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      Atelier · Est. 2015 · Paryż, Francja
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      Krótka nota

      • Museums on APS:
        • Huntington Museum of Art
        • The Morton Arboretum
      • Creative periods: mature period
      • Typical colors: neutrals
      • Top-ranked work: Over cup white oak, or, Quercus macrocarpa
      • Also known as:
        • Pierre Joseph Redoute
        • Pierre Joseph Redouté
        • Le Raphaël des roses
        • Le Raphaël des fleurs
        • Redouté
      • Color intensity:
        • balanced
        • monochromatic
      • Nationality: Belgium
      • Art period: Early Modern

      Early Life and Training

      • Born: July 10, 1759, in Saint-Hubert, Belgium
      • Family of Artists: His father and grandfather were painters; his elder brother was a scenery designer.
      • Early Career: Left home at age 13 to work as an itinerant painter, creating interior decorations, portraits, and religious commissions.
      • Move to Paris (1782): Joined his brother in painting scenery for theaters in Paris.

      Botanical Illustration and Patronage

      • Meeting Botanists: Met Charles Louis L'Héritier de Brutelle and René Desfontaines, who introduced him to botanical illustration.
      • Mentorship: Studied under L'Héritier and Gerard van Spaendonck, learning dissection techniques and watercolor handling.
      • Royal Patronage: Became draughtsman and painter to Queen Marie Antoinette.
      • Empress Joséphine’s Patronage (1798): Became the official artist for Empress Joséphine de Beauharnais at the Château de Malmaison, gaining access to a vast collection of exotic plants.
      • Teaching: Taught painting to Princess Adélaïde of Orléans in 1809.

      Major Works and Artistic Style

      • Les Liliacées (The Lilies): A series of books published between 1802 and 1816, featuring over 400 hand-colored plates depicting lily-like plants.
      • Les Roses (The Roses): Published between 1817 and 1824, containing nearly 170 plates showcasing different rose varieties.
      • Watercolor Technique: Mastered watercolor painting, using meticulous brushwork and subtle shading to capture the delicate beauty of flowers.
      • Composition: Often featured a single flower as the central focus, surrounded by leaves and stems.

      Influences and Historical Significance

      • Flemish and Dutch Flower Painters: Considered an important heir to the tradition of Brueghel, Ruysch, van Huysum, and de Heem.
      • Jan van Huysum: Inspired by the work of this Dutch eighteenth-century flower painter during his early career.
      • "Raphael of Flowers": Nicknamed for his exceptional skill and artistry.
      • Legacy: Considered one of the greatest botanical illustrators of all time, influencing subsequent generations of artists. His works remain highly valued for their precision, accuracy, and beauty.

      Later Life and Death

      • Appointment at the Museum: Appointed a master of draughtsmanship for the National Museum of Natural History in 1822.
      • Legion of Honour: Became a Chevalier of the Legion of Honour in 1825.
      • Death: Died suddenly on June 19 or 20, 1840, and was interred in Père Lachaise Cemetery.

      Pytania i odpowiedzi

      Jak mogę znaleźć dzieła artysty Pierre Joseph Redouté w konkretnej palecie barw?

      Prace artysty Pierre Joseph Redouté można przeglądać według palety kolorystycznej na stronie Według palet kolorystycznych artysty.

      Gdzie mogę zobaczyć dzieła Pierre Joseph Redouté pogrupowane według nastroju?

      Prace Pierre Joseph Redouté można przeglądać według nastroju na stronie Sztuka według nastroju, która grupuje dzieła artysty według ich przypisanego nastroju.

      Czy mogę przeglądać dzieła Pierre Joseph Redouté według techniki wykonania?

      Strona Wszystkie techniki grupuje dzieła Pierre Joseph Redouté według techniki wykonania.

      Quiz o sztuce

      Do każdego pytania dotyczy tylko jedna poprawna odpowiedź.

      Pytanie 1:
      Where was Pierre-Joseph Redouté born?
      Pytanie 2:
      Who was a significant patron of Redouté, leading to his work at the Château de Malmaison?
      Pytanie 3:
      What artistic medium was Redouté most known for using in his botanical illustrations?
      Pytanie 4:
      Which of the following best describes Redouté's nickname?