Trees
1938
35.0 x 45.0 cm
Giclée / Kunsttryk
Giclée- eller lærredstryk i museumskvalitet med hurtig produktion og fleksible muligheder for finish.
Vælg mellem vores forudindstillede størrelser, der matcher kunstværkets originale proportioner.
Du kan indtaste dine egne mål for at passe til en specifik ramme eller et bestemt område. Hvis den valgte størrelse ikke stemmer overens med det originale billedes proportioner, vil vi enten beskære kunstværket eller udvide billedet med en spejlet eller ensfarvet kant. En digital mockup vil blive sendt til din godkendelse, før produktionen påbegyndes.
Bemærk venligst, at forhåndsvisningen på skærmen ikke afspejler den faktiske beskæring eller udvidelse. Kun mockuppen vil nøjagtigt vise den endelige komposition.
Selvom specialmål er tilgængelige, anbefaler vi at vælge et mål fra den foruddefinerede liste for at bevare de originale proportioner.
Verdensomspændende levering () på 2 uger i stedet for de sædvanlige 4/5 uger. (22 juli)
Gratis ekspresforsendelse til hele verden
Lærred af linned i høj kvalitet
Fuld transportforsikring
Garanti for refusion af told og importafgifter
Garanti for præcis farvegengivelse
60 dages returret (kun ved fabrikationsfejl)
100% Tilfredshedsgaranti
Mængderabat tilgængelig
Trees
Giclée / Kunsttryk
Størrelse på reproduktion
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Samlet pris
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Kunstnerens biografi
Sir Walter Thomas Monnington: A Painter of War and Wonder
Walter Thomas Monnington (1902-1976) stands as a prominent figure in British art history, celebrated for his monumental murals, contributions to wartime artistry, and his distinguished role as President of the Royal Academy. Born in Westminster, he possessed an upbringing rooted in Sussex’s rural landscape—a formative experience that would profoundly shape his artistic vision. His early education at Ross-on-Wye Farm School instilled a deep appreciation for observation and craftsmanship, laying the groundwork for his subsequent academic pursuits. From 1918 to 1922, Monnington honed his skills at Slade School of Fine Art, securing a prestigious three-year scholarship to the British School in Rome in 1922. This immersion in Italian Renaissance art proved pivotal, influencing his stylistic sensibilities and fostering an enduring fascination with classical ideals. Notably, he achieved recognition as a painter when he won the prize for Allegory at the British School of Fine Art. The acquisition of ‘Allegory’ by the Tate Collection cemented Monnington's place within the canon of modern British art. Between 1925 and 1937, Monnington resided in London where he lectured part-time at the Royal College of Art and continued to instruct at the Royal Academy Schools. Simultaneously, he collaborated with fellow artists George Clausen and William Rothenstein on ambitious decorative schemes—one for the Bank of England and another for St Stephen’s Hall in Westminster Palace—demonstrating his versatility as a muralist and his commitment to public art projects. These undertakings showcased Monnington's ability to translate complex concepts into visually compelling narratives, reflecting the spirit of the era. The outbreak of World War II propelled Monnington into service with the Directorate of Camouflage at Leamington Spa, where he spearheaded innovative camouflage designs for airfields and factories—a contribution that ultimately resulted in the Victoria & Albert Museum acquiring his groundbreaking aircraft illustrations. Recognizing his aptitude for aviation, Monnington partnered with Barnes Wallis on the development of the Avro Lancaster bomber, providing crucial design enhancements that bolstered its effectiveness. His artistic endeavors extended beyond military commissions; he undertook portraiture projects including those of Stanley Baldwin and Earl Jellicoe, though a controversial depiction of Earl Jellicoe faced objections from his wife, Countess Jellicoe, highlighting the complexities inherent in capturing human subjects. Monnington’s legacy transcends mere artistic achievement. He served as President of the Royal Academy from 1953 to 1960, shaping the institution's direction and championing artistic excellence. His unwavering dedication to fostering creativity and promoting British art ensured that Monnington remained a vital voice within the cultural landscape for decades after his passing.Walter Thomas Monnington
1902 - 1976 , United Kingdom
Kort om kunstneren
- Artistic Movement Or Style: Impressionism
- Artists Who Influenced This Artist:
- George Clausen
- William Rothenstein
- Date Of Birth: 1902
- Full Name: Walter Thomas Monnington
- Nationality: British
- Notable Artworks:
- Allegory
- Southern England Spitfires Attacking Flying Bombs
- The Orchard
- Place Of Birth: Westminster, United Kingdom

Glasmulighed er kun tilgængelig i størrelser under 110 cm