profound arrangement of lilac blossoms nestled within a blue glass vase, set against a muted background. The artwork's enduring appeal lies in its harmonious composition and the emotional resonance it creates through Konchalovsky’s skillful use of color and brushwork.

Artistic Background & Style

Born in 1876 in Slavianka, Ukraine, Pyotr Konchalovsky was deeply immersed in the Russian art scene from a young age. His father's profession as an art publisher exposed him to a world of creativity and artistic expression. Konchalovsky received formal training at the Moscow School of Painting, Sculpture, and Architecture before becoming a prominent figure within the influential Jack of Diamonds group. This association positioned him at the forefront of Russian avant-garde movements, known for their experimentation with form and color.

"Lilac" reflects Konchalovsky's engagement with Fauvism, a style characterized by bold colors and energetic brushstrokes. While not strictly adhering to all tenets of Fauvism, the painting shares its emphasis on emotional expression through vibrant hues rather than strict representational accuracy. The artist’s technique involves visible brushwork, adding texture and dynamism to the composition.

Subject & Technique

The subject matter—a simple still life of lilacs in a blue vase—is rendered with remarkable sensitivity. Konchalovsky's choice of lilac is significant; these flowers often symbolize love, innocence, remembrance, and first love. The blue glass vase provides a striking contrast to the purple hues of the blossoms, creating visual interest and depth. The artist employs an oil on canvas technique, allowing for rich color saturation and textural variation. Thick impasto brushwork is particularly noticeable on the petals and foliage, giving the flowers a tactile quality that invites closer inspection.

The lighting appears to be natural, casting soft shadows that enhance the volume and form of the objects. The perspective is relatively simple, creating a sense of intimacy and drawing the viewer into the scene. Konchalovsky’s signature “W. Konradi-Schrein 1951” is discreetly placed in the upper left corner.

Symbolism & Emotional Impact

"Lilac" transcends its status as a mere still life; it's an exploration of memory, beauty, and the fleeting nature of time. The choice of lilacs evokes feelings of nostalgia and gentle reflection. The painting’s overall effect is one of tranquility and understated elegance. It invites viewers to pause and appreciate the simple pleasures in life—the beauty of a flower, the warmth of sunlight, and the quiet moments of contemplation.

Reproductions & Legacy

For art enthusiasts seeking to bring the timeless charm of "Lilac" into their homes or collections, high-quality, handmade oil painting reproductions are available. These meticulously crafted reproductions capture the essence of Konchalovsky’s original work, preserving its vibrant colors and textural richness. Pyotr Konchalovsky's contribution to Russian art remains significant, influencing generations of artists with his unique blend of traditional techniques and avant-garde sensibilities.

To learn more about the artist, visit his page on Wikipedia: Petr Konchalovsky.

Pytania i odpowiedzi

Do jakiego nurtu w sztuce należy „Lilac” – Piotr Konchalowski?

„Lilac” – Piotr Konchalowski należy do nurtu Fauvism. Nurt ten stanowi stylistyczny kontekst dzieła.

Gdzie mogę znaleźć statystyki dotyczące „Lilac” – Piotr Konchalowski?

Dla dzieła „Lilac” dostępna jest strona Statystyki wyświetleń. Przedstawia ona miesięczną liczbę odwiedzin tego dzieła oraz innych prac artysty, z podziałem na kraje i języki.

Kto jest autorem dzieła "Lilac" i do jakiego nurtu ono należy?

Za dziełem "Lilac" stoi Piotr Konchalowski oraz nurt Fauvism.

§ 4Artysta

Piotr Konchalowski

Piotr Konchalowski

1876 - 1956, Rosja

Krótkie informacje o Piotr Konchalowski

  • Artistic Movement Or Style: Postimpresjonizm, Realizm
  • Artists Or Movements Influenced By This Artist: ['Mir Iskusstva']
  • Artists Who Influenced This Artist:
    • Paul Cézanne
    • Van Gogh
  • Date Of Birth: 21 lutego 1876
  • Date Of Death: 2 lutego 1956
  • Full Name: Pyotr Petrovich Konchalovsky
  • Nationality: Rosyjski
  • Notable Artworks:
    • Niebory
    • Kawałek
    • Portret
  • Place Of Birth: Charków, Rosja

Biografia artysty

A Life Immersed in the Russian Artistic Spirit

Pyotr Petrovich Konchalovsky, born February 21, 1876, in the village of Slavianka near Kharkiv, was more than just a painter; he was a visual chronicler of a Russia undergoing profound transformation. His artistic journey mirrored the nation’s own tumultuous passage through revolution and ideological shifts, marked by a relentless search for new forms of expression. Konchalovsky's upbringing steeped him in an atmosphere rich with intellectual and creative currents. His father, Petr Petrovich Konchalovsky, was a respected translator and art publisher whose Moscow home became a vibrant hub frequented by leading artists of the era—Valentin Serov, Mikhail Vrubel, Vasily Surikov all graced their residence after the family’s move to the capital in 1889. This early exposure wasn't merely observational; it instilled within young Pyotr a deep appreciation for artistic expression and laid the foundation for his future path. Weekends spent absorbing the masterpieces at the Tretyakov Gallery proved formative, shaping his aesthetic sensibilities with the power of Russian masters.

From Parisian Influences to Avant-Garde Innovation

Konchalovsky’s formal training began at the Moscow School of Painting, Sculpture and Architecture, but a pivotal period followed in Paris from 1896 to 1898 at the Académie Julian. This immersion in the French art world proved transformative. He encountered the groundbreaking work of Paul Cézanne and Vincent van Gogh, artists who challenged conventional representation and explored new ways of perceiving form and color. A subsequent journey to Arles allowed him a deeper understanding of Van Gogh’s artistic vision—a pilgrimage into the heart of expressive intensity. Returning to Russia, he continued his studies at the Imperial Academy of Arts in Saint Petersburg, graduating in 1907. However, it was upon his return that Konchalovsky truly began to forge his own distinctive style. He became a central figure in the Russian avant-garde movement, co-founding the influential “Jack of Diamonds” (Knave of Diamonds) society in 1910. This group rejected academic traditions and championed experimentation, seeking inspiration not only from Western European modernism but also from Russia’s own folk art traditions—icons, tavern signs, and colorful popular prints known as *lubok*. The society aimed to break free from the constraints of traditional artistic conventions and explore new possibilities in composition, color, and subject matter. Konchalovsky's role as its chairman was crucial in shaping its direction and promoting its radical ideas.

Navigating Shifting Ideologies: Style and Subject Matter

Konchalovsky’s artistic style evolved throughout his career, reflecting both personal exploration and the changing political climate of Russia. Initially influenced by Fauvism and Cézanne, his early works were characterized by bold colors, simplified forms, and a focus on structure. Paintings like “Still Life with a Coffeepot” exemplify this period, showcasing a vibrant palette and a dynamic composition. He was particularly drawn to the expressive potential of color, often employing intense hues and contrasting tones to create visual drama. Following service in the Russian army during World War I, Konchalovsky’s style began to shift. The rise of Socialist Realism under the Soviet regime demanded art that served ideological purposes, celebrating socialist ideals and portraying prominent figures. While this represented a departure from his earlier avant-garde explorations, Konchalovsky adapted, becoming known for his ceremonial portraits. Despite these changes, he maintained a distinctive artistic voice, infusing even his more politically charged works with a sense of solidity and monumentality. He skillfully blended elements of traditional Russian painting techniques with the demands of the new regime, creating images that were both aesthetically pleasing and ideologically aligned. His work during this period often featured grand compositions and heroic figures, reflecting the Soviet emphasis on collective effort and national pride.

A Prolific Output: Key Themes & Subjects

Konchalovsky’s vast body of work reveals recurring themes and subjects that demonstrate his artistic preoccupations. Still lifes were a constant throughout his career, allowing him to explore form, color, and composition in a controlled environment. He often depicted everyday objects—fruits, flowers, dishes—imbuing them with a sense of weight and presence. His still lifes weren’t merely representations of objects; they were carefully constructed arrangements designed to evoke specific emotions and ideas. Landscapes, particularly those inspired by his travels, also held a special place in his oeuvre, capturing the beauty and grandeur of the natural world. However, it was perhaps in portraiture that Konchalovsky truly excelled, creating compelling likenesses of his contemporaries, often imbued with psychological depth. His portraits ranged from intimate depictions of family members to grand ceremonial representations of Soviet officials. He also experimented with genre scenes and historical subjects, demonstrating a willingness to tackle diverse artistic challenges. The sheer volume of his work—over 5,000 pieces—is a testament to his tireless dedication and unwavering commitment to the art of painting. He was a master of observation, capable of transforming the mundane into something extraordinary through the power of his vision.

Legacy and Enduring Significance

Pyotr Konchalovsky’s contribution to Russian art is undeniable. He bridged the gap between early modernism and Socialist Realism, navigating complex political currents while remaining a significant artistic force. His first solo exhibition at the Tretyakov Gallery in 1922 solidified his reputation as one of Russia's leading artists. Beyond his own work, Konchalovsky fostered a family deeply involved in the arts; his son, Mikhail Petrovich Konchalovsky, became a renowned film director, and his daughter, Natalia Konchalovskaya, was an accomplished artist herself. His paintings are not merely aesthetically pleasing objects but historical documents, reflecting the tumultuous period in which they were created. They offer valuable insights into the evolution of Russian art and the challenges faced by artists operating within a rapidly changing society. Konchalovsky’s ability to adapt while maintaining a distinctive style cemented his place as a key figure in Russian art history, leaving behind a legacy that continues to inspire and captivate audiences today. His work stands as a testament to the resilience of artistic expression in the face of political upheaval, and his influence can still be seen in contemporary Russian art.

§ 5Podobne dzieła

§ 6Pytania

Najważniejsze informacje

  • Dimensions: 79 x 95 cm
  • Title: Lilac
  • Artist: Pyotr Konchalovsky
  • Influences:
    • Paul Cézanne
    • Vincent van Gogh
  • Artistic style: Realism

Quiz o sztuce

Do każdego pytania dotyczy tylko jedna poprawna odpowiedź.

Pytanie 1:
What artistic movement is Pyotr Konchalovsky’s “Lilac” most closely associated with?
Pytanie 2:
According to the description, what is a symbolic meaning often attributed to lilacs?
Pytanie 3:
What year was 'Lilac' created by Pyotr Konchalovsky?
Pytanie 4:
Based on the image description, what is the background color of the painting?

§ 7Cytuj ten wpis

AllPaintingsStore.com, “Piotr Konchalowski, Lilac (1951)”, https://allpaintingsstore.com/pl/art/pyotr-konchalovsky-lilac-8XYSY5-en/ArtistReproduction/ (dostęp dnia 7 Październik 2026).

§ 8Reprodukcja dzieła

Ręcznie malowana reprodukcja olejowa

Ręcznie malowany obraz olejny na płótnie, wykonany na zamówienie przez naszych artystów w wybranym przez Ciebie wymiarze i oprawie. ( Przełącz na wydania drukowane Przejdź do wersji cyfrowej)

Informacja ta widnieje na marginesie arkusza zamówienia; obecny stan tego arkusza przedstawia się następująco.

Lilac

Technika reprodukcji

Wymiary reprodukcji

-

Wybitny mistrz artystyczny

Większa szczegółowość, finezja i dodatkowy czas na realizację

-

Opcje oprawy reprodukcji

-

-

W przypadku dzieł sztuki lub reprodukcji, których którykolwiek z boków przekracza 105 cm (około 41 cali), rama zostanie wysłana w formie zestawu do samodzielnego montażu. Metoda ta zapewnia bezpieczną dostawę i zapobiega uszkodzeniom podczas transportu.

Wymagany profesjonalny montaż – nie jest to produkt typu DIY.
Zestaw musi zostać złożony, a płótno naciągnięte przez doświadczonego profesjonalnego ramiarza, przy użyciu kleju do drewna (brak w zestawie), kleszczy do naciągania płótna oraz ścisków, które utrzymają krosna w równej pozycji podczas schnięcia kleju. Nieprawidłowy montaż lub nierównomierne napięcie płótna może trwale uszkodzić dzieło sztuki i nie podlega naszej gwarancji.

  • W zestawie znajdują się wszystkie listwy z litego drewna, precyzyjnie docięte do wymiarów.

  • Montaż odbywa się przy użyciu dołączonych wkrętów oraz kleju do drewna do łączenia narożników, którego zestaw nie zawiera i który musi zostać dostarczony przez ramiarza.

  • Wymagane są profesjonalne narzędzia, których nie ma w zestawie: kleszcze do naciągania płótna (napinacz) oraz zaciski, które pozwolą utrzymać listwy w równej pozycji podczas schnięcia kleju.

Ważne:
Do połączenia narożników niezbędny jest klej do drewna, listwy należy unieruchomić za pomocą ścisków do momentu całkowitego wyschnięcia kleju, a naciągnięcie płótna na złożoną ramę wymaga użycia kleszczy do naciągania płótna. Żaden z tych elementów nie jest dołączony do zestawu. Przed zamówieniem tego rozmiaru zalecamy konsultację z doświadczonym ramiarzem.

Etykieta obiektu

-

-

Lakier ochronny

Lakier z połyskiem (pogłębia kolory, chroni przed światłem i wilgocią)

-

Personalizacja dzieła

Przykłady możliwości personalizacji: zastąp twarz zdjęciem klienta; dodaj zwierzę domowe (np. zamień kota na psa); umieść ukrytą wiadomość w tle; zmień krajobraz lub elementy tła.

-

Ekspresowa

Dostawa na cały świat () w ciągu 3–4 tygodni zamiast standardowych 5 tygodni. (4 Listopad). Bez kompromisów w kwestii jakości.

-

Przesyłka ekspresowa

Dostawa na cały świat () w ciągu 5 tygodni. (11 Listopad).

W cenie

Cena całkowita

zł 1002

W każdym zamówieniu

  • Bezpłatna ekspresowa wysyłka na cały świat
  • Wysokiej jakości płótno lniane
  • Pełne ubezpieczenie przesyłki
  • Gwarancja zwrotu należności celnych i podatków importowych
  • Gwarancja wiernego odwzorowania kolorów
  • 100-dniowa polityka zwrotów (tylko w przypadku wad)
  • Gwarancja 100% zwrotu pieniędzy
  • Zniżka przy zakupie wielu sztuk
Odkryj dzieła sztuki uporządkowane według tematów, stylów i cech charakterystycznych.
Arkusz zamówień